Tile Talk

May 12, 2019

Do you ever stop to ask yourself if what you create makes you happy? It seems like a silly question since creating is usually passion driven so being able to feed that passion should make you happy, right? But have you ever found yourself creating something because you believe it is the kind of thing other people would like but later realize that you don’t enjoying making it?

I found that happened a lot when I was a selling artist. You get wrapped up in what you think the market would want, what you think will sell best at the next show, and you’d be just making things for the money and not because it’s what you want to make. Other times we think that in a particular material, like polymer clay, it is best used for certain forms such as jewelry and home decor. But as we all know, polymer can do almost anything and yet 85% of it being created and shared online is jewelry. Jewelry is pretty fun stuff to make, sure, but if you enjoy polymer, just keep in mind you don’t have to make jewelry.

I myself have been moving away from jewelry. A pendant or pair of earrings are oftentimes still the best items to create to show off a polymer technique for a magazine article or tutorial but more and more, I create objects without an end goal in mind and am really enjoying just making little objects and samples of techniques. Last year, I started to see patterns and connections between them and eventually started putting them in shadow boxes. You can see an example of one of my “specimen” boxes in the latest Polymer Journeys book, if you’re curious. I’m also trying to devise a class for doing it. It’s so much fun!

But when I have to create jewelry because I am vetting an article for the magazine or want to make a gift, I have lately found that I don’t look forward to the engineering of it – figuring out how it is going to hang, what stringing material will work best, what findings I need, as well as worrying about comfort and durability. I find I don’t want to think about those things when I create and it’s not out of some kind of laziness, it’s just not what I want to spend my mental and creative energy on, and I’m good with that. I just really want to follow creative paths that make me happy right now.

To that end (and because I’ve spent so much time in tile stores lately), I’ve decided I might just focus on tiles for a while. They are a very freeing form. A tile is just a canvas for 3D materials. You can do whatever you want on them. You can make them any size, any shape, and can attach whatever you want or attack it however you want. I think we really should all give ourselves the freedom to play with this form, to let ourselves be free to create from the heart with a material we love. At the end of a session of tile making, you may find you are really looking forward to creating necklaces or making beads or covering vases. But I am going to suggest you give a tile a try here and there to just let yourself create freely. Doing this can help with your designs in other forms.

To that end, of course, I’m going to share some tiles this weekend. I am going to share a lot of non-polymer ones because I think, if you’ve spent any time online, you’ve probably seen your share of polymer tiles these last few years, especially with the Fimo 50 year challenge a couple of years back and with the common inches exchanges (inches are just tiny tiles). So, I’ve got a quite a mix for you but it is all art that can translate to polymer even if it is in another material.

 

Laying it All Out

The opening image of this post is a photo from a class conducted by Laurie Mika. She is well-known for her colorful and intricate collage/mosaic pieces which, by the way, she teaches at various events. This collection of student work was from a polymer clay tapestry class she taught at the SAMA (Society of American Mosaic Artists) conference in Nashville just a few of weeks ago. They are all just lovely. There is no high-end technical skill needed to put these types of things together which makes them ideal for exploring color and texture and just letting yourself go. (You can check Laurie’s workshop schedule on her website.)

Jael Thorp caught my eye some years back with her “clay doodles”, including the one below. I thought they looked like zentangles for clayers. Can you imagine the flow state she must’ve been in to create this? You can just get so completely lost in this kind of work and that is a big part of why people find tiles such a wonderful creative outlet.

Check out this post with her various doodles from some years back. She went on to refine her technique, making beautiful beads and home decor with the same type of application. You can find them on her Flickr photostream.

 

Let’s move from polymer to ceramics now. It is a rare thing in ceramics that can’t be replicated in some fashion in polymer so I find ceramic art quite inspiring. Here is one of my favorite tile makers in ceramics, Chris Gryder, who has gone a bit more three-dimensional of late but his tile compositions are timeless.

