Capturing Deepening Light

September 17, 2014

Angee Chase sunset farm painting

We have another scene picked by Ginger Davis Allman today, this one by miniature sculptor Angee Chase. This is actually an older piece but it was kind of hard to pass by for someone with a love of painting and light like myself.

If you’ve ever taken a painting class you probably heard a lot about capturing the quality of light?  Light is what visually defines everything we see but it has variable qualities, especially sunlight throughout the day. I found dawn and dusk to be two of the hardest but most interesting types of light to capture as you are working with growing or diminishing light coming from a low angle. The deepening shadows and richness of a darkening scene at sunset are well captured in Angee’s Sunset Farm Painting. This includes determining the right shades of color, choosing the right value for the background behind the foreground objects and varying the value of the layers of scenery. I’m not sure if the orb in the sky was intended as a sun or a moon but the lighting on the mountains are perfectly portrayed as a full moon rising on the tail end of sunset. And that is quite an inspiring scene if you’ve ever been able to see that over wide open country. This piece is only 3 .75″ x 4.25″ (95mm x 107mm) by the way. Great detail for something so small.

Angee is still doing scenes these days but the ones I found on her Etsy shop are 1″ (25mm) square. Now we’re talking tiny! Her newer shop is called WonderWorks and has a presence on Facebook as well. Her Flickr photostream displays her older pieces if you want ideas that are more like what you see here.

Ginger Davis Allman lives in Springfield, Missouri with her husband Gary, her three kids and her many craft obsessions. Subscribe to her blog and look around her website for her well-researched and in-depth posts and articles on polymer related subjects. Support her great information and research as well as treating yourself by getting yourself a tutorial or two from this talented lady.

 

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

14-P3 Fall-Play cover Full sm   Blog2 -2014-02Feb-2   3d star ad  Polymania Advert 125  tpa-125x125-blog   Faux-Glass-Banner-1000px-600x476

Vertical Landscape

November 17, 2013

Since I used our Saturday post for the announcement of the next issue being on the way,  we are technically short some art for this week so we will forgone some words of wisdom using a great quote and just enjoy some nice art.

Mike Buesseler was a pioneer in polymer clay back in the day. He’s hasn’t done anything in quite a while but when he did work with clay, he worked heavily in mica shift and landscapes.

This vertical triptych of his is one of my favorites. It’s not complicated and the process he used is pretty obvious but it’s a fantastic image that doesn’t need embellishment or distraction. It does take some talent to know when simple says it best

MnTrptch

 

So that is my share for you this Sunday. My offered words of wisdom are just “simple can be the best option”. Work on knowing when to stop, when not to embellish and just let an image speak for itself.

Now back to enjoying sunny and mild November afternoon here in Colorado.

Capturing Deepening Light

September 17, 2014
Posted in

Angee Chase sunset farm painting

We have another scene picked by Ginger Davis Allman today, this one by miniature sculptor Angee Chase. This is actually an older piece but it was kind of hard to pass by for someone with a love of painting and light like myself.

If you’ve ever taken a painting class you probably heard a lot about capturing the quality of light?  Light is what visually defines everything we see but it has variable qualities, especially sunlight throughout the day. I found dawn and dusk to be two of the hardest but most interesting types of light to capture as you are working with growing or diminishing light coming from a low angle. The deepening shadows and richness of a darkening scene at sunset are well captured in Angee’s Sunset Farm Painting. This includes determining the right shades of color, choosing the right value for the background behind the foreground objects and varying the value of the layers of scenery. I’m not sure if the orb in the sky was intended as a sun or a moon but the lighting on the mountains are perfectly portrayed as a full moon rising on the tail end of sunset. And that is quite an inspiring scene if you’ve ever been able to see that over wide open country. This piece is only 3 .75″ x 4.25″ (95mm x 107mm) by the way. Great detail for something so small.

Angee is still doing scenes these days but the ones I found on her Etsy shop are 1″ (25mm) square. Now we’re talking tiny! Her newer shop is called WonderWorks and has a presence on Facebook as well. Her Flickr photostream displays her older pieces if you want ideas that are more like what you see here.

Ginger Davis Allman lives in Springfield, Missouri with her husband Gary, her three kids and her many craft obsessions. Subscribe to her blog and look around her website for her well-researched and in-depth posts and articles on polymer related subjects. Support her great information and research as well as treating yourself by getting yourself a tutorial or two from this talented lady.

 

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

14-P3 Fall-Play cover Full sm   Blog2 -2014-02Feb-2   3d star ad  Polymania Advert 125  tpa-125x125-blog   Faux-Glass-Banner-1000px-600x476

Read More

Vertical Landscape

November 17, 2013
Posted in

Since I used our Saturday post for the announcement of the next issue being on the way,  we are technically short some art for this week so we will forgone some words of wisdom using a great quote and just enjoy some nice art.

Mike Buesseler was a pioneer in polymer clay back in the day. He’s hasn’t done anything in quite a while but when he did work with clay, he worked heavily in mica shift and landscapes.

This vertical triptych of his is one of my favorites. It’s not complicated and the process he used is pretty obvious but it’s a fantastic image that doesn’t need embellishment or distraction. It does take some talent to know when simple says it best

MnTrptch

 

So that is my share for you this Sunday. My offered words of wisdom are just “simple can be the best option”. Work on knowing when to stop, when not to embellish and just let an image speak for itself.

Now back to enjoying sunny and mild November afternoon here in Colorado.

Read More
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