Radiating Variety

August 11, 2019

Would you say you creatively lean toward symmetry or asymmetry? Although humans are innately attracted to symmetry, we all lean towards one or the other when it comes to our aesthetic preferences. However, symmetry, which represents order, is generally found to be more pleasing to the brain than asymmetry but, interestingly enough, symmetry alone cannot make something beautiful. That’s because that orderliness can get rather boring.

This is not to say that symmetry is automatically boring, because it certainly is not. It’s all a matter of how much energy the other characteristics of that symmetrical design add to it. However, there is a kind of artistic prejudice against symmetry out there sometimes. It’s this kind of default line of thought that symmetry is not only boring but a kind of cop-out in design, that it is something primarily employed by the inexperienced and unskilled aspiring artist. That always struck me as really ridiculous. Did they think that Mother Nature should rearrange the flowers, the growth of crystals, and the patterns of butterfly wings? Because they are all symmetrical and yet, these are some of the most beautiful natural things in our world.

So, make note that it’s not symmetry that makes a design boring, it’s a lack of energy in the design. Making exciting, energized, and intriguing symmetrical work can actually be challenging so when someone does it well, it can be quite impressive. Asymmetry has an innate sense of energy simply because it is off-balance and our brain, the way it is, always thinks things are moving towards balance and thus sees asymmetrical design as something in flux. So really, asymmetry might be considered a kind of a shortcut to an energized design although, in truth, both symmetry and asymmetry have plenty of challenges to contend with when designing.

There is one type of symmetrical design, however, that does have both balance and energy almost automatically included. This is the beautiful radial symmetry seen in nature in everything from starfish to flowers to snowflakes. Its energy comes from lines or a progression of shapes moving out from a central axis. The movement in this kind of symmetry is strong and directional but it can still verge on the boring if the radiating lines do not have variation.

Let’s look at some examples of beautifully done radial symmetry.

 

Going Around the Axis

We see radial symmetry in polymer all the time, particularly in kaleidoscope canes. The process of slicing and reassembling the canes with the same point in the pattern arranged at the center creates radial symmetry. There aren’t necessarily radiating lines in these canes, but the mirrored shapes tend to create points or a kind of visual growth outward.

Here’s a beautiful five-sided kaleidoscope cane – yes, symmetry can have an and odd number of sides because the design is still consistent around a central axis – whose parts have a sense of growth moving outward. This is by the very adept cane artist Lana Fominicheva of LaFom on Etsy.

 

A more direct production of radial symmetry can be created by building with a collection of elements such as in this quilled cane design by Meg Newberg of Polymer Clay Workshop.

Cool canes, right? You can get Meg’s Quilled Cane Tutorial in her Esty shop and get to making your own as soon as you download it!

 

Radial symmetry that is neither straight nor separate lines or progressive shapes can still create energy and interest while still staying symmetrical and beautifully balanced as seen here in this locket by Ola of PinkLaLou on Etsy. The crossing over of the lines in the central image are highly energetic and flow out more than burst out from the central axis but flowing lines are still energized only in a calmer, perhaps more elegant, way.

This is a locket created with filigree and cold enamel, not polymer. At first, I thought maybe the design in the middle was cold enamel, but I think it may be an image under resin. Cold enamel is a pigmented semi-translucent resin created to look like traditional glass enamel. If you love the look of enamel but have neither the equipment nor the patience to learn that amazing craft, cold enamel might fill the bill for you. But in the meantime, you could start a radial symmetry design with the right graphic using a liquid polymer image transfer.

 

Okay, so now that you’ve seen a few examples, would you say this next piece below is radial symmetry? Scroll down before reading on and just take a quick peek. Its looks like it is, right?

Well, technically no, it isn’t, but it has all the initial markers with a central axis from which elements radiate outward in a similar pattern. However, nothing is actually symmetrical from one side to the other. Our brain perceives balance because the progression from the center feels consistent, going from radiating lines of inlaid polymer to an even boundary of solid silver to a filigree of swirls and set gems that fill the outside perimeter. But all the elements have an irregular placement, especially in the stones and swirls outside of the focal center but also in the thickness, pattern, and coloring of the inlaid polymer. So, this pendant echoes radial symmetry without being symmetrical thus giving it a tremendous amount of energy without feeling chaotic. Pretty cool!

This necklace, of course, is a Liz Hall creation. Liz has been one of my polymer heroes since nearly the beginning of my exploration into the material. She combines precious metal clay with polymer inlays, adding in stones, glass, and other shiny bits here and there as well. Her openness to other materials allows for this broad range of exploration in design and yet she has a very distinctive style. If you look closely at her work, you’ll see every regular pattern and design is just a touch off, including the pendant that opens this blog post. That’s part of her signature style. Simple but effective.