In this composition, each tile is its own separate piece but he’s connected them all with these lines that he creates through the grid of tiles. So, really, you can make a whole bunch of tiles without worrying about what they’re going to end up as, and then, if you want to put them together as a composition because they have a similar or complementary set of color palettes, textures, or motifs, you can use lines that flow throughout to visually connect them for a larger composite composition. This approach would allow you to just make tiles as the muse directs and then you can later make them into a larger wall piece.

If you like this piece, go browse through his website or his Instagram page for more fantastic inspiring wall compositions in tile.

 

Keep in mind, just because tiles start out flat, they are not two-dimensional and you can create extremely three-dimensional pieces on them. Here’s one example with some very organic forms and textures created by Lauren Blakey, another ceramic artist.

 

And here’s another three-dimensional example in glass by Shayna Leib.

As you can see, tile work is open to all types of materials so keep that in mind as you sit down to tile. Mix in anything that your heart and muse desires. Mix and match mediums, embed oddball trinkets you’ve kept for, as yet, unknown reasons, and just keep an open mind.

After pulling these examples for you, I realized that all the examples are squares here. You don’t have to create square tiles to play with but that is the more common form. However, if you’re not feeling square, try a free form shape or an oblong one or maybe, because today is Mother’s Day, create a big heart for all the mothers out there. Happy Mother’s Day to all you amazing women!

Here’s a heart from Tina Ruppert of Wisecrackin’ Mosaics on Etsy. Pick a favorite shape and a bunch of canes or other scraps of clay and you can do something along these lines as well.

 

Getting Squared Away

I’m going to leave you with these thoughts and hopefully some curiosity about playing around with a tile or two, in whatever form and techniques interest you. If you need some jumpstart tutorials, here are a few places you can go:

Sara Evans has a video about her tile making process here – https://www.youtube.com/watch?v=9FAxYwgJfLo

If you want to do something tile like but still want it to be something functional when done, maybe you would like this polymer clay tile box tutorial –

https://mermaidsden.com/blog/2015/02/12/polymer-clay-tile-box

Or have fun with one of our true masters of polymer clay tiles, Chris Kapono, with her very detailed and yet tremendously fun tile project in the Polymer Arts Projects book which you can purchase and download digitally if you need it immediately or order the print edition from our website.

I opened with a discussion about doing what makes you happy and hope it gives you some food for thought. If you want to hear a couple of transformative stories in that vein, please be sure to get your copy of The Polymer Studio Issue #2, recently released, which starts and ends with stories about finding one’s happy place with one about Christine Dumont’s studio complete with a visual tour, and the other about Donna Greenberg’s focus moving from jewelry to large wall art. Check out the Issue #2 Sampler if you haven’t seen the new issues yet.

 

We’re daily trying to find are happy place over here as our house has continued to be demolished more and more, beyond what we (or our contractor) expected even. Old plumbing can be a tricky thing! If it would just warm up here, it wouldn’t be so bad. A cold Southern California in May is just weird.

I’d share progress shots of the house but it’s pretty much just down to studs and busted up concrete floors. Oh… And a large trench across the whole of the front yard for a new drain line. I’m thinking about making it into a moat. Like a habitrail (if you remember those hamster houses) for our pond fish. They could just swim circles around the house! Okay, probably not but gotta have fun with all this bedlam, even if it’s just dreaming up nonsense like that!

I hope you all have a wonderful Sunday and Mother’s Day! I’m off to have mimosas with the family’s fabulous females myself! Enjoy the day and your coming week!

Outside Inspiration: Tactile Fun

December 26, 2014

demi chao broochesI don’t know how long I’ve had these candy-colored goodies on my list, but every time I see them they make me smile. There is something so playful about the forms, colors and what must be an amazing tactile texture, yet they don’t exactly come across as toy-like. I think it may be the very energized color pairing on each that make them too pretty to be a child’s plaything.

