Line Dependent

Have you been able to spend any productive time in the studio this week? I’m finding that, for the most part, either people are busier than ever (myself included) or are having a hard time drumming up the motivation to create. It’s really no wonder, being this is such a strange time, with our routines thrown not to mention being unable to make plans or feel certain about the future.

Being a home-based business owner, I’m always busy and I’m always home so the transition to the stay-at-home orders is not difficult but since everyone else’s life has been thrown, mine has as well. I’ve been hearing the same story from many of you as most artists work from home and, even if sales are waning, we have a lot to figure out to keep our businesses afloat or at least on a sustainable hiatus. Then there’s all these additional things we do now such as trying to keep in touch with friends and family and all the inventorying and planning of our situation at home to secure our necessities and well-being that really eats away at the day.

If that’s your situation, I’m with you! This drastic change in our lives really gets you thinking about what is necessary and what is not because we all are time strained, financially strained, or both. No wonder it’s hard to get the mojo going to create.

I think feeding our creative selves is still very important though. You create out of some internal necessity and although you may be distracted now, you are going to want to access that creative well of yours in the not too distant future, maybe to be distracted in a different way or as a means for processing what is happening or to add beauty and joy to your world when it is feeling in short supply. Just don’t feel bad or guilty if you aren’t creating finished work in the studio, even if you have the time. You can keep that creative well full in other ways such as reading blogs (you know, like this one maybe) or magazines or books, watch inspiring videos, shows, or movies on creativity, art ,or artists, visit museums virtually, or do more mindless but expressive creative work like doodling, dancing, or stream of consciousness writing.

Of course, I want to help you wherever I can while also attending to my creativity and my family’s needs. So, again this week, and possibly for the rest of our shut-in time, I am going to be sharing a pared down version of the Virtual Art Box’s Weekly Nudge content so I can still bring you creative food for thought while keeping my work load in check. I am also going to start working on the Artist’s Salon discussion idea (more on that at the end of this post) and I’ve added a section to the newsletter just called Grins and Giggles with fun and interesting tidbits I find during my weekly research sessions in the world of art. (You can sign up for the newsletter here if you don’t get it already.)

So, hang out with me when you have the time and we’ll keep our creative wells filled and take care of what we need to take care of. Now, onto ideas about this month’s theme – Line!

 

All in on Line

Have you been noticing line as a design element more readily this past week or two? It’s such a strong and expressive element of design that it’s bound to be a part of any thing that uses design at all. You can even make entire pieces were line is the overriding if not only prominent design element. Let’s me show you what I mean.

Take canes for instance. Lines, either in boundary form where clay is wrapped around components to better define them, or the edge where two colors meet, are immensely important in cane designs. Without dimensionality of any sort, line is the one thing that allows a cane to present pattern and imagery. An entire cane design, including the level of energy, can be solely dependent on the lines created.

Meg Newberg is a master at using line to create energetic patterns. Take a look at this cane she calls a flower doodle (doodles are becoming quite the thing this month!). It has tremendous energy as well as dimensionality. The optical illusion is accomplished through a combination of variation in color value and the use of lines to define and energize the layers that seem to be popping out of the design. But she only uses one color plus white and black, so line really carries this design.

 

A more dimensional example of a line dependent design would be quilling. Although more commonly done in paper, the formation of pattern and imagery with strips set on their sides after being curled and folded has also been mastered by a number of people working in polymer. Beth Petricon was the first person I was aware of that worked out a technique to do quilling with polymer. She even wrote a very detailed tutorial article on how to create your own quilling masterpiece in the Spring 2015 issue of The Polymer Arts. You can see how she uses the technique for both a necklace, below, and the book cover that opens this post, showing it’s (literal) flexibility in different applications.

There is no reason why, with all the ways that you can create line, that you shouldn’t mix up the many variations of line as well. In this brooch by Kathleen Dustin she has at least a half-dozen types of line creating the texture, movement, and focus of the brooch. The shapes and judicial use of color are integral to the design as well, but the lines dominate and create the energy and atmosphere.

 

Now that you have a few more ideas about how you might use line in your work, how about exploring some line only designs? In fact, if you have kids at home and you’re looking for ways to entertain them, why not teach them about line? I can tell you from my many years of experience teaching and training that the instructor can learn just as much as the student through the process of teaching.

Using the article from the Virtual Art Box, you can demonstrate to your kids – be they preschoolers or teenagers or just big kids at heart –the different types of lines and then ask them what they think each type of line feels like. Then ask them to draw lines (in clay or on paper) based on specific words and/or have them create patterns or drawings with just lines. I actually did this in an introduction to art class in the high school where did my student teaching eons ago and was surprised at how intensely they got into it. This type of project is really just a kind of advanced doodle in that it has concepts and parameters to jumpstart it but is otherwise free form. It can just be a lot more fun to do it in a group.

And if you don’t have kids at home to do this with, dial up your friends and just do this, or other projects, online together. The camaraderie might just be what you need to get your creative juices flowing if motivation has been in short supply, along with everything else.

 

The Results Are in

Thanks to all of you who took part in the survey for the Artist’s Virtual Salon idea. The overwhelming response was that people were up for listening to such a discussion but participating in a live event is not necessarily on the top of everyone’s list. Perhaps we are all a little worn out from our packed Zoom schedules—there has been an initial zealousness to stay connected with friends and family plus so many of us are virtually conferencing for work but after a month full of online chats, perhaps we need a break from the scheduled screen time.

