Giving Your Piece Purpose
April 23, 2015 Inspirational Art
Covering containers is not a new concept for clayers, but how small would you go? There are all kinds of small boxes, tubes, and cases out there that can be transformed into interesting polymer container adornments. This pendant by Cyprus’ Nicolas and Nora is just one such example I dug up. They’ve given the container a very specific purpose as well, which is just about as interesting as this charming pendant.
They label these ‘prayer box necklaces’ in their Etsy listing. They go on to describe in detail what a prayer box is and how to use it by saying these are “used by religious faithful to help them focus on their specific prayer needs and to facilitate contemplation on one’s faith … most people stuff notes of prayer items into the boxes. Think about what you truly want and write it down. Writing your desires out give them energy and increase the likelihood that your wishes will be answered.”
Not only is it a nice idea, but by giving the pendant a particular purpose is also a smart way to sell. It’s not unlike staging a house. If you can show people just what they can do with what you have for them, they are much more likely to buy because they can imagine, in a very specific way, how they themselves would use your piece. So, if you do make any kind of container adornment or house decor, display and photograph the work with possible things it could contain, not as a primary presentation, but for the purpose of selling such as you would in your online shop or at a craft show. It turns the work from just something beautiful to look at (not that this shouldn’t be enough!) into something the buyer/wearer can customize and use for a more personal and connected interaction with your work.
Nicolas and Nora don’t seem to have any more of these container-style necklaces in their shop right now, but if you like this earthy, bohemian look, or are curious what other personal approaches they use to grab the interest of their potential customers, jump on over to their Etsy shop and take a look around.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.
An Accessory with Room to Play
April 22, 2015 Inspirational Art
We’re going to move from container pendants to another type of container accessory, the purse. Purses are not the easiest creations to make in polymer, but with all that open space, there is so much that could be done. And, this is one of the huge advantages of artistic container accessories–you have a lot of real estate and several sides to work with. For those of you that sell, also consider that handbags have a high price point, so all the hard work that you put into your masterpiece is more likely to be well paid for.
It would be impossible to bring this form up without mentioning the queen of polymer handbags, Kathleen Dustin. Over the last year or so she has been working in a beautiful series she calls The World Traveler, highly influenced by the amazing ceramicist Vicki Grant who I’ve featured on here a couple of times before. Kathleen’s work has a wide breadth of texture, motifs, forms and color palettes, but the approach and craftsmanship is still quite readily recognizable. She has created some very complex purses in the past, but I found this one particularly appealing because it is a bit more straightforward, and its relatively simple structure allows the treatment of the clay to really shine. I also figured, if you ever wanted to try your hand at polymer purses, you can readily see here that it can be typically purse-like but highly artistic with so much room for play.
It seems like only a handful of purses and necklaces from her recent collections have been making the rounds on the Internet, so do stop and treat yourself to a more extensive view on her website. And a happy birthday to Kathleen who, yesterday, celebrated another year on this earth and another year regaling us with her beautiful work. Keep it up for many, many more years if you would please!
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.
The Form of a Box Pendant
April 21, 2015 Inspirational Art
Here is another take on the inro form; although, the creator has labeled these “Box as Pendant” pieces. Enkhtsetseg Tserenbadam’s versions are not as heavily decorated as what we saw yesterday, but the variety of forms is a pleasure to see. The interest lies in the surface treatment and color combinations, which subtly accent the primarily organic forms.
Enkhe’s work is often hollow, although, not always in order to hold something and not always as a jewelry. She makes purses and table top boxes. She does play a lot with hollow forms in her jewelry but with many a revealing opening. Her largely minimal palettes make her forms particularly important, and that is where most of her focus lies.
Enkhe’s work can be found online, primarily on her art website.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.
A Round Take on a Traditional Case
April 20, 2015 Inspirational Art
What would you say to a week of small, wearable containers? I personally have a very particular interest (maybe a tiny bit of an obsession) with things that little treasures and secrets can be stored in. So, I’ve been digging up a number of interesting examples of wearable cases, and there is more variety in this than I would have thought.
This little beauty is styled after an inro; a traditional Japanese container that would have been hung from a waist sash. Traditional Japanese dress did not have anything like pockets, so the inros would be the method by which small necessities could be carried. They grew from purely functional objects to works of high art and have, obviously, been adopted for adornment beyond what would accompany traditional Japanese dress.
This inro style container is by Pavla Cepelikova. She created a series of these over the last couple years that she calls Beatle Inro Boxes. I believe the reference would be to the insects not to the band, but I could be wrong. The wing-like shapes created by the polymer inlay is certainly reminiscent of a beetle. The flat top works as a cap, sliding up the cord as an inro top would. Yes, we would usually see the inro in more of a box shape and with an overlapping cap, but this does work the same way. The shape and surface decoration make for an original and charming version of the traditional case. It’s a good example of taking a traditional idea and moving beyond what is usually done with it.
