Directional Dots
August 21, 2013
Inspirational Art
Let’s move away from images with tons of dots, and look at more sparsely used yet directional dots.
On this vessel by Kate Tracton, there are only a handful of dots, but they are the primary element used throughout the various sections of this piece, and they have a lot of interesting things going on.
The ones on the side are what catch you eye first. They are dominant because of the contrast of the dark dots against the light body of the pot, but also because they are lined up in a very particular way–dots going from smaller to larger up the side of the vessel create a feeling of movement. Our eyes will always want to follow well-defined lines; and with the change in size, our eyes will follow the line in one direction–either downward as we see the hierarchy of size as a kind of arrow, or up because we see the change in size as growth. Some people might find their eye going both up and down the lines. But because the dots are repeated on the lid in several variations, as soon as we break out from the lines of dots, we’ll look at the intricacy of the lid. This kind of composition will usually have us spending some time with a piece like this which, of course, would make it an enjoyable piece to view.
Classy, Shiny Dots
August 20, 2013
Inspirational Art
I know when I hear “dots” I usually think of something fun, and maybe even silly; but dots can also be quite refined and stunning. This pendant by Etsy’s Noneoftheabove is definitely both. Using polymer dots to develop a gradation of color and accented with just a couple rings of crystals, this pendant is quite bright and shimmering. The combination of elements gives the impression at first that the polymer dots could be crystals themselves. Can you figure out why?
Our perception of shine comes from a contrast of bright against dark. If you look at the crystals themselves, you’ll see that the most “sparkly” ones have a facet reflecting bright white or blue, and a dark contrasting facet or ring of dark color at their base. When you to illustrate a glint in the eye in a painting, you add a white spot on the dark pupil or iris. When you photograph a glass object, you need the reflection of something dark to show its form against all the white light that it will reflect. The same basic principle is shown here; the light, yellow-colored clay with spots of black peeking through, the light pink against the dark red gem, and the actual crystals together make it so that, at a glance, we perceive shine across the whole collection of dots. Kinda neat, huh?
Our mysterious Canandian Noneoftheabove artist makes a whole variety of these pendants with insane precision. Peruse her Etsy page for more shiny collections of dots and just lots of “oh” and “ah” moments.
The Modest and Versatile Dot
August 19, 2013
Inspirational Art
This week I was thinking of doing something simple and essential while I wrap up the release of the Fall issue, and I thought dots fit the ticket nicely. Dots are such a basic element, and so common in surface design; but when used well, they make pieces anything but common. So let’s examine dots!
Dots–those small, circular, solid-colored surface accents or indentations–are used as focal points, for random surface decoration, to develop perceived line and movement, and, especially with a three-dimensional material like ours, to create intricate and rich textures. Here is a sampling of the way dots are used by just one jewelry artist in this display of necklaces by Israel’s Elinor Yamin, who quite favors polka dots, beads as dots, directional lines of dots, and dots as focal points for her primarily floral work.
So as we head into our dotty week, think on how you use dots, and we’ll stretch the idea of just how dots can be used to make rich, sophisticated polymer art.
Let’s move away from images with tons of dots, and look at more sparsely used yet directional dots.
On this vessel by Kate Tracton, there are only a handful of dots, but they are the primary element used throughout the various sections of this piece, and they have a lot of interesting things going on.
The ones on the side are what catch you eye first. They are dominant because of the contrast of the dark dots against the light body of the pot, but also because they are lined up in a very particular way–dots going from smaller to larger up the side of the vessel create a feeling of movement. Our eyes will always want to follow well-defined lines; and with the change in size, our eyes will follow the line in one direction–either downward as we see the hierarchy of size as a kind of arrow, or up because we see the change in size as growth. Some people might find their eye going both up and down the lines. But because the dots are repeated on the lid in several variations, as soon as we break out from the lines of dots, we’ll look at the intricacy of the lid. This kind of composition will usually have us spending some time with a piece like this which, of course, would make it an enjoyable piece to view.
I know when I hear “dots” I usually think of something fun, and maybe even silly; but dots can also be quite refined and stunning. This pendant by Etsy’s Noneoftheabove is definitely both. Using polymer dots to develop a gradation of color and accented with just a couple rings of crystals, this pendant is quite bright and shimmering. The combination of elements gives the impression at first that the polymer dots could be crystals themselves. Can you figure out why?
Our perception of shine comes from a contrast of bright against dark. If you look at the crystals themselves, you’ll see that the most “sparkly” ones have a facet reflecting bright white or blue, and a dark contrasting facet or ring of dark color at their base. When you to illustrate a glint in the eye in a painting, you add a white spot on the dark pupil or iris. When you photograph a glass object, you need the reflection of something dark to show its form against all the white light that it will reflect. The same basic principle is shown here; the light, yellow-colored clay with spots of black peeking through, the light pink against the dark red gem, and the actual crystals together make it so that, at a glance, we perceive shine across the whole collection of dots. Kinda neat, huh?
Our mysterious Canandian Noneoftheabove artist makes a whole variety of these pendants with insane precision. Peruse her Etsy page for more shiny collections of dots and just lots of “oh” and “ah” moments.
Read More
This week I was thinking of doing something simple and essential while I wrap up the release of the Fall issue, and I thought dots fit the ticket nicely. Dots are such a basic element, and so common in surface design; but when used well, they make pieces anything but common. So let’s examine dots!
Dots–those small, circular, solid-colored surface accents or indentations–are used as focal points, for random surface decoration, to develop perceived line and movement, and, especially with a three-dimensional material like ours, to create intricate and rich textures. Here is a sampling of the way dots are used by just one jewelry artist in this display of necklaces by Israel’s Elinor Yamin, who quite favors polka dots, beads as dots, directional lines of dots, and dots as focal points for her primarily floral work.
So as we head into our dotty week, think on how you use dots, and we’ll stretch the idea of just how dots can be used to make rich, sophisticated polymer art.
Read More