However, readers sent fantastic such questions, so I do really want to get together with some of the artists that reached out to me about participating and answer some of those questions. Just recording it should also keep it simple on the technical end. Assuming I can wrangle up the artist for the discussion, I hope to get back going by the beginning of May and then I’ll get them posted, most likely on the blog, so be sure to check in and I will keep you apprised of the project.

 

Sharing the Love … and some deep Savings!

If you need further inspiration, get in on the 30% off Sale going on at the website to scoop up great magazine back issues, project books, and retrospective books. Just hope over to Tenth Muse Arts and browse. Discount is good on anything in the shop that isn’t already discounted (basically no discounted packages or VAB subscriptions) and the sale is on until April 30th.

Use the promo code: SHARE30

 

Now off to get some spring gardening done. My vegetable seedlings are anxious to get into the ground and the battle with the spring weeds is in full swing. It’s also a salve for the soul, to be outside in the sun with my hands in the dirt, creating a satisfying arrangement of newly planted seedlings in the raised beds we set up down near our little creek followed by a triumphal foray plucking weeds, root and all, from the rain soaked soil. Maybe that’s not everybody’s idea of a good time but I have to say, I’m looking forward to it.

 

I hope you have something wonderful to look forward to this weekend and in the coming week. I wish you a safe, healthy, and creative week.

Radiating Variety

August 11, 2019

Would you say you creatively lean toward symmetry or asymmetry? Although humans are innately attracted to symmetry, we all lean towards one or the other when it comes to our aesthetic preferences. However, symmetry, which represents order, is generally found to be more pleasing to the brain than asymmetry but, interestingly enough, symmetry alone cannot make something beautiful. That’s because that orderliness can get rather boring.

This is not to say that symmetry is automatically boring, because it certainly is not. It’s all a matter of how much energy the other characteristics of that symmetrical design add to it. However, there is a kind of artistic prejudice against symmetry out there sometimes. It’s this kind of default line of thought that symmetry is not only boring but a kind of cop-out in design, that it is something primarily employed by the inexperienced and unskilled aspiring artist. That always struck me as really ridiculous. Did they think that Mother Nature should rearrange the flowers, the growth of crystals, and the patterns of butterfly wings? Because they are all symmetrical and yet, these are some of the most beautiful natural things in our world.

So, make note that it’s not symmetry that makes a design boring, it’s a lack of energy in the design. Making exciting, energized, and intriguing symmetrical work can actually be challenging so when someone does it well, it can be quite impressive. Asymmetry has an innate sense of energy simply because it is off-balance and our brain, the way it is, always thinks things are moving towards balance and thus sees asymmetrical design as something in flux. So really, asymmetry might be considered a kind of a shortcut to an energized design although, in truth, both symmetry and asymmetry have plenty of challenges to contend with when designing.

There is one type of symmetrical design, however, that does have both balance and energy almost automatically included. This is the beautiful radial symmetry seen in nature in everything from starfish to flowers to snowflakes. Its energy comes from lines or a progression of shapes moving out from a central axis. The movement in this kind of symmetry is strong and directional but it can still verge on the boring if the radiating lines do not have variation.

Let’s look at some examples of beautifully done radial symmetry.

 

Going Around the Axis

We see radial symmetry in polymer all the time, particularly in kaleidoscope canes. The process of slicing and reassembling the canes with the same point in the pattern arranged at the center creates radial symmetry. There aren’t necessarily radiating lines in these canes, but the mirrored shapes tend to create points or a kind of visual growth outward.

Here’s a beautiful five-sided kaleidoscope cane – yes, symmetry can have an and odd number of sides because the design is still consistent around a central axis – whose parts have a sense of growth moving outward. This is by the very adept cane artist Lana Fominicheva of LaFom on Etsy.

 

A more direct production of radial symmetry can be created by building with a collection of elements such as in this quilled cane design by Meg Newberg of Polymer Clay Workshop.

Cool canes, right? You can get Meg’s Quilled Cane Tutorial in her Esty shop and get to making your own as soon as you download it!

 

Radial symmetry that is neither straight nor separate lines or progressive shapes can still create energy and interest while still staying symmetrical and beautifully balanced as seen here in this locket by Ola of PinkLaLou on Etsy. The crossing over of the lines in the central image are highly energetic and flow out more than burst out from the central axis but flowing lines are still energized only in a calmer, perhaps more elegant, way.

This is a locket created with filigree and cold enamel, not polymer. At first, I thought maybe the design in the middle was cold enamel, but I think it may be an image under resin. Cold enamel is a pigmented semi-translucent resin created to look like traditional glass enamel. If you love the look of enamel but have neither the equipment nor the patience to learn that amazing craft, cold enamel might fill the bill for you. But in the meantime, you could start a radial symmetry design with the right graphic using a liquid polymer image transfer.

 

Okay, so now that you’ve seen a few examples, would you say this next piece below is radial symmetry? Scroll down before reading on and just take a quick peek. Its looks like it is, right?

Well, technically no, it isn’t, but it has all the initial markers with a central axis from which elements radiate outward in a similar pattern. However, nothing is actually symmetrical from one side to the other. Our brain perceives balance because the progression from the center feels consistent, going from radiating lines of inlaid polymer to an even boundary of solid silver to a filigree of swirls and set gems that fill the outside perimeter. But all the elements have an irregular placement, especially in the stones and swirls outside of the focal center but also in the thickness, pattern, and coloring of the inlaid polymer. So, this pendant echoes radial symmetry without being symmetrical thus giving it a tremendous amount of energy without feeling chaotic. Pretty cool!