 

Of course, the most quintessential of radial symmetry design is the mandala. Much of the radial symmetry we see could be considered mandalas of sorts, if we are just speaking of the geometry of it. Mandalas are, however, traditionally a reference to a kind of spiritual map, one that was originally meant to be a model for the organizational structure of life, in both the physical and metaphysical sense, and consisted of a square with a circle and four T-shaped gates, one facing each side of the square. But, as you might have noticed, that definition and the base design has been broadly extended. As long as the design has a regular structure organized around a unifying center, it seems to be generally accepted that it can be called a mandala.

We see these mandala structures in polymer pieces created with cane slices a lot but it is also readily achieved with layered polymer elements like these layered ornaments Kay Miller used to make. She’s off focused on dimensional greeting cards now but we can still enjoy the images of her perfectly designed and finished ornaments.

 

Mandalas are certainly not relegated to polymer when it comes to artwork. And it’s not just about those dot painted rocks that are all the rage now either. Take a gander at this gorgeous mandala brooch created by Jima and Carlie Abbott of Mixed Metal Jewels.

So… do you use radial symmetry in your work? If you don’t or haven’t done much of it or simply haven’t thought much about it, maybe it’s time to try it out. It can be very meditative. See for yourself!

 

Best Laid Plans

Well, this week I was going to start casually working on plans for future publications and new projects between physical therapy and catching up on sleep, but chaos reigned here at the house. Again. There was light at the end of the tunnel when we suddenly went from being a couple of days from finishing the house renovations to a couple of weeks.

The appliances were in and the final painting had commenced but then we discovered that the floor had a problem along with more damage than was anticipated so instead of simply repairing our flooring around the construction areas, we had to tear out nearly half the flooring in our house! Talk about frustrating! And depressing. And nerve-racking. Blah.

But, long story short, we worked it and persisted until we found something we could afford and miraculously ended up with this gorgeous acacia wood flooring and a crew that rushed in and got it all taken care of pretty much in one day! It was nuts. There were so many guys here, it was like ants in the house. But it was by far the best work done on this whole project. Here is my husband Brett, just super excited about his new floors, in our nearly done kitchen.

 

I’m pretty sure his expression will change when we sit down to pay the bill though. But at least we can drown our sorrows over a glass of wine in a gorgeous new kitchen.

Or a glass of seltzer in my case. My metabolic issues are dampening my potential to celebrate or drown my sorrows in my family’s traditional Irish way. No sugars including alcohol for me for a while, not until my metabolic issues are under control and it’ll be minimal even then. It’s sad but it’s really nothing compared to what some of my other friends are going through right now. All you wonderful people … take good care of yourselves! I don’t want any more troubling health news. Ok?

On the positive side, my arm is much better even after this one week with minimal computer time. It is starting to hurt now though, but only because I keep forgetting to not type! Three decades of writing for a living and it’s hard not to use the keyboard when pain is not there to readily remind me not to. I’ll learn!

So, the word now is that we should have our house back in a week. Then I can start cooking properly and really button-down on the new diet regimen I have. So, keep your fingers and toes crossed for us as I will keep good, positive energy and prayers flowing out to all of you with challenges going on right now.

Have a beautiful, creative, and inspiring week!

Drawn On (And a ‘Love’ly Contest)

February 4, 2015

alida tree sketchThis beautiful scene came across my screen during the The Polymer Art Challenge on Facebook, and I just fell in love. I’ve been recently pushed and prodded into getting back to doodling and sketching as a way to get a little art out in spare moments. I think we’ve all drawn in our clay with hand tools to make decorative lines, dots, dashes and the like. But how about actually sketching out an image?

This delicate sketch of a landscape was created by Giulia Allasio of Alida monili (Alida Jewelry). She has several other pieces like this, all with a quiet serenity in not only the sketch but the forms, colors and simple framework she chooses. This particular one is titled Paradiso di Luce (“Paradise in Light”). She says it is a view of a small mountain lake. Take a moment to examine the detail, and see how the land and sky beyond the reaching tree has been lightly colored to show a shimmer of light and variation in the sky.

I would suggest dropping by Giula’s Alida monili Facebook page where she has been posting this and other beautiful pieces to share with us all.

By the way, the push I got to get back to sketching came from my dear sweet man who, even though he draws for a living (he’s in animation, drawing hundreds of storyboard images every week; talk about cranking it out!), he sketches randomly while on the phone or to wind down for the day. I bring this up for three reasons … one, if you’re not getting into the clay studio as often as you’d like, quick sketching is a way to be visually creative in short, relaxed moments. Two, sketching randomly will improve your drawing skills and create ideas you can transfer to your clay work. And three, I want to ask for stories of your other halves and the other loves of your life for next week, so I’m using this as a segue. I’ve not done anything like what I’m about to propose before, but let’s see what happens!