These were created by Demi Chao, who was a Birmingham School of Jewellery graduate student at the time she created these. I cannot find a note of what these are made of, but a close-up shot I found looks like rubber. Do you wonder where she got her inspiration for these though? Here it is in her own words:

“Just like the organisms in the natural world, this series of brooches are colorful and textural. They are inspired by the microscopic photographs of pollen cells and sea corals which possess vibrant colours and peculiar shapes. They always make me want to touch them. Therefore, the idea of making playful and tactile jewellery came to mind.”

We do tend to play with our jewelry anyways, sometimes nervously, sometimes while daydreaming or thinking deeply. Why not create work that our sense of touch responds heavily to? I know I have a number of designs in my sketchbooks specifically focused on the pieces’ tactile nature, but I never did anything with them. When I see these, I know I need to revisit that idea.

Take a look at more of the delicious color combinations and other organic forms on Demi’s website.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.

businesscard-3.5inx2in-h-front      TPA Blog Newsletter Ad  ShadesofClay 1014 v2  lpedit  

Polymer Under a Microscope

May 12, 2014

The organic forms, colors and patterns of nature inspire the work of many polymer artists. There was quite a bit of this at EuroSynergy, the microscopic looking variety especially and it has been on my mind since then. So this week, let’s look at items that could be drawn from what we might find under a microscope.

When thinking of cellular imagery, Christine Dumont’s work comes to mind first. We enjoyed a number of wonderful talks at EuroSynergy and I had the opportunity to take a close look at some of her more recent work although I didn’t get any photos. However, Christine takes such wonderful photos of her work so let’s look at her images instead. This pendant is a slight departure from others in her “Cellularia” series. She usually layers the perforated clay, lining the holes in precise rows to create a three dimensional surface. Here we have just the one layer of very organically spaced holes giving it even more of a cellular look.

93364766_o

Christine is known for her wonderfully helpful site, Voila as well as her beautifully finished work. Enjoy some time on her beautiful website and do check out Voila.eu.com if you haven’t yet or haven’t been there recently.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

Blog2 -2014-02Feb-5   polymer clay overlapping cane   14P1 cover Fnl

Tile Talk

May 12, 2019
Posted in

Do you ever stop to ask yourself if what you create makes you happy? It seems like a silly question since creating is usually passion driven so being able to feed that passion should make you happy, right? But have you ever found yourself creating something because you believe it is the kind of thing other people would like but later realize that you don’t enjoying making it?

I found that happened a lot when I was a selling artist. You get wrapped up in what you think the market would want, what you think will sell best at the next show, and you’d be just making things for the money and not because it’s what you want to make. Other times we think that in a particular material, like polymer clay, it is best used for certain forms such as jewelry and home decor. But as we all know, polymer can do almost anything and yet 85% of it being created and shared online is jewelry. Jewelry is pretty fun stuff to make, sure, but if you enjoy polymer, just keep in mind you don’t have to make jewelry.

I myself have been moving away from jewelry. A pendant or pair of earrings are oftentimes still the best items to create to show off a polymer technique for a magazine article or tutorial but more and more, I create objects without an end goal in mind and am really enjoying just making little objects and samples of techniques. Last year, I started to see patterns and connections between them and eventually started putting them in shadow boxes. You can see an example of one of my “specimen” boxes in the latest Polymer Journeys book, if you’re curious. I’m also trying to devise a class for doing it. It’s so much fun!

But when I have to create jewelry because I am vetting an article for the magazine or want to make a gift, I have lately found that I don’t look forward to the engineering of it – figuring out how it is going to hang, what stringing material will work best, what findings I need, as well as worrying about comfort and durability. I find I don’t want to think about those things when I create and it’s not out of some kind of laziness, it’s just not what I want to spend my mental and creative energy on, and I’m good with that. I just really want to follow creative paths that make me happy right now.

To that end (and because I’ve spent so much time in tile stores lately), I’ve decided I might just focus on tiles for a while. They are a very freeing form. A tile is just a canvas for 3D materials. You can do whatever you want on them. You can make them any size, any shape, and can attach whatever you want or attack it however you want. I think we really should all give ourselves the freedom to play with this form, to let ourselves be free to create from the heart with a material we love. At the end of a session of tile making, you may find you are really looking forward to creating necklaces or making beads or covering vases. But I am going to suggest you give a tile a try here and there to just let yourself create freely. Doing this can help with your designs in other forms.