This necklace, of course, is a Liz Hall creation. Liz has been one of my polymer heroes since nearly the beginning of my exploration into the material. She combines precious metal clay with polymer inlays, adding in stones, glass, and other shiny bits here and there as well. Her openness to other materials allows for this broad range of exploration in design and yet she has a very distinctive style. If you look closely at her work, you’ll see every regular pattern and design is just a touch off, including the pendant that opens this blog post. That’s part of her signature style. Simple but effective.

 

Of course, the most quintessential of radial symmetry design is the mandala. Much of the radial symmetry we see could be considered mandalas of sorts, if we are just speaking of the geometry of it. Mandalas are, however, traditionally a reference to a kind of spiritual map, one that was originally meant to be a model for the organizational structure of life, in both the physical and metaphysical sense, and consisted of a square with a circle and four T-shaped gates, one facing each side of the square. But, as you might have noticed, that definition and the base design has been broadly extended. As long as the design has a regular structure organized around a unifying center, it seems to be generally accepted that it can be called a mandala.

We see these mandala structures in polymer pieces created with cane slices a lot but it is also readily achieved with layered polymer elements like these layered ornaments Kay Miller used to make. She’s off focused on dimensional greeting cards now but we can still enjoy the images of her perfectly designed and finished ornaments.

 

Mandalas are certainly not relegated to polymer when it comes to artwork. And it’s not just about those dot painted rocks that are all the rage now either. Take a gander at this gorgeous mandala brooch created by Jima and Carlie Abbott of Mixed Metal Jewels.

So… do you use radial symmetry in your work? If you don’t or haven’t done much of it or simply haven’t thought much about it, maybe it’s time to try it out. It can be very meditative. See for yourself!

 

Best Laid Plans

Well, this week I was going to start casually working on plans for future publications and new projects between physical therapy and catching up on sleep, but chaos reigned here at the house. Again. There was light at the end of the tunnel when we suddenly went from being a couple of days from finishing the house renovations to a couple of weeks.

The appliances were in and the final painting had commenced but then we discovered that the floor had a problem along with more damage than was anticipated so instead of simply repairing our flooring around the construction areas, we had to tear out nearly half the flooring in our house! Talk about frustrating! And depressing. And nerve-racking. Blah.

But, long story short, we worked it and persisted until we found something we could afford and miraculously ended up with this gorgeous acacia wood flooring and a crew that rushed in and got it all taken care of pretty much in one day! It was nuts. There were so many guys here, it was like ants in the house. But it was by far the best work done on this whole project. Here is my husband Brett, just super excited about his new floors, in our nearly done kitchen.

 

I’m pretty sure his expression will change when we sit down to pay the bill though. But at least we can drown our sorrows over a glass of wine in a gorgeous new kitchen.

Or a glass of seltzer in my case. My metabolic issues are dampening my potential to celebrate or drown my sorrows in my family’s traditional Irish way. No sugars including alcohol for me for a while, not until my metabolic issues are under control and it’ll be minimal even then. It’s sad but it’s really nothing compared to what some of my other friends are going through right now. All you wonderful people … take good care of yourselves! I don’t want any more troubling health news. Ok?

On the positive side, my arm is much better even after this one week with minimal computer time. It is starting to hurt now though, but only because I keep forgetting to not type! Three decades of writing for a living and it’s hard not to use the keyboard when pain is not there to readily remind me not to. I’ll learn!

So, the word now is that we should have our house back in a week. Then I can start cooking properly and really button-down on the new diet regimen I have. So, keep your fingers and toes crossed for us as I will keep good, positive energy and prayers flowing out to all of you with challenges going on right now.

Have a beautiful, creative, and inspiring week!

Trilateral Glow

July 14, 2017

While I was deciding on a final soft triangle example for this week, I spotted this piece and, when seen as a small image, it looked like it could be polymer but on closer inspection, it obviously is some serious seed beading. Still, what an inspiration this could be for an avid caner who likes to create glowing, blended canes!

The piece was created by Anastasia Ilyashevich who seems to create in all kinds of materials, not just, or even primarily, beads. But even though she is not a wholly devoted beader, this is certainly a well conceived and skillfully accomplished piece. In her blog post about it, Anastasia admits she really didn’t like it until the end. I can’t imagine doing all that and not liking it at least halfway through. But we can see how perseverance can pay off.

I have to acknowledge that a large part of the impact of this image is that it is shot on a black background, making the glow pop even more. But still, this is all triangles, creating pattern as well as being the basis for the focal shapes with those severe straight-edged triangles, giving it a very powerful visual feel. It is also huge–the lowest triangle hits somewhere around the waistline, as you can see in this blog post where it is modeled.

By the way, you can brush up on the kind of canes and color combinations that would work really well for this kind of thing in the article by Meg Newberg we published in the present Summer issue of The Polymer Arts. Get your copy on the website, or drop in on my Etsy site and get that and a few other print edition issues you might be wanting. Our HUGE MOVING SALE ends tomorrow, July 15th.

Weekly Inspiration Challenge: Look at your work. What shapes do you most commonly use? Pick just one and play with what you can do with it, changing it up and creating new shapes through little tweaks. Do the new shapes inspire you? Create something using the new shape you made up.

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Dramatic Blends

June 3, 2017

One of my personal favorite articles in the new Summer issue is the “Blended Beauty” article on creating dramatic color and light in canes, written by Meg Newberg. I have been trying to get a really good article for our caning enthusiasts but for some reason, it’s been a struggle getting anything submitted beyond specific cane patterns. Which are cool, yes, but not quite in line with the technique driven and skill building objective of The Polymer Arts

This article, however, is amazing. Meg gives concise and clear instruction on how to create the type of clay blends that give her canes that beautiful inner glow and dramatic color. But these ingenious Skinner type blends are for more than just caners, as you’ll see when you read it.