A ‘Love’ly Contest

Next week precedes Valentine’s Day, and I thought it would be ‘love’ly if readers would share their own love stories and suggest a piece of art to go with it. It could be any kind of love story, from how you met your spouse or some little thing he or she did that made you love them even more, to a touching relationship with your children or the love of a family member that encouraged your art and expression. I’ll give each reader whose stories we choose to post next week a free digital copy of  any issue of The Polymer Arts or an equivalent discount off a print copy or a subscription.

Send your stories to sbray@thepolymerarts.com (or just reply to your blog post email if you get it that way). Try to keep your stories to 300 words or less, and don’t forget to send me a link to another artist’s work or an image of your own work to go with the story. An image of the loved one in the story might be nice too.  If you have a website of yours you would like to promote, include that as well.

So come on, make us sigh and cry. I’ll go stock up on tissues.

 

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Re-Imagining An Owl

February 2, 2015

c1ec2009e7c0b29ae4ca81966606b4a6While cruising the farthest corners of the internet last week looking for conceptual pieces, I came across a lot of beautiful representational imagery in polymer. Concepts are created in art using imagery; concepts can also be created abstractly, or concepts can be embodied in the function, location or timing of the piece. And, I think, all representational imagery is obviously not conceptual but sometimes simply the artist’s view or translation of something out there in the world or within our imaginations. Sometimes, you just want to sit back and enjoy something well- or cleverly rendered. So that’s what we’re going to do this week.

This first piece feels so much more than visually representational. I imagine that, while wearing this necklace with the segmented feather beads, the wearer’s movement would make the the feathers shift, in a smooth subtle way. I think it could bring to mind flight or the owl gently ruffling its wings. The idea of something that flies combined with a design that moves and floats is just lovely. It represents the bird and an action of the bird. Rather clever.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Salted Old Beads

karenia

 

Has this week’s selection of faux ancient and old art got you thinking about ways to create more of that look in your own work? The techniques used to create these looks can be applied to a variety of forms and even be reinvented using brighter colors and not-so-old-looking contrasting textures and finishes. Searching for something fun and easy to get you started on that track, if you haven’t already, I found this delightfully easy and highly textural tutorial for you.

The blog post with this tutorial is originally in Russian, but I’ll send you to the the translated to English version here. It’s really pretty well laid out in the photos, and the steps are simple but with a beautiful and sophisticated result, as can be seen in the necklace Russia’s Katerina Sidorova designed from her technique. The layering of the clay is an ingenious way of adding that additional color for the aged look since it will show on the ends and wherever the salt digs through the very thin top layer to the colors underneath. So no additional painting or other color is needed. Pretty neat.

Katerina is the shop owner at Russia’s online polymer and jewelry supply shop, KalinkaPolinka, and for what I think must be wholesale or at least bulk-buying, Kalinka-Pro. If you are on that side of the globe, it is a shop well worth checking out. But for everyone everywhere, she has a great page on her website of articles, free tutorials and links to other tutorials that would be a great starting point for other new avenues to explore.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Imagining Stone Bones

January 21, 2015

100076147Alright, this piece isn’t in itself particularly old-looking, but it does represent another element of time and hide a possible story in its history. Plus, I just think it’s a beautiful piece.

France’s Karine Barrera regularly creates tribal or ethnic pieces, but I don’t think there are any particular civilizations they are drawn from. Rather they seem to be an amalgamation of tribal aesthetics. This one appears to be a most interesting composition of stone, although its form is more reminiscent of bone; the gentle curves recall tusks, claws and ribs.

But if it were stone, what kind of stone would have such layers? Or is the white not supposed to be stone but a material for joining two types of stone? What kind of material is that? What kind of people would find these shapes and the combination of stones meaningful? There are so many possible stories that can be imagined for this piece.

Karine’s work is full of possible stories. Even in her explanation in the blog post, her words are translated from French to say, at one point, that these “are stories designs”. Not sure what that means exactly, but Google Translate creates some pretty wacky text sometimes. In the end, it’s not so much about the story the artist has in her head but what the viewer of the piece comes up with. If your work makes someone stop and consider and create their own little stories and worlds in their mind from what they see, you have succeeded in communicating and maybe even entertaining. And that makes for some pretty good art. See more examples of this kind of thing on Karine’s blog.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Old Stories, New Faces

January 19, 2015

lisarennerSo since I spent all last week aiming to introduce you to something new, I thought this week we could do something “old.” Not that I would bore you with old techniques or things you’ve seen a million times — but how about old looks, as in antiqued or ancient, while meeting new faces we haven’t seen on the blog before? Well, that will be my aim this week.

