Remembering Gwen Gibson
September 26, 2013
Inspirational Art
I interrupt this week’s theme to acknowledge the passing of one of our more influential artists, Gwen Gibson. She passed away peacefully just this past Tuesday.
Some of you may not find her name familiar. She had been focusing on painting and mixed media wall art in recent years so was not front and center in the polymer limelight but her influence has been wide ranging nonetheless.
Gwen started working with polymer in the late 80s and developed ways of working with polymer yet unseen. In her words, “Partly because I didn’t know anyone else working in polymer clay, and partly because I had spent time painting, my work took its own direction from the beginning. My main departure was the use of paint for surface effects rather than the color of the clay.”
Her paint and silk screening work in polymer pushed many artists to move past creating effects with polymer alone and try integrating paint and then other materials into their polymer work. Her philosophy about creativity influenced the direction and ability of many artists to grow their own style and find their own artistic voice. It was also her vision that made La Cascade, the workshop center in France, a reality.
We were lucky enough to have some of her thoughts and influences described and acknowledged in our last issue of The Polymer Arts. The simple but rather moving words i our Fall 2013 issue, written by Ronna Sarvas Weltman for our Muse’s Corner section (the back page) garnered quite a few comments and notes of appreciation from our readers, some who had the pleasure of meeting Gwen and expressed just how much she touched them with her gentle ways and simple but profound philosophies about creating art.
Gwen Gibson with her 3 wall pieces in the MIPCES exhibition, 199.7 (Image and the above quote from Polymer Art Archive–click image to read the associated article.)
I’d like to suggest we all take a moment to look through Gwen’s gallery, to appreciate what she brought to our medium and because her work, especially if you haven’t seen much of it yet, is still inspiring and beautiful as is the work of any great artist.
I interrupt this week’s theme to acknowledge the passing of one of our more influential artists, Gwen Gibson. She passed away peacefully just this past Tuesday.
Some of you may not find her name familiar. She had been focusing on painting and mixed media wall art in recent years so was not front and center in the polymer limelight but her influence has been wide ranging nonetheless.
Gwen started working with polymer in the late 80s and developed ways of working with polymer yet unseen. In her words, “Partly because I didn’t know anyone else working in polymer clay, and partly because I had spent time painting, my work took its own direction from the beginning. My main departure was the use of paint for surface effects rather than the color of the clay.”
Her paint and silk screening work in polymer pushed many artists to move past creating effects with polymer alone and try integrating paint and then other materials into their polymer work. Her philosophy about creativity influenced the direction and ability of many artists to grow their own style and find their own artistic voice. It was also her vision that made La Cascade, the workshop center in France, a reality.
We were lucky enough to have some of her thoughts and influences described and acknowledged in our last issue of The Polymer Arts. The simple but rather moving words i our Fall 2013 issue, written by Ronna Sarvas Weltman for our Muse’s Corner section (the back page) garnered quite a few comments and notes of appreciation from our readers, some who had the pleasure of meeting Gwen and expressed just how much she touched them with her gentle ways and simple but profound philosophies about creating art.
Gwen Gibson with her 3 wall pieces in the MIPCES exhibition, 199.7 (Image and the above quote from Polymer Art Archive–click image to read the associated article.)
I’d like to suggest we all take a moment to look through Gwen’s gallery, to appreciate what she brought to our medium and because her work, especially if you haven’t seen much of it yet, is still inspiring and beautiful as is the work of any great artist.
Read More
