Outside Inspiration: Painting in Three Dimensions
July 26, 2013
Inspirational Art
The artist I’m introducing today is not a polymer artist, which is why I decided he belong in the Outside Inspiration category. However, he does use polymer. No, he doesn’t always use it, but when it suits the vision he is trying to create, polymer can play a prominent role in his images.
Andy Kehoe is an painter with quite the imagination. In researching him for this post I got completely lost in his stories and ramblings found throughout his website and on his blog. Trying to find out one serious bit about him was nigh impossible but I can’t say I didn’t have fun going down the rabbit hole of his imagination! So, back to what I do know. Andy works in painterly mediums, has a keen fascination with layers and depth and recently started playing with painting on multiple layers of resin, building up the strata of imagery that gives these works an almost surreal depth. This in conjunction with his stylized scenes that often look like paper cut-outs and/or uncertain dreamworld creatures creates an unusually strong atmosphere in the limited space the work exists in.
This piece, Approaching the Watcher of the Veil, combines oil, acrylic, polymer clay, and resin on wood. In what serious material I could find Andy is presented (usually on other people’s and galleries’ sites) as a painter, but obviously he doesn’t limit himself to any one medium. The polymer clay, which I assume is in the tree, also has a painterly look to it, making it blend into the work so that the piece transcends its motley medium existence to exist simply as an artist’s sincere and authentic vision.
Polymer is no stranger to being combined with paint or even becoming the paint so, no, this outside inspiration is not really about the painterly way polymer can be presented, but rather that polymer can be a medium used in conjunction with something as old and revered as painting and be an equal when chosen, as needed, for its particular characteristics. The medium is not the key. Its the choices of medium and how they are applied that defines a well-done piece.
Don’t miss some of Andy’s great posts on his blog as well as the entertaining material (especially in the “About” section) of his website.
The artist I’m introducing today is not a polymer artist, which is why I decided he belong in the Outside Inspiration category. However, he does use polymer. No, he doesn’t always use it, but when it suits the vision he is trying to create, polymer can play a prominent role in his images.
Andy Kehoe is an painter with quite the imagination. In researching him for this post I got completely lost in his stories and ramblings found throughout his website and on his blog. Trying to find out one serious bit about him was nigh impossible but I can’t say I didn’t have fun going down the rabbit hole of his imagination! So, back to what I do know. Andy works in painterly mediums, has a keen fascination with layers and depth and recently started playing with painting on multiple layers of resin, building up the strata of imagery that gives these works an almost surreal depth. This in conjunction with his stylized scenes that often look like paper cut-outs and/or uncertain dreamworld creatures creates an unusually strong atmosphere in the limited space the work exists in.
This piece, Approaching the Watcher of the Veil, combines oil, acrylic, polymer clay, and resin on wood. In what serious material I could find Andy is presented (usually on other people’s and galleries’ sites) as a painter, but obviously he doesn’t limit himself to any one medium. The polymer clay, which I assume is in the tree, also has a painterly look to it, making it blend into the work so that the piece transcends its motley medium existence to exist simply as an artist’s sincere and authentic vision.
Polymer is no stranger to being combined with paint or even becoming the paint so, no, this outside inspiration is not really about the painterly way polymer can be presented, but rather that polymer can be a medium used in conjunction with something as old and revered as painting and be an equal when chosen, as needed, for its particular characteristics. The medium is not the key. Its the choices of medium and how they are applied that defines a well-done piece.
Don’t miss some of Andy’s great posts on his blog as well as the entertaining material (especially in the “About” section) of his website.