Ancient, antique, patina, aged, degraded, worn out and rough … these looks are hot in many markets right now. If you have a penchant for anything of that sort and you are looking for some new looks for your line of sellable art, you might just want to consider playing with some of those faux old techniques and looks.

Here is the work of an artist I’ve followed for a while now, due to the way her pieces seem to embody some mysterious tale. Lisa Renner makes very distinct art dolls, books, jewelry, sculpture and wall art, much of which is in a mixed media arena. Most all of her work has an old or ancient feel to it but nothing that can be pinned down to any one type of technique or period influence. What I decided to share of hers is not on her website or any site I could readily find, but there is something about this faux ivory pendant that makes me want to ask about its story. It looks like something that has been beaten and well worn, with embellishments that might have been added at different points in time, if it had been an ancient piece of jewelry. There is so much subtle complexity here to explore: cracks, impressions, gouges, random beads. One can spend a lot of time pondering it.

I would heavily encourage you to take some time exploring her portfolio on her website. If this is the first you’ve seen her work, this single piece does not do justice as an introduction to her artistry.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Of Stamp Carving and Swellegant and Wire and Whorls

January 15, 2015

gayle Bird wire polymerDo you like to mix things up? Today we have a blog post that will give you a taste of a number of techniques you can apply to a wide range of other work. Carve your own rubber stamps, create colorful patinas on stamped polymer clay and wrap up your patina-colored pieces with wire frames full of loops and whorls.

This great mixed media approach is a result of explorations by wire artist, Gayle Bird. She seems unafraid of trying and mixing it up with all kinds of materials to create her intricate pieces. Wire is her home base material, but polymer, glass, stones and found objects play important roles in her neckpieces and rings.

Her post on these mixed media pendants can be found on her website. You won’t find a lot of very specific instructions but rather a series of ideas. For those ideas that really pique your interest, take it a   step further and seek out independent instruction for more details. If you’re looking for a how-to on carving rubber stamps with linoleum cutters, try this Stamp Carving 101 lesson here. For using Swellegant, B’sue’s Swellegant articles are some of the best. And for wire work, well, there are many, many sources for that, but you can start with some of Gayle’s tutorials or go to Pinterest and search for “wire work tutorials” to show a wide range from which to choose the approach that interests you.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Hot Juxtaposition

January 6, 2015

button red circles2There is nothing like a rich, brilliant red to heat things up. The reds in this necklace by Cecilia Botton really pop. The red gradient in the disk and under the peek-a-boo cut-out of the focal bead give those pieces a visual glow, but I think it’s the black that pushes the feel of warmth and the idea of fire. The matte blacks are not unlike charcoal or lava rock; so, when they’re juxtaposed with the glow of red, what else would come to mind but something heated and fiery.

Experimenting with color, gradients and the juxtaposition of elements are a primary focus in Cecilia’s works. Her pieces are rarely, if ever, static or meek. Have fun looking through her varied pieces on her Flickr photostream with a hot cup of something tasty beside you. We’re enjoying a rare and sudden warm-up here for the day, but I’m going to keep with the hot theme for the week because I know this won’t last long and much of the rest of the US sure looks like it could use some heating up. Stay warm and safe out there.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Let There Be Fire

January 5, 2015

KONICA MINOLTA DIGITAL CAMERAIt is cold here in Colorado. I’m having a hard time keeping warm in my basement rooms where I spend so much of my time. So this week, I just want to talk fire. The amazing colors and gradients we can make with polymer makes an illusion of fire and heat fairly easy to create, but there are a number of ways to do this. So while many of us deal with cold and snowy weather, let’s think heat.

Here we have Elsie Smith showing us a bit of fire and shimmer with foil, alcohol ink and liquid clay. The foil and inks are one of my personal favorite go-to combinations because the foil reflects light and makes reds and oranges appear to glow like firelight or burning embers. Elsie’s addition of liquid clay as a sealant works to magnify the effect by bouncing light around beneath its surface. The wave of lines, of course, doesn’t hurt to bring the idea of fire to the forefront. Elsie writes that the top of this is more pink than red, so in person this probably does seem more like a Fiery Sunset, for which it is named, but I’m happy just enjoying the warmth of the colors.