Meg’s focus on canes has allowed her deep and intense exploration into what can be done with canes. If you want to work on your caning skills or just want to create more interesting and colorful Skinner blends, read the article but also consider signing up for Meg’s monthly tutorial subscription (the mandala cane you see on the bottom here is this month’s tutorial) or buy one of her tutorials posted in her Etsy shop.

Weekly Inspiration Challenge: Let’s recharge this weekend! Sit back with a favorite beverage and take in your latest copy of The Polymer Arts or another magazine or book and let you mind process the art and ideas you find. Keep a sketchbook nearby to record any “ah-ha!” moments and if you feel charged up when done, go to the studio and have some casual play time, exploring what inspired you.

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The Summer Cover … Thank you Mr. Anderson

Today, I just want to share the newest cover of The Polymer Arts. We are so very lucky to have Jon Stuart Anderson gracing the cover with a wonderful close up of his Raging Bull sculpture. The article on Jon’s art and life is alone worth getting this issue for.

Jon had previously not talked much about his work and yet it is absolutely unforgettable. His process, his thoughts on creating, on color, and on living as an artist are from the heart and he minces no words. The interview conducted, and article written by, the equally amazing Ron Lehocky was a dream for us. Ron had so much material, there really could have been a book. Ron was just the person to pull from Jon the stories and details that allow us a rich and colorful glimpse of the man and his work like we’ve never seen it before. I am so thrilled about this issue. Can you tell?

 The whole Summer 2017- Color issue will be a great reference for color exploration now and in the future with the talent and knowledge of some of our best artists including Tracy Holmes, Christine Dumont, Lindly Haunani, Meg Newberg, and Anke Humpert, along with Ron and Jon.  Here’s some of the articles you can look forward to:

  • Color Theory – Simplified!
  • Creating Relatable Color Palettes
  • Fixing our Brains’ Flawed Color Perception
  • The Wild & Colorful World of Jon Anderson
  • Dramatic Color Blends for Canes
  • Painting with Polymer clay
  • Color Guided Necklace Designs
  • Re-Thinking Your Artistic Identity
  • Funding a Guild or Group
  • Color Spotlight on Christine Dumont
  • New Ways with the New Liquid Clays

… and much more!

​Don’t miss out on this essential issue. Be sure your subscription is up to date by going to your account page or start your new subscription. It’s easy … just click here!

If you are jonesing to see more of Jon’s work or want to purchase his work, you can find it on his website.

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On the Ball Beauty

December 7, 2016

gold-butterfly-ornamnet2Things are finally starting to settle down here in Sage land although it is always a whirlwind. Even so, I do like to stop and put up a touch of holiday cheer but I like things to be a bit beyond the norm. I have quite a few of the standard glass ornaments in my box that are really asking to be spruced up. But how to do it? I thought maybe we could get a few clever ideas from the very talented sorts out in the polymer world, and I certainly did!

I know black ornaments are probably not what you think of when think ornaments but just look at this beauty! The black background makes the colors of the cane slices just pop with such glamorous results. The ornament is by caning extraordinaire Meg Newberg. She actually created this a couple Christmases ago but left us with some instruction on how to get this effect. Find all the links to what she has for you on her blog post from that time. Then pop over to her home page for even more cool cane ornaments. She has a ton of ideas for these things. And check out her Etsy shop for a slew of cane tutorials.

 

Inspirational Challenge of the Day: Grab a basic holiday decoration and do something completely unexpected with it. Use unusual but festive colors, add texture where there usually isn’t and in general, put your kind of beauty on it. Celebrate with your style.

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Get Caning!

So my request earlier this week to have people send in caning links for this week’s theme resulted in more questions from people just getting into it. Since there were so many queries, I thought I ought to take a moment to address the basic question these emails had in common … how does one get started or work on moving on from the basics? (For those of you who are quite advanced, this list and links might be helpful as a list for your website [I imagine you get these questions too!] or to recommend before a caning class to get your students to work on the basics.)

So here’s what I would recommend if you are starting out caning …

1. Take a class. So much of what goes into caning, especially reducing, is rather difficult to explain without hands on demonstrations. Check with local guilds, bead stores, the IPCA website, and The Polymer Arts resource list to see what is going on near you. A keyword search using your state/country, “polymer” and “classes” or “workshops” might bring up a few things as well.

2. Get a book. A book with a lot of detail and variety of projects to try your hand at could get you far. Some of the better ones I know of are Sue Heaser’s Polymer Clay Jewellery for Beginners: Book 1 – Millefiori Canes
Donna Kato’s The Art of Polymer Clay Millefiori Techniques and Patricia Kimle’s Exploring Canework in Polymer Clay: Color, Pattern, Surface Design.

3. Search the internet for caning tutorials. This will give you a broad variety of techniques and approaches to explore. If you’re a self-starter and really motivated, this is usually the least expensive option as many of the beginning cane tutorials are free. Once you get more advanced, you may want to invest in some of the tutorials sold on Etsy and CraftArtEdu.

One of your fellow readers, Meg Newberg, sent along this link of free cane tutorials which she also regularly posts on her very active Facebook page, Polymer Clay Workshop. Here is a post photo from her Facebook page a few months back that I thought was just a beautiful collection of kaleidoscope canes with nicely chosen color schemes that she was working on.

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As I am admittedly not the caning expert and so many of you are,  please do add your thoughts in the comment section if you have further ideas for those new to caning. Many thanks!

