Something New in the New Year
December 29, 2014
Inspirational Art
It’s that time of year, isn’t it? When we start thinking about how we’ll do things differently in the coming year. A lot of us will be considering what we can do to increase our sales, make our work vs art lives easier, improve our skills or simply get inspired to do something new to invigorate ourselves and our work. Well, I thought I might be able to help with the last bit here. It is what I try to do daily on this blog, but this week let’s just pull out a few pieces of work and talk about how the pieces might be used to inspire you to try something new.
For instance, how much variety to you have in your beads? Do you stick with primarily one shape or one type of treatment for them? Do you mix up the canes or texture you apply? If you feel like you’re in a bit of a rut in your bead making, shake it up by challenging yourself to a bit more variety. Here is an example of this from MaryAnne Loveless, who created these large hollow tube beads with a ton of different applications. She uses canes, textures, pressed clay bits and hand tooled marks. There is some dimensional contrast in all the beads, but some have more than others, which creates a wide variety of surface designs.
Varied surface design is MaryAnne’s forte, so if you want more inspiration in that area be sure to take a look at her Flickr photostream and her blog.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Switching Structure Between Forms
November 5, 2012
Inspirational Art
If you make a particularly beautiful bead, the inclination is to make it the focus of a new piece. Focal beads are commonly worked into necklaces, sometimes bracelets. Either way the usual construction is a focal bead plus a series of complimentary beads to string with it. One could try stringing it solo but that usually doesn’t do much to frame and showcase the prized bead.
I like that Maryanne Loveless has created a bracelet structure that can showcase a bead in such a lovely manner. These bracelets are kept relatively simple but given just enough pizzazz on the ends of the encircling polymer to frame the bead and make it look that much more elegant.
Often times I think, with beaded pieces a very pretty but subtle bead will get lost in the business of the piece. This solution is good food for thought. If a focal bead can stand on its own regardless of what it’s matched with then it’s not an issue. But if the bead needs to be supported by the rest of the piece in order to shine, a simple, understated structure might be just the ticket.
It’s that time of year, isn’t it? When we start thinking about how we’ll do things differently in the coming year. A lot of us will be considering what we can do to increase our sales, make our work vs art lives easier, improve our skills or simply get inspired to do something new to invigorate ourselves and our work. Well, I thought I might be able to help with the last bit here. It is what I try to do daily on this blog, but this week let’s just pull out a few pieces of work and talk about how the pieces might be used to inspire you to try something new.
For instance, how much variety to you have in your beads? Do you stick with primarily one shape or one type of treatment for them? Do you mix up the canes or texture you apply? If you feel like you’re in a bit of a rut in your bead making, shake it up by challenging yourself to a bit more variety. Here is an example of this from MaryAnne Loveless, who created these large hollow tube beads with a ton of different applications. She uses canes, textures, pressed clay bits and hand tooled marks. There is some dimensional contrast in all the beads, but some have more than others, which creates a wide variety of surface designs.
Varied surface design is MaryAnne’s forte, so if you want more inspiration in that area be sure to take a look at her Flickr photostream and her blog.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
If you make a particularly beautiful bead, the inclination is to make it the focus of a new piece. Focal beads are commonly worked into necklaces, sometimes bracelets. Either way the usual construction is a focal bead plus a series of complimentary beads to string with it. One could try stringing it solo but that usually doesn’t do much to frame and showcase the prized bead.
I like that Maryanne Loveless has created a bracelet structure that can showcase a bead in such a lovely manner. These bracelets are kept relatively simple but given just enough pizzazz on the ends of the encircling polymer to frame the bead and make it look that much more elegant.
Often times I think, with beaded pieces a very pretty but subtle bead will get lost in the business of the piece. This solution is good food for thought. If a focal bead can stand on its own regardless of what it’s matched with then it’s not an issue. But if the bead needs to be supported by the rest of the piece in order to shine, a simple, understated structure might be just the ticket.
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