Elsie has many more fiery, graduated and interestingly textured pieces in her more recent work as you can see on her Flickr pages. Be sure to take a look at her curiously painted cabochons with their lava-like texture for more warming inspiration.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Radiating Variety

August 11, 2019
Posted in

Would you say you creatively lean toward symmetry or asymmetry? Although humans are innately attracted to symmetry, we all lean towards one or the other when it comes to our aesthetic preferences. However, symmetry, which represents order, is generally found to be more pleasing to the brain than asymmetry but, interestingly enough, symmetry alone cannot make something beautiful. That’s because that orderliness can get rather boring.

This is not to say that symmetry is automatically boring, because it certainly is not. It’s all a matter of how much energy the other characteristics of that symmetrical design add to it. However, there is a kind of artistic prejudice against symmetry out there sometimes. It’s this kind of default line of thought that symmetry is not only boring but a kind of cop-out in design, that it is something primarily employed by the inexperienced and unskilled aspiring artist. That always struck me as really ridiculous. Did they think that Mother Nature should rearrange the flowers, the growth of crystals, and the patterns of butterfly wings? Because they are all symmetrical and yet, these are some of the most beautiful natural things in our world.

So, make note that it’s not symmetry that makes a design boring, it’s a lack of energy in the design. Making exciting, energized, and intriguing symmetrical work can actually be challenging so when someone does it well, it can be quite impressive. Asymmetry has an innate sense of energy simply because it is off-balance and our brain, the way it is, always thinks things are moving towards balance and thus sees asymmetrical design as something in flux. So really, asymmetry might be considered a kind of a shortcut to an energized design although, in truth, both symmetry and asymmetry have plenty of challenges to contend with when designing.

There is one type of symmetrical design, however, that does have both balance and energy almost automatically included. This is the beautiful radial symmetry seen in nature in everything from starfish to flowers to snowflakes. Its energy comes from lines or a progression of shapes moving out from a central axis. The movement in this kind of symmetry is strong and directional but it can still verge on the boring if the radiating lines do not have variation.

Let’s look at some examples of beautifully done radial symmetry.

 

Going Around the Axis

We see radial symmetry in polymer all the time, particularly in kaleidoscope canes. The process of slicing and reassembling the canes with the same point in the pattern arranged at the center creates radial symmetry. There aren’t necessarily radiating lines in these canes, but the mirrored shapes tend to create points or a kind of visual growth outward.

Here’s a beautiful five-sided kaleidoscope cane – yes, symmetry can have an and odd number of sides because the design is still consistent around a central axis – whose parts have a sense of growth moving outward. This is by the very adept cane artist Lana Fominicheva of LaFom on Etsy.

 

A more direct production of radial symmetry can be created by building with a collection of elements such as in this quilled cane design by Meg Newberg of Polymer Clay Workshop.

Cool canes, right? You can get Meg’s Quilled Cane Tutorial in her Esty shop and get to making your own as soon as you download it!

 

Radial symmetry that is neither straight nor separate lines or progressive shapes can still create energy and interest while still staying symmetrical and beautifully balanced as seen here in this locket by Ola of PinkLaLou on Etsy. The crossing over of the lines in the central image are highly energetic and flow out more than burst out from the central axis but flowing lines are still energized only in a calmer, perhaps more elegant, way.

This is a locket created with filigree and cold enamel, not polymer. At first, I thought maybe the design in the middle was cold enamel, but I think it may be an image under resin. Cold enamel is a pigmented semi-translucent resin created to look like traditional glass enamel. If you love the look of enamel but have neither the equipment nor the patience to learn that amazing craft, cold enamel might fill the bill for you. But in the meantime, you could start a radial symmetry design with the right graphic using a liquid polymer image transfer.

 

Okay, so now that you’ve seen a few examples, would you say this next piece below is radial symmetry? Scroll down before reading on and just take a quick peek. Its looks like it is, right?

Well, technically no, it isn’t, but it has all the initial markers with a central axis from which elements radiate outward in a similar pattern. However, nothing is actually symmetrical from one side to the other. Our brain perceives balance because the progression from the center feels consistent, going from radiating lines of inlaid polymer to an even boundary of solid silver to a filigree of swirls and set gems that fill the outside perimeter. But all the elements have an irregular placement, especially in the stones and swirls outside of the focal center but also in the thickness, pattern, and coloring of the inlaid polymer. So, this pendant echoes radial symmetry without being symmetrical thus giving it a tremendous amount of energy without feeling chaotic. Pretty cool!

This necklace, of course, is a Liz Hall creation. Liz has been one of my polymer heroes since nearly the beginning of my exploration into the material. She combines precious metal clay with polymer inlays, adding in stones, glass, and other shiny bits here and there as well. Her openness to other materials allows for this broad range of exploration in design and yet she has a very distinctive style. If you look closely at her work, you’ll see every regular pattern and design is just a touch off, including the pendant that opens this blog post. That’s part of her signature style. Simple but effective.