You can see the rest of the series on Pavla’s Flickr pages along with many other little beauties. Enjoy!
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.
Covering containers is not a new concept for clayers, but how small would you go? There are all kinds of small boxes, tubes, and cases out there that can be transformed into interesting polymer container adornments. This pendant by Cyprus’ Nicolas and Nora is just one such example I dug up. They’ve given the container a very specific purpose as well, which is just about as interesting as this charming pendant.
They label these ‘prayer box necklaces’ in their Etsy listing. They go on to describe in detail what a prayer box is and how to use it by saying these are “used by religious faithful to help them focus on their specific prayer needs and to facilitate contemplation on one’s faith … most people stuff notes of prayer items into the boxes. Think about what you truly want and write it down. Writing your desires out give them energy and increase the likelihood that your wishes will be answered.”
Not only is it a nice idea, but by giving the pendant a particular purpose is also a smart way to sell. It’s not unlike staging a house. If you can show people just what they can do with what you have for them, they are much more likely to buy because they can imagine, in a very specific way, how they themselves would use your piece. So, if you do make any kind of container adornment or house decor, display and photograph the work with possible things it could contain, not as a primary presentation, but for the purpose of selling such as you would in your online shop or at a craft show. It turns the work from just something beautiful to look at (not that this shouldn’t be enough!) into something the buyer/wearer can customize and use for a more personal and connected interaction with your work.
Nicolas and Nora don’t seem to have any more of these container-style necklaces in their shop right now, but if you like this earthy, bohemian look, or are curious what other personal approaches they use to grab the interest of their potential customers, jump on over to their Etsy shop and take a look around.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.
Read MoreWe’re going to move from container pendants to another type of container accessory, the purse. Purses are not the easiest creations to make in polymer, but with all that open space, there is so much that could be done. And, this is one of the huge advantages of artistic container accessories–you have a lot of real estate and several sides to work with. For those of you that sell, also consider that handbags have a high price point, so all the hard work that you put into your masterpiece is more likely to be well paid for.
It would be impossible to bring this form up without mentioning the queen of polymer handbags, Kathleen Dustin. Over the last year or so she has been working in a beautiful series she calls The World Traveler, highly influenced by the amazing ceramicist Vicki Grant who I’ve featured on here a couple of times before. Kathleen’s work has a wide breadth of texture, motifs, forms and color palettes, but the approach and craftsmanship is still quite readily recognizable. She has created some very complex purses in the past, but I found this one particularly appealing because it is a bit more straightforward, and its relatively simple structure allows the treatment of the clay to really shine. I also figured, if you ever wanted to try your hand at polymer purses, you can readily see here that it can be typically purse-like but highly artistic with so much room for play.
It seems like only a handful of purses and necklaces from her recent collections have been making the rounds on the Internet, so do stop and treat yourself to a more extensive view on her website. And a happy birthday to Kathleen who, yesterday, celebrated another year on this earth and another year regaling us with her beautiful work. Keep it up for many, many more years if you would please!
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.
Read MoreHere is another take on the inro form; although, the creator has labeled these “Box as Pendant” pieces. Enkhtsetseg Tserenbadam’s versions are not as heavily decorated as what we saw yesterday, but the variety of forms is a pleasure to see. The interest lies in the surface treatment and color combinations, which subtly accent the primarily organic forms.
Enkhe’s work is often hollow, although, not always in order to hold something and not always as a jewelry. She makes purses and table top boxes. She does play a lot with hollow forms in her jewelry but with many a revealing opening. Her largely minimal palettes make her forms particularly important, and that is where most of her focus lies.
Enkhe’s work can be found online, primarily on her art website.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.
Read MoreWhat would you say to a week of small, wearable containers? I personally have a very particular interest (maybe a tiny bit of an obsession) with things that little treasures and secrets can be stored in. So, I’ve been digging up a number of interesting examples of wearable cases, and there is more variety in this than I would have thought.
This little beauty is styled after an inro; a traditional Japanese container that would have been hung from a waist sash. Traditional Japanese dress did not have anything like pockets, so the inros would be the method by which small necessities could be carried. They grew from purely functional objects to works of high art and have, obviously, been adopted for adornment beyond what would accompany traditional Japanese dress.
This inro style container is by Pavla Cepelikova. She created a series of these over the last couple years that she calls Beatle Inro Boxes. I believe the reference would be to the insects not to the band, but I could be wrong. The wing-like shapes created by the polymer inlay is certainly reminiscent of a beetle. The flat top works as a cap, sliding up the cord as an inro top would. Yes, we would usually see the inro in more of a box shape and with an overlapping cap, but this does work the same way. The shape and surface decoration make for an original and charming version of the traditional case. It’s a good example of taking a traditional idea and moving beyond what is usually done with it.
You can see the rest of the series on Pavla’s Flickr pages along with many other little beauties. Enjoy!
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.
Read More