 

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Line Dependent

April 19, 2020
Posted in ,

Have you been able to spend any productive time in the studio this week? I’m finding that, for the most part, either people are busier than ever (myself included) or are having a hard time drumming up the motivation to create. It’s really no wonder, being this is such a strange time, with our routines thrown not to mention being unable to make plans or feel certain about the future.

Being a home-based business owner, I’m always busy and I’m always home so the transition to the stay-at-home orders is not difficult but since everyone else’s life has been thrown, mine has as well. I’ve been hearing the same story from many of you as most artists work from home and, even if sales are waning, we have a lot to figure out to keep our businesses afloat or at least on a sustainable hiatus. Then there’s all these additional things we do now such as trying to keep in touch with friends and family and all the inventorying and planning of our situation at home to secure our necessities and well-being that really eats away at the day.

If that’s your situation, I’m with you! This drastic change in our lives really gets you thinking about what is necessary and what is not because we all are time strained, financially strained, or both. No wonder it’s hard to get the mojo going to create.

I think feeding our creative selves is still very important though. You create out of some internal necessity and although you may be distracted now, you are going to want to access that creative well of yours in the not too distant future, maybe to be distracted in a different way or as a means for processing what is happening or to add beauty and joy to your world when it is feeling in short supply. Just don’t feel bad or guilty if you aren’t creating finished work in the studio, even if you have the time. You can keep that creative well full in other ways such as reading blogs (you know, like this one maybe) or magazines or books, watch inspiring videos, shows, or movies on creativity, art ,or artists, visit museums virtually, or do more mindless but expressive creative work like doodling, dancing, or stream of consciousness writing.

Of course, I want to help you wherever I can while also attending to my creativity and my family’s needs. So, again this week, and possibly for the rest of our shut-in time, I am going to be sharing a pared down version of the Virtual Art Box’s Weekly Nudge content so I can still bring you creative food for thought while keeping my work load in check. I am also going to start working on the Artist’s Salon discussion idea (more on that at the end of this post) and I’ve added a section to the newsletter just called Grins and Giggles with fun and interesting tidbits I find during my weekly research sessions in the world of art. (You can sign up for the newsletter here if you don’t get it already.)

So, hang out with me when you have the time and we’ll keep our creative wells filled and take care of what we need to take care of. Now, onto ideas about this month’s theme – Line!

 

All in on Line

Have you been noticing line as a design element more readily this past week or two? It’s such a strong and expressive element of design that it’s bound to be a part of any thing that uses design at all. You can even make entire pieces were line is the overriding if not only prominent design element. Let’s me show you what I mean.

Take canes for instance. Lines, either in boundary form where clay is wrapped around components to better define them, or the edge where two colors meet, are immensely important in cane designs. Without dimensionality of any sort, line is the one thing that allows a cane to present pattern and imagery. An entire cane design, including the level of energy, can be solely dependent on the lines created.

Meg Newberg is a master at using line to create energetic patterns. Take a look at this cane she calls a flower doodle (doodles are becoming quite the thing this month!). It has tremendous energy as well as dimensionality. The optical illusion is accomplished through a combination of variation in color value and the use of lines to define and energize the layers that seem to be popping out of the design. But she only uses one color plus white and black, so line really carries this design.

 

A more dimensional example of a line dependent design would be quilling. Although more commonly done in paper, the formation of pattern and imagery with strips set on their sides after being curled and folded has also been mastered by a number of people working in polymer. Beth Petricon was the first person I was aware of that worked out a technique to do quilling with polymer. She even wrote a very detailed tutorial article on how to create your own quilling masterpiece in the Spring 2015 issue of The Polymer Arts. You can see how she uses the technique for both a necklace, below, and the book cover that opens this post, showing it’s (literal) flexibility in different applications.

There is no reason why, with all the ways that you can create line, that you shouldn’t mix up the many variations of line as well. In this brooch by Kathleen Dustin she has at least a half-dozen types of line creating the texture, movement, and focus of the brooch. The shapes and judicial use of color are integral to the design as well, but the lines dominate and create the energy and atmosphere.

 

Now that you have a few more ideas about how you might use line in your work, how about exploring some line only designs? In fact, if you have kids at home and you’re looking for ways to entertain them, why not teach them about line? I can tell you from my many years of experience teaching and training that the instructor can learn just as much as the student through the process of teaching.

Using the article from the Virtual Art Box, you can demonstrate to your kids – be they preschoolers or teenagers or just big kids at heart –the different types of lines and then ask them what they think each type of line feels like. Then ask them to draw lines (in clay or on paper) based on specific words and/or have them create patterns or drawings with just lines. I actually did this in an introduction to art class in the high school where did my student teaching eons ago and was surprised at how intensely they got into it. This type of project is really just a kind of advanced doodle in that it has concepts and parameters to jumpstart it but is otherwise free form. It can just be a lot more fun to do it in a group.

And if you don’t have kids at home to do this with, dial up your friends and just do this, or other projects, online together. The camaraderie might just be what you need to get your creative juices flowing if motivation has been in short supply, along with everything else.

 

The Results Are in

Thanks to all of you who took part in the survey for the Artist’s Virtual Salon idea. The overwhelming response was that people were up for listening to such a discussion but participating in a live event is not necessarily on the top of everyone’s list. Perhaps we are all a little worn out from our packed Zoom schedules—there has been an initial zealousness to stay connected with friends and family plus so many of us are virtually conferencing for work but after a month full of online chats, perhaps we need a break from the scheduled screen time.