 

Of course, the most quintessential of radial symmetry design is the mandala. Much of the radial symmetry we see could be considered mandalas of sorts, if we are just speaking of the geometry of it. Mandalas are, however, traditionally a reference to a kind of spiritual map, one that was originally meant to be a model for the organizational structure of life, in both the physical and metaphysical sense, and consisted of a square with a circle and four T-shaped gates, one facing each side of the square. But, as you might have noticed, that definition and the base design has been broadly extended. As long as the design has a regular structure organized around a unifying center, it seems to be generally accepted that it can be called a mandala.

We see these mandala structures in polymer pieces created with cane slices a lot but it is also readily achieved with layered polymer elements like these layered ornaments Kay Miller used to make. She’s off focused on dimensional greeting cards now but we can still enjoy the images of her perfectly designed and finished ornaments.

 

Mandalas are certainly not relegated to polymer when it comes to artwork. And it’s not just about those dot painted rocks that are all the rage now either. Take a gander at this gorgeous mandala brooch created by Jima and Carlie Abbott of Mixed Metal Jewels.

So… do you use radial symmetry in your work? If you don’t or haven’t done much of it or simply haven’t thought much about it, maybe it’s time to try it out. It can be very meditative. See for yourself!

 

Best Laid Plans

Well, this week I was going to start casually working on plans for future publications and new projects between physical therapy and catching up on sleep, but chaos reigned here at the house. Again. There was light at the end of the tunnel when we suddenly went from being a couple of days from finishing the house renovations to a couple of weeks.

The appliances were in and the final painting had commenced but then we discovered that the floor had a problem along with more damage than was anticipated so instead of simply repairing our flooring around the construction areas, we had to tear out nearly half the flooring in our house! Talk about frustrating! And depressing. And nerve-racking. Blah.

But, long story short, we worked it and persisted until we found something we could afford and miraculously ended up with this gorgeous acacia wood flooring and a crew that rushed in and got it all taken care of pretty much in one day! It was nuts. There were so many guys here, it was like ants in the house. But it was by far the best work done on this whole project. Here is my husband Brett, just super excited about his new floors, in our nearly done kitchen.

 

I’m pretty sure his expression will change when we sit down to pay the bill though. But at least we can drown our sorrows over a glass of wine in a gorgeous new kitchen.

Or a glass of seltzer in my case. My metabolic issues are dampening my potential to celebrate or drown my sorrows in my family’s traditional Irish way. No sugars including alcohol for me for a while, not until my metabolic issues are under control and it’ll be minimal even then. It’s sad but it’s really nothing compared to what some of my other friends are going through right now. All you wonderful people … take good care of yourselves! I don’t want any more troubling health news. Ok?

On the positive side, my arm is much better even after this one week with minimal computer time. It is starting to hurt now though, but only because I keep forgetting to not type! Three decades of writing for a living and it’s hard not to use the keyboard when pain is not there to readily remind me not to. I’ll learn!

So, the word now is that we should have our house back in a week. Then I can start cooking properly and really button-down on the new diet regimen I have. So, keep your fingers and toes crossed for us as I will keep good, positive energy and prayers flowing out to all of you with challenges going on right now.

Have a beautiful, creative, and inspiring week!

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Drawn On (And a ‘Love’ly Contest)

February 4, 2015
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alida tree sketchThis beautiful scene came across my screen during the The Polymer Art Challenge on Facebook, and I just fell in love. I’ve been recently pushed and prodded into getting back to doodling and sketching as a way to get a little art out in spare moments. I think we’ve all drawn in our clay with hand tools to make decorative lines, dots, dashes and the like. But how about actually sketching out an image?

This delicate sketch of a landscape was created by Giulia Allasio of Alida monili (Alida Jewelry). She has several other pieces like this, all with a quiet serenity in not only the sketch but the forms, colors and simple framework she chooses. This particular one is titled Paradiso di Luce (“Paradise in Light”). She says it is a view of a small mountain lake. Take a moment to examine the detail, and see how the land and sky beyond the reaching tree has been lightly colored to show a shimmer of light and variation in the sky.

I would suggest dropping by Giula’s Alida monili Facebook page where she has been posting this and other beautiful pieces to share with us all.

By the way, the push I got to get back to sketching came from my dear sweet man who, even though he draws for a living (he’s in animation, drawing hundreds of storyboard images every week; talk about cranking it out!), he sketches randomly while on the phone or to wind down for the day. I bring this up for three reasons … one, if you’re not getting into the clay studio as often as you’d like, quick sketching is a way to be visually creative in short, relaxed moments. Two, sketching randomly will improve your drawing skills and create ideas you can transfer to your clay work. And three, I want to ask for stories of your other halves and the other loves of your life for next week, so I’m using this as a segue. I’ve not done anything like what I’m about to propose before, but let’s see what happens!

