Imagining Stone Bones
January 21, 2015
Inspirational Art
Alright, this piece isn’t in itself particularly old-looking, but it does represent another element of time and hide a possible story in its history. Plus, I just think it’s a beautiful piece.
France’s Karine Barrera regularly creates tribal or ethnic pieces, but I don’t think there are any particular civilizations they are drawn from. Rather they seem to be an amalgamation of tribal aesthetics. This one appears to be a most interesting composition of stone, although its form is more reminiscent of bone; the gentle curves recall tusks, claws and ribs.
But if it were stone, what kind of stone would have such layers? Or is the white not supposed to be stone but a material for joining two types of stone? What kind of material is that? What kind of people would find these shapes and the combination of stones meaningful? There are so many possible stories that can be imagined for this piece.
Karine’s work is full of possible stories. Even in her explanation in the blog post, her words are translated from French to say, at one point, that these “are stories designs”. Not sure what that means exactly, but Google Translate creates some pretty wacky text sometimes. In the end, it’s not so much about the story the artist has in her head but what the viewer of the piece comes up with. If your work makes someone stop and consider and create their own little stories and worlds in their mind from what they see, you have succeeded in communicating and maybe even entertaining. And that makes for some pretty good art. See more examples of this kind of thing on Karine’s blog.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Mandalas Well Used
January 20, 2015
Inspirational Art
I think part of the draw to old and well-used (or abused) items is that the scars and wear give us a peek into a hidden past. The object may have been many places, been handled by many hands and may have taken part in a an adventure or two. It’s hard, especially for those of us with wild imaginations, not to consider and maybe even fill out some of the secret pasts of an object. It can be rather thrilling to imagine actually.
That is what drew me to Danna Gussman’s piece here. The pendant seems somewhat like an ancient compass, clock or just a talisman for a secret organization that has been in existence for hundreds of years. Their leader would wear this during their ceremonies, but it would remain hidden in a stone box otherwise. It got those scrapes and scratches from its travels in that box and from the handling of it over so many years. Or so my imagination decided. But that’s just me. What do you see?
Danna refers to this as a geometric mandala. Her pieces are highly geometric and so very precise, and yet they do feel spiritual rather than being simply decorative. You can see what I mean by taking a look at other piece she has in her Etsy shop.
On a very un-polymer related note, there is an amazing book by Anne Proulx called Accordion Crimes that is about the journey of a single accordion and all that happens in the lives that surrounded it for a century. It was a mesmerizing tale, but, moreso, I think it made me see old objects a bit differently because it made me more fully consider what any one object may ‘see’ in its journeys. Being able to imagine the stories can help you develop your designs by creating the narrative behind them. Imagining a piece having a story can help steer the design choices you make. And it’s also quite fun!
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Alright, this piece isn’t in itself particularly old-looking, but it does represent another element of time and hide a possible story in its history. Plus, I just think it’s a beautiful piece.
France’s Karine Barrera regularly creates tribal or ethnic pieces, but I don’t think there are any particular civilizations they are drawn from. Rather they seem to be an amalgamation of tribal aesthetics. This one appears to be a most interesting composition of stone, although its form is more reminiscent of bone; the gentle curves recall tusks, claws and ribs.
But if it were stone, what kind of stone would have such layers? Or is the white not supposed to be stone but a material for joining two types of stone? What kind of material is that? What kind of people would find these shapes and the combination of stones meaningful? There are so many possible stories that can be imagined for this piece.
Karine’s work is full of possible stories. Even in her explanation in the blog post, her words are translated from French to say, at one point, that these “are stories designs”. Not sure what that means exactly, but Google Translate creates some pretty wacky text sometimes. In the end, it’s not so much about the story the artist has in her head but what the viewer of the piece comes up with. If your work makes someone stop and consider and create their own little stories and worlds in their mind from what they see, you have succeeded in communicating and maybe even entertaining. And that makes for some pretty good art. See more examples of this kind of thing on Karine’s blog.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
I think part of the draw to old and well-used (or abused) items is that the scars and wear give us a peek into a hidden past. The object may have been many places, been handled by many hands and may have taken part in a an adventure or two. It’s hard, especially for those of us with wild imaginations, not to consider and maybe even fill out some of the secret pasts of an object. It can be rather thrilling to imagine actually.
That is what drew me to Danna Gussman’s piece here. The pendant seems somewhat like an ancient compass, clock or just a talisman for a secret organization that has been in existence for hundreds of years. Their leader would wear this during their ceremonies, but it would remain hidden in a stone box otherwise. It got those scrapes and scratches from its travels in that box and from the handling of it over so many years. Or so my imagination decided. But that’s just me. What do you see?
Danna refers to this as a geometric mandala. Her pieces are highly geometric and so very precise, and yet they do feel spiritual rather than being simply decorative. You can see what I mean by taking a look at other piece she has in her Etsy shop.
On a very un-polymer related note, there is an amazing book by Anne Proulx called Accordion Crimes that is about the journey of a single accordion and all that happens in the lives that surrounded it for a century. It was a mesmerizing tale, but, moreso, I think it made me see old objects a bit differently because it made me more fully consider what any one object may ‘see’ in its journeys. Being able to imagine the stories can help you develop your designs by creating the narrative behind them. Imagining a piece having a story can help steer the design choices you make. And it’s also quite fun!
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