However, readers sent fantastic such questions, so I do really want to get together with some of the artists that reached out to me about participating and answer some of those questions. Just recording it should also keep it simple on the technical end. Assuming I can wrangle up the artist for the discussion, I hope to get back going by the beginning of May and then I’ll get them posted, most likely on the blog, so be sure to check in and I will keep you apprised of the project.

 

Sharing the Love … and some deep Savings!

If you need further inspiration, get in on the 30% off Sale going on at the website to scoop up great magazine back issues, project books, and retrospective books. Just hope over to Tenth Muse Arts and browse. Discount is good on anything in the shop that isn’t already discounted (basically no discounted packages or VAB subscriptions) and the sale is on until April 30th.

Use the promo code: SHARE30

 

Now off to get some spring gardening done. My vegetable seedlings are anxious to get into the ground and the battle with the spring weeds is in full swing. It’s also a salve for the soul, to be outside in the sun with my hands in the dirt, creating a satisfying arrangement of newly planted seedlings in the raised beds we set up down near our little creek followed by a triumphal foray plucking weeds, root and all, from the rain soaked soil. Maybe that’s not everybody’s idea of a good time but I have to say, I’m looking forward to it.

 

I hope you have something wonderful to look forward to this weekend and in the coming week. I wish you a safe, healthy, and creative week.

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Radiating Variety

August 11, 2019
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Would you say you creatively lean toward symmetry or asymmetry? Although humans are innately attracted to symmetry, we all lean towards one or the other when it comes to our aesthetic preferences. However, symmetry, which represents order, is generally found to be more pleasing to the brain than asymmetry but, interestingly enough, symmetry alone cannot make something beautiful. That’s because that orderliness can get rather boring.

This is not to say that symmetry is automatically boring, because it certainly is not. It’s all a matter of how much energy the other characteristics of that symmetrical design add to it. However, there is a kind of artistic prejudice against symmetry out there sometimes. It’s this kind of default line of thought that symmetry is not only boring but a kind of cop-out in design, that it is something primarily employed by the inexperienced and unskilled aspiring artist. That always struck me as really ridiculous. Did they think that Mother Nature should rearrange the flowers, the growth of crystals, and the patterns of butterfly wings? Because they are all symmetrical and yet, these are some of the most beautiful natural things in our world.

So, make note that it’s not symmetry that makes a design boring, it’s a lack of energy in the design. Making exciting, energized, and intriguing symmetrical work can actually be challenging so when someone does it well, it can be quite impressive. Asymmetry has an innate sense of energy simply because it is off-balance and our brain, the way it is, always thinks things are moving towards balance and thus sees asymmetrical design as something in flux. So really, asymmetry might be considered a kind of a shortcut to an energized design although, in truth, both symmetry and asymmetry have plenty of challenges to contend with when designing.

There is one type of symmetrical design, however, that does have both balance and energy almost automatically included. This is the beautiful radial symmetry seen in nature in everything from starfish to flowers to snowflakes. Its energy comes from lines or a progression of shapes moving out from a central axis. The movement in this kind of symmetry is strong and directional but it can still verge on the boring if the radiating lines do not have variation.

Let’s look at some examples of beautifully done radial symmetry.

 

Going Around the Axis

We see radial symmetry in polymer all the time, particularly in kaleidoscope canes. The process of slicing and reassembling the canes with the same point in the pattern arranged at the center creates radial symmetry. There aren’t necessarily radiating lines in these canes, but the mirrored shapes tend to create points or a kind of visual growth outward.

Here’s a beautiful five-sided kaleidoscope cane – yes, symmetry can have an and odd number of sides because the design is still consistent around a central axis – whose parts have a sense of growth moving outward. This is by the very adept cane artist Lana Fominicheva of LaFom on Etsy.

 

A more direct production of radial symmetry can be created by building with a collection of elements such as in this quilled cane design by Meg Newberg of Polymer Clay Workshop.

Cool canes, right? You can get Meg’s Quilled Cane Tutorial in her Esty shop and get to making your own as soon as you download it!

 

Radial symmetry that is neither straight nor separate lines or progressive shapes can still create energy and interest while still staying symmetrical and beautifully balanced as seen here in this locket by Ola of PinkLaLou on Etsy. The crossing over of the lines in the central image are highly energetic and flow out more than burst out from the central axis but flowing lines are still energized only in a calmer, perhaps more elegant, way.

This is a locket created with filigree and cold enamel, not polymer. At first, I thought maybe the design in the middle was cold enamel, but I think it may be an image under resin. Cold enamel is a pigmented semi-translucent resin created to look like traditional glass enamel. If you love the look of enamel but have neither the equipment nor the patience to learn that amazing craft, cold enamel might fill the bill for you. But in the meantime, you could start a radial symmetry design with the right graphic using a liquid polymer image transfer.

 

Okay, so now that you’ve seen a few examples, would you say this next piece below is radial symmetry? Scroll down before reading on and just take a quick peek. Its looks like it is, right?

Well, technically no, it isn’t, but it has all the initial markers with a central axis from which elements radiate outward in a similar pattern. However, nothing is actually symmetrical from one side to the other. Our brain perceives balance because the progression from the center feels consistent, going from radiating lines of inlaid polymer to an even boundary of solid silver to a filigree of swirls and set gems that fill the outside perimeter. But all the elements have an irregular placement, especially in the stones and swirls outside of the focal center but also in the thickness, pattern, and coloring of the inlaid polymer. So, this pendant echoes radial symmetry without being symmetrical thus giving it a tremendous amount of energy without feeling chaotic. Pretty cool!