A ‘Love’ly Contest

Next week precedes Valentine’s Day, and I thought it would be ‘love’ly if readers would share their own love stories and suggest a piece of art to go with it. It could be any kind of love story, from how you met your spouse or some little thing he or she did that made you love them even more, to a touching relationship with your children or the love of a family member that encouraged your art and expression. I’ll give each reader whose stories we choose to post next week a free digital copy of  any issue of The Polymer Arts or an equivalent discount off a print copy or a subscription.

Send your stories to sbray@thepolymerarts.com (or just reply to your blog post email if you get it that way). Try to keep your stories to 300 words or less, and don’t forget to send me a link to another artist’s work or an image of your own work to go with the story. An image of the loved one in the story might be nice too.  If you have a website of yours you would like to promote, include that as well.

So come on, make us sigh and cry. I’ll go stock up on tissues.

 

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Re-Imagining An Owl

February 2, 2015
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c1ec2009e7c0b29ae4ca81966606b4a6While cruising the farthest corners of the internet last week looking for conceptual pieces, I came across a lot of beautiful representational imagery in polymer. Concepts are created in art using imagery; concepts can also be created abstractly, or concepts can be embodied in the function, location or timing of the piece. And, I think, all representational imagery is obviously not conceptual but sometimes simply the artist’s view or translation of something out there in the world or within our imaginations. Sometimes, you just want to sit back and enjoy something well- or cleverly rendered. So that’s what we’re going to do this week.

This first piece feels so much more than visually representational. I imagine that, while wearing this necklace with the segmented feather beads, the wearer’s movement would make the the feathers shift, in a smooth subtle way. I think it could bring to mind flight or the owl gently ruffling its wings. The idea of something that flies combined with a design that moves and floats is just lovely. It represents the bird and an action of the bird. Rather clever.

 

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Salted Old Beads

January 24, 2015
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karenia

 

Has this week’s selection of faux ancient and old art got you thinking about ways to create more of that look in your own work? The techniques used to create these looks can be applied to a variety of forms and even be reinvented using brighter colors and not-so-old-looking contrasting textures and finishes. Searching for something fun and easy to get you started on that track, if you haven’t already, I found this delightfully easy and highly textural tutorial for you.

The blog post with this tutorial is originally in Russian, but I’ll send you to the the translated to English version here. It’s really pretty well laid out in the photos, and the steps are simple but with a beautiful and sophisticated result, as can be seen in the necklace Russia’s Katerina Sidorova designed from her technique. The layering of the clay is an ingenious way of adding that additional color for the aged look since it will show on the ends and wherever the salt digs through the very thin top layer to the colors underneath. So no additional painting or other color is needed. Pretty neat.

Katerina is the shop owner at Russia’s online polymer and jewelry supply shop, KalinkaPolinka, and for what I think must be wholesale or at least bulk-buying, Kalinka-Pro. If you are on that side of the globe, it is a shop well worth checking out. But for everyone everywhere, she has a great page on her website of articles, free tutorials and links to other tutorials that would be a great starting point for other new avenues to explore.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Imagining Stone Bones

January 21, 2015
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100076147Alright, this piece isn’t in itself particularly old-looking, but it does represent another element of time and hide a possible story in its history. Plus, I just think it’s a beautiful piece.

France’s Karine Barrera regularly creates tribal or ethnic pieces, but I don’t think there are any particular civilizations they are drawn from. Rather they seem to be an amalgamation of tribal aesthetics. This one appears to be a most interesting composition of stone, although its form is more reminiscent of bone; the gentle curves recall tusks, claws and ribs.

But if it were stone, what kind of stone would have such layers? Or is the white not supposed to be stone but a material for joining two types of stone? What kind of material is that? What kind of people would find these shapes and the combination of stones meaningful? There are so many possible stories that can be imagined for this piece.

Karine’s work is full of possible stories. Even in her explanation in the blog post, her words are translated from French to say, at one point, that these “are stories designs”. Not sure what that means exactly, but Google Translate creates some pretty wacky text sometimes. In the end, it’s not so much about the story the artist has in her head but what the viewer of the piece comes up with. If your work makes someone stop and consider and create their own little stories and worlds in their mind from what they see, you have succeeded in communicating and maybe even entertaining. And that makes for some pretty good art. See more examples of this kind of thing on Karine’s blog.