To that end, of course, I’m going to share some tiles this weekend. I am going to share a lot of non-polymer ones because I think, if you’ve spent any time online, you’ve probably seen your share of polymer tiles these last few years, especially with the Fimo 50 year challenge a couple of years back and with the common inches exchanges (inches are just tiny tiles). So, I’ve got a quite a mix for you but it is all art that can translate to polymer even if it is in another material.

 

Laying it All Out

The opening image of this post is a photo from a class conducted by Laurie Mika. She is well-known for her colorful and intricate collage/mosaic pieces which, by the way, she teaches at various events. This collection of student work was from a polymer clay tapestry class she taught at the SAMA (Society of American Mosaic Artists) conference in Nashville just a few of weeks ago. They are all just lovely. There is no high-end technical skill needed to put these types of things together which makes them ideal for exploring color and texture and just letting yourself go. (You can check Laurie’s workshop schedule on her website.)

Jael Thorp caught my eye some years back with her “clay doodles”, including the one below. I thought they looked like zentangles for clayers. Can you imagine the flow state she must’ve been in to create this? You can just get so completely lost in this kind of work and that is a big part of why people find tiles such a wonderful creative outlet.

Check out this post with her various doodles from some years back. She went on to refine her technique, making beautiful beads and home decor with the same type of application. You can find them on her Flickr photostream.

 

Let’s move from polymer to ceramics now. It is a rare thing in ceramics that can’t be replicated in some fashion in polymer so I find ceramic art quite inspiring. Here is one of my favorite tile makers in ceramics, Chris Gryder, who has gone a bit more three-dimensional of late but his tile compositions are timeless.

In this composition, each tile is its own separate piece but he’s connected them all with these lines that he creates through the grid of tiles. So, really, you can make a whole bunch of tiles without worrying about what they’re going to end up as, and then, if you want to put them together as a composition because they have a similar or complementary set of color palettes, textures, or motifs, you can use lines that flow throughout to visually connect them for a larger composite composition. This approach would allow you to just make tiles as the muse directs and then you can later make them into a larger wall piece.

If you like this piece, go browse through his website or his Instagram page for more fantastic inspiring wall compositions in tile.

 

Keep in mind, just because tiles start out flat, they are not two-dimensional and you can create extremely three-dimensional pieces on them. Here’s one example with some very organic forms and textures created by Lauren Blakey, another ceramic artist.

 

And here’s another three-dimensional example in glass by Shayna Leib.

As you can see, tile work is open to all types of materials so keep that in mind as you sit down to tile. Mix in anything that your heart and muse desires. Mix and match mediums, embed oddball trinkets you’ve kept for, as yet, unknown reasons, and just keep an open mind.

After pulling these examples for you, I realized that all the examples are squares here. You don’t have to create square tiles to play with but that is the more common form. However, if you’re not feeling square, try a free form shape or an oblong one or maybe, because today is Mother’s Day, create a big heart for all the mothers out there. Happy Mother’s Day to all you amazing women!

Here’s a heart from Tina Ruppert of Wisecrackin’ Mosaics on Etsy. Pick a favorite shape and a bunch of canes or other scraps of clay and you can do something along these lines as well.

 

Getting Squared Away

I’m going to leave you with these thoughts and hopefully some curiosity about playing around with a tile or two, in whatever form and techniques interest you. If you need some jumpstart tutorials, here are a few places you can go:

Sara Evans has a video about her tile making process here – https://www.youtube.com/watch?v=9FAxYwgJfLo

If you want to do something tile like but still want it to be something functional when done, maybe you would like this polymer clay tile box tutorial –

https://mermaidsden.com/blog/2015/02/12/polymer-clay-tile-box

Or have fun with one of our true masters of polymer clay tiles, Chris Kapono, with her very detailed and yet tremendously fun tile project in the Polymer Arts Projects book which you can purchase and download digitally if you need it immediately or order the print edition from our website.