This necklace, of course, is a Liz Hall creation. Liz has been one of my polymer heroes since nearly the beginning of my exploration into the material. She combines precious metal clay with polymer inlays, adding in stones, glass, and other shiny bits here and there as well. Her openness to other materials allows for this broad range of exploration in design and yet she has a very distinctive style. If you look closely at her work, you’ll see every regular pattern and design is just a touch off, including the pendant that opens this blog post. That’s part of her signature style. Simple but effective.

 

Of course, the most quintessential of radial symmetry design is the mandala. Much of the radial symmetry we see could be considered mandalas of sorts, if we are just speaking of the geometry of it. Mandalas are, however, traditionally a reference to a kind of spiritual map, one that was originally meant to be a model for the organizational structure of life, in both the physical and metaphysical sense, and consisted of a square with a circle and four T-shaped gates, one facing each side of the square. But, as you might have noticed, that definition and the base design has been broadly extended. As long as the design has a regular structure organized around a unifying center, it seems to be generally accepted that it can be called a mandala.

We see these mandala structures in polymer pieces created with cane slices a lot but it is also readily achieved with layered polymer elements like these layered ornaments Kay Miller used to make. She’s off focused on dimensional greeting cards now but we can still enjoy the images of her perfectly designed and finished ornaments.

 

Mandalas are certainly not relegated to polymer when it comes to artwork. And it’s not just about those dot painted rocks that are all the rage now either. Take a gander at this gorgeous mandala brooch created by Jima and Carlie Abbott of Mixed Metal Jewels.

So… do you use radial symmetry in your work? If you don’t or haven’t done much of it or simply haven’t thought much about it, maybe it’s time to try it out. It can be very meditative. See for yourself!

 

Best Laid Plans

Well, this week I was going to start casually working on plans for future publications and new projects between physical therapy and catching up on sleep, but chaos reigned here at the house. Again. There was light at the end of the tunnel when we suddenly went from being a couple of days from finishing the house renovations to a couple of weeks.

The appliances were in and the final painting had commenced but then we discovered that the floor had a problem along with more damage than was anticipated so instead of simply repairing our flooring around the construction areas, we had to tear out nearly half the flooring in our house! Talk about frustrating! And depressing. And nerve-racking. Blah.

But, long story short, we worked it and persisted until we found something we could afford and miraculously ended up with this gorgeous acacia wood flooring and a crew that rushed in and got it all taken care of pretty much in one day! It was nuts. There were so many guys here, it was like ants in the house. But it was by far the best work done on this whole project. Here is my husband Brett, just super excited about his new floors, in our nearly done kitchen.

 

I’m pretty sure his expression will change when we sit down to pay the bill though. But at least we can drown our sorrows over a glass of wine in a gorgeous new kitchen.

Or a glass of seltzer in my case. My metabolic issues are dampening my potential to celebrate or drown my sorrows in my family’s traditional Irish way. No sugars including alcohol for me for a while, not until my metabolic issues are under control and it’ll be minimal even then. It’s sad but it’s really nothing compared to what some of my other friends are going through right now. All you wonderful people … take good care of yourselves! I don’t want any more troubling health news. Ok?

On the positive side, my arm is much better even after this one week with minimal computer time. It is starting to hurt now though, but only because I keep forgetting to not type! Three decades of writing for a living and it’s hard not to use the keyboard when pain is not there to readily remind me not to. I’ll learn!

So, the word now is that we should have our house back in a week. Then I can start cooking properly and really button-down on the new diet regimen I have. So, keep your fingers and toes crossed for us as I will keep good, positive energy and prayers flowing out to all of you with challenges going on right now.

Have a beautiful, creative, and inspiring week!

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Trilateral Glow

July 14, 2017
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While I was deciding on a final soft triangle example for this week, I spotted this piece and, when seen as a small image, it looked like it could be polymer but on closer inspection, it obviously is some serious seed beading. Still, what an inspiration this could be for an avid caner who likes to create glowing, blended canes!

The piece was created by Anastasia Ilyashevich who seems to create in all kinds of materials, not just, or even primarily, beads. But even though she is not a wholly devoted beader, this is certainly a well conceived and skillfully accomplished piece. In her blog post about it, Anastasia admits she really didn’t like it until the end. I can’t imagine doing all that and not liking it at least halfway through. But we can see how perseverance can pay off.

I have to acknowledge that a large part of the impact of this image is that it is shot on a black background, making the glow pop even more. But still, this is all triangles, creating pattern as well as being the basis for the focal shapes with those severe straight-edged triangles, giving it a very powerful visual feel. It is also huge–the lowest triangle hits somewhere around the waistline, as you can see in this blog post where it is modeled.

By the way, you can brush up on the kind of canes and color combinations that would work really well for this kind of thing in the article by Meg Newberg we published in the present Summer issue of The Polymer Arts. Get your copy on the website, or drop in on my Etsy site and get that and a few other print edition issues you might be wanting. Our HUGE MOVING SALE ends tomorrow, July 15th.

Weekly Inspiration Challenge: Look at your work. What shapes do you most commonly use? Pick just one and play with what you can do with it, changing it up and creating new shapes through little tweaks. Do the new shapes inspire you? Create something using the new shape you made up.

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Dramatic Blends

June 3, 2017
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One of my personal favorite articles in the new Summer issue is the “Blended Beauty” article on creating dramatic color and light in canes, written by Meg Newberg. I have been trying to get a really good article for our caning enthusiasts but for some reason, it’s been a struggle getting anything submitted beyond specific cane patterns. Which are cool, yes, but not quite in line with the technique driven and skill building objective of The Polymer Arts

This article, however, is amazing. Meg gives concise and clear instruction on how to create the type of clay blends that give her canes that beautiful inner glow and dramatic color. But these ingenious Skinner type blends are for more than just caners, as you’ll see when you read it.