 

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Old Stories, New Faces

January 19, 2015
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lisarennerSo since I spent all last week aiming to introduce you to something new, I thought this week we could do something “old.” Not that I would bore you with old techniques or things you’ve seen a million times — but how about old looks, as in antiqued or ancient, while meeting new faces we haven’t seen on the blog before? Well, that will be my aim this week.

Ancient, antique, patina, aged, degraded, worn out and rough … these looks are hot in many markets right now. If you have a penchant for anything of that sort and you are looking for some new looks for your line of sellable art, you might just want to consider playing with some of those faux old techniques and looks.

Here is the work of an artist I’ve followed for a while now, due to the way her pieces seem to embody some mysterious tale. Lisa Renner makes very distinct art dolls, books, jewelry, sculpture and wall art, much of which is in a mixed media arena. Most all of her work has an old or ancient feel to it but nothing that can be pinned down to any one type of technique or period influence. What I decided to share of hers is not on her website or any site I could readily find, but there is something about this faux ivory pendant that makes me want to ask about its story. It looks like something that has been beaten and well worn, with embellishments that might have been added at different points in time, if it had been an ancient piece of jewelry. There is so much subtle complexity here to explore: cracks, impressions, gouges, random beads. One can spend a lot of time pondering it.

I would heavily encourage you to take some time exploring her portfolio on her website. If this is the first you’ve seen her work, this single piece does not do justice as an introduction to her artistry.

 

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Of Stamp Carving and Swellegant and Wire and Whorls

January 15, 2015
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gayle Bird wire polymerDo you like to mix things up? Today we have a blog post that will give you a taste of a number of techniques you can apply to a wide range of other work. Carve your own rubber stamps, create colorful patinas on stamped polymer clay and wrap up your patina-colored pieces with wire frames full of loops and whorls.

This great mixed media approach is a result of explorations by wire artist, Gayle Bird. She seems unafraid of trying and mixing it up with all kinds of materials to create her intricate pieces. Wire is her home base material, but polymer, glass, stones and found objects play important roles in her neckpieces and rings.

Her post on these mixed media pendants can be found on her website. You won’t find a lot of very specific instructions but rather a series of ideas. For those ideas that really pique your interest, take it a   step further and seek out independent instruction for more details. If you’re looking for a how-to on carving rubber stamps with linoleum cutters, try this Stamp Carving 101 lesson here. For using Swellegant, B’sue’s Swellegant articles are some of the best. And for wire work, well, there are many, many sources for that, but you can start with some of Gayle’s tutorials or go to Pinterest and search for “wire work tutorials” to show a wide range from which to choose the approach that interests you.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Hot Juxtaposition

January 6, 2015
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button red circles2There is nothing like a rich, brilliant red to heat things up. The reds in this necklace by Cecilia Botton really pop. The red gradient in the disk and under the peek-a-boo cut-out of the focal bead give those pieces a visual glow, but I think it’s the black that pushes the feel of warmth and the idea of fire. The matte blacks are not unlike charcoal or lava rock; so, when they’re juxtaposed with the glow of red, what else would come to mind but something heated and fiery.

Experimenting with color, gradients and the juxtaposition of elements are a primary focus in Cecilia’s works. Her pieces are rarely, if ever, static or meek. Have fun looking through her varied pieces on her Flickr photostream with a hot cup of something tasty beside you. We’re enjoying a rare and sudden warm-up here for the day, but I’m going to keep with the hot theme for the week because I know this won’t last long and much of the rest of the US sure looks like it could use some heating up. Stay warm and safe out there.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Let There Be Fire

January 5, 2015
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KONICA MINOLTA DIGITAL CAMERAIt is cold here in Colorado. I’m having a hard time keeping warm in my basement rooms where I spend so much of my time. So this week, I just want to talk fire. The amazing colors and gradients we can make with polymer makes an illusion of fire and heat fairly easy to create, but there are a number of ways to do this. So while many of us deal with cold and snowy weather, let’s think heat.

Here we have Elsie Smith showing us a bit of fire and shimmer with foil, alcohol ink and liquid clay. The foil and inks are one of my personal favorite go-to combinations because the foil reflects light and makes reds and oranges appear to glow like firelight or burning embers. Elsie’s addition of liquid clay as a sealant works to magnify the effect by bouncing light around beneath its surface. The wave of lines, of course, doesn’t hurt to bring the idea of fire to the forefront. Elsie writes that the top of this is more pink than red, so in person this probably does seem more like a Fiery Sunset, for which it is named, but I’m happy just enjoying the warmth of the colors.

Elsie has many more fiery, graduated and interestingly textured pieces in her more recent work as you can see on her Flickr pages. Be sure to take a look at her curiously painted cabochons with their lava-like texture for more warming inspiration.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.

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