I opened with a discussion about doing what makes you happy and hope it gives you some food for thought. If you want to hear a couple of transformative stories in that vein, please be sure to get your copy of The Polymer Studio Issue #2, recently released, which starts and ends with stories about finding one’s happy place with one about Christine Dumont’s studio complete with a visual tour, and the other about Donna Greenberg’s focus moving from jewelry to large wall art. Check out the Issue #2 Sampler if you haven’t seen the new issues yet.

 

We’re daily trying to find are happy place over here as our house has continued to be demolished more and more, beyond what we (or our contractor) expected even. Old plumbing can be a tricky thing! If it would just warm up here, it wouldn’t be so bad. A cold Southern California in May is just weird.

I’d share progress shots of the house but it’s pretty much just down to studs and busted up concrete floors. Oh… And a large trench across the whole of the front yard for a new drain line. I’m thinking about making it into a moat. Like a habitrail (if you remember those hamster houses) for our pond fish. They could just swim circles around the house! Okay, probably not but gotta have fun with all this bedlam, even if it’s just dreaming up nonsense like that!

I hope you all have a wonderful Sunday and Mother’s Day! I’m off to have mimosas with the family’s fabulous females myself! Enjoy the day and your coming week!

Read More

Outside Inspiration: Tactile Fun

December 26, 2014
Posted in

demi chao broochesI don’t know how long I’ve had these candy-colored goodies on my list, but every time I see them they make me smile. There is something so playful about the forms, colors and what must be an amazing tactile texture, yet they don’t exactly come across as toy-like. I think it may be the very energized color pairing on each that make them too pretty to be a child’s plaything.

These were created by Demi Chao, who was a Birmingham School of Jewellery graduate student at the time she created these. I cannot find a note of what these are made of, but a close-up shot I found looks like rubber. Do you wonder where she got her inspiration for these though? Here it is in her own words:

“Just like the organisms in the natural world, this series of brooches are colorful and textural. They are inspired by the microscopic photographs of pollen cells and sea corals which possess vibrant colours and peculiar shapes. They always make me want to touch them. Therefore, the idea of making playful and tactile jewellery came to mind.”

We do tend to play with our jewelry anyways, sometimes nervously, sometimes while daydreaming or thinking deeply. Why not create work that our sense of touch responds heavily to? I know I have a number of designs in my sketchbooks specifically focused on the pieces’ tactile nature, but I never did anything with them. When I see these, I know I need to revisit that idea.

Take a look at more of the delicious color combinations and other organic forms on Demi’s website.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.

businesscard-3.5inx2in-h-front      TPA Blog Newsletter Ad  ShadesofClay 1014 v2  lpedit  

Read More

Polymer Under a Microscope

May 12, 2014
Posted in

The organic forms, colors and patterns of nature inspire the work of many polymer artists. There was quite a bit of this at EuroSynergy, the microscopic looking variety especially and it has been on my mind since then. So this week, let’s look at items that could be drawn from what we might find under a microscope.

When thinking of cellular imagery, Christine Dumont’s work comes to mind first. We enjoyed a number of wonderful talks at EuroSynergy and I had the opportunity to take a close look at some of her more recent work although I didn’t get any photos. However, Christine takes such wonderful photos of her work so let’s look at her images instead. This pendant is a slight departure from others in her “Cellularia” series. She usually layers the perforated clay, lining the holes in precise rows to create a three dimensional surface. Here we have just the one layer of very organically spaced holes giving it even more of a cellular look.

93364766_o

Christine is known for her wonderfully helpful site, Voila as well as her beautifully finished work. Enjoy some time on her beautiful website and do check out Voila.eu.com if you haven’t yet or haven’t been there recently.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

Blog2 -2014-02Feb-5   polymer clay overlapping cane   14P1 cover Fnl

Read More
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