Meg’s focus on canes has allowed her deep and intense exploration into what can be done with canes. If you want to work on your caning skills or just want to create more interesting and colorful Skinner blends, read the article but also consider signing up for Meg’s monthly tutorial subscription (the mandala cane you see on the bottom here is this month’s tutorial) or buy one of her tutorials posted in her Etsy shop.

Weekly Inspiration Challenge: Let’s recharge this weekend! Sit back with a favorite beverage and take in your latest copy of The Polymer Arts or another magazine or book and let you mind process the art and ideas you find. Keep a sketchbook nearby to record any “ah-ha!” moments and if you feel charged up when done, go to the studio and have some casual play time, exploring what inspired you.

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The Summer Cover … Thank you Mr. Anderson

May 9, 2017
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Today, I just want to share the newest cover of The Polymer Arts. We are so very lucky to have Jon Stuart Anderson gracing the cover with a wonderful close up of his Raging Bull sculpture. The article on Jon’s art and life is alone worth getting this issue for.

Jon had previously not talked much about his work and yet it is absolutely unforgettable. His process, his thoughts on creating, on color, and on living as an artist are from the heart and he minces no words. The interview conducted, and article written by, the equally amazing Ron Lehocky was a dream for us. Ron had so much material, there really could have been a book. Ron was just the person to pull from Jon the stories and details that allow us a rich and colorful glimpse of the man and his work like we’ve never seen it before. I am so thrilled about this issue. Can you tell?

 The whole Summer 2017- Color issue will be a great reference for color exploration now and in the future with the talent and knowledge of some of our best artists including Tracy Holmes, Christine Dumont, Lindly Haunani, Meg Newberg, and Anke Humpert, along with Ron and Jon.  Here’s some of the articles you can look forward to:

  • Color Theory – Simplified!
  • Creating Relatable Color Palettes
  • Fixing our Brains’ Flawed Color Perception
  • The Wild & Colorful World of Jon Anderson
  • Dramatic Color Blends for Canes
  • Painting with Polymer clay
  • Color Guided Necklace Designs
  • Re-Thinking Your Artistic Identity
  • Funding a Guild or Group
  • Color Spotlight on Christine Dumont
  • New Ways with the New Liquid Clays

… and much more!

​Don’t miss out on this essential issue. Be sure your subscription is up to date by going to your account page or start your new subscription. It’s easy … just click here!

If you are jonesing to see more of Jon’s work or want to purchase his work, you can find it on his website.

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On the Ball Beauty

December 7, 2016
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gold-butterfly-ornamnet2Things are finally starting to settle down here in Sage land although it is always a whirlwind. Even so, I do like to stop and put up a touch of holiday cheer but I like things to be a bit beyond the norm. I have quite a few of the standard glass ornaments in my box that are really asking to be spruced up. But how to do it? I thought maybe we could get a few clever ideas from the very talented sorts out in the polymer world, and I certainly did!

I know black ornaments are probably not what you think of when think ornaments but just look at this beauty! The black background makes the colors of the cane slices just pop with such glamorous results. The ornament is by caning extraordinaire Meg Newberg. She actually created this a couple Christmases ago but left us with some instruction on how to get this effect. Find all the links to what she has for you on her blog post from that time. Then pop over to her home page for even more cool cane ornaments. She has a ton of ideas for these things. And check out her Etsy shop for a slew of cane tutorials.

 

Inspirational Challenge of the Day: Grab a basic holiday decoration and do something completely unexpected with it. Use unusual but festive colors, add texture where there usually isn’t and in general, put your kind of beauty on it. Celebrate with your style.

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Get Caning!

July 13, 2013
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So my request earlier this week to have people send in caning links for this week’s theme resulted in more questions from people just getting into it. Since there were so many queries, I thought I ought to take a moment to address the basic question these emails had in common … how does one get started or work on moving on from the basics? (For those of you who are quite advanced, this list and links might be helpful as a list for your website [I imagine you get these questions too!] or to recommend before a caning class to get your students to work on the basics.)

So here’s what I would recommend if you are starting out caning …

1. Take a class. So much of what goes into caning, especially reducing, is rather difficult to explain without hands on demonstrations. Check with local guilds, bead stores, the IPCA website, and The Polymer Arts resource list to see what is going on near you. A keyword search using your state/country, “polymer” and “classes” or “workshops” might bring up a few things as well.

2. Get a book. A book with a lot of detail and variety of projects to try your hand at could get you far. Some of the better ones I know of are Sue Heaser’s Polymer Clay Jewellery for Beginners: Book 1 – Millefiori Canes
Donna Kato’s The Art of Polymer Clay Millefiori Techniques and Patricia Kimle’s Exploring Canework in Polymer Clay: Color, Pattern, Surface Design.

3. Search the internet for caning tutorials. This will give you a broad variety of techniques and approaches to explore. If you’re a self-starter and really motivated, this is usually the least expensive option as many of the beginning cane tutorials are free. Once you get more advanced, you may want to invest in some of the tutorials sold on Etsy and CraftArtEdu.

One of your fellow readers, Meg Newberg, sent along this link of free cane tutorials which she also regularly posts on her very active Facebook page, Polymer Clay Workshop. Here is a post photo from her Facebook page a few months back that I thought was just a beautiful collection of kaleidoscope canes with nicely chosen color schemes that she was working on.

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As I am admittedly not the caning expert and so many of you are,  please do add your thoughts in the comment section if you have further ideas for those new to caning. Many thanks!

 

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