Conceptual Horses
January 26, 2015
Inspirational Art
Polymer lends itself particularly well to decorative arts, since it is so versatile in form and color and has the ability to be combined with so many other materials. But it can also be a very expressive medium. An artist can use a variety of sculptural techniques, colors and textures to recreate all kinds of imagery, which makes polymer particularly wonderful for conceptual work. I thought we’d take a week to see just what wonderful and new work is being produced in that area of polymer.
EvaMarie Törnström’s Malta Horse is what got me really thinking about this area of polymer art. For those of you who have been to Malta, the iconic crosses, the aged limestone walls and the intense blue of the surrounding ocean are instantly recognizable, collectively, as representative of that beautiful country. There is a lot more to this particular piece, but I’ll let you puzzle out its other less obviously related characteristics. I’m still puzzling them out myself. But even if you haven’t been to Malta, you know there is a connection between the chosen elements, and it will make you stop and think. As all good art really does.
Sweden’s EvaMarie is partial to creating horse sculptures but does very large wall pieces as well, also usually equine-related. Do take a moment to look at some of her unusual and visually intriguing pieces on her website.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
A Last Glance at Malta
May 8, 2014
Inspirational Art
I am in the slow process of extricating myself from Europe. I spent the last 4 days with the very creative and enthusiastic Anke Humpert. We played as well as worked on several upcoming articles and came up with way too many exciting ideas that, we hope, might become a reality someday. But for now, as I leave the European continent on my way to Iceland where I will stopover for a day, I am taking one last glance back at Malta.
We had one in our group at EuroSyngery that was from the beautiful island, Nevena Ilic from Swiegi on Malta. She creates lovely polymer jewelry in many of the colors and textures I now associate with the small but vibrant country. The red that so often colored the Malta cross and the dark aging of limestone that many of the buildings there are constructed of can both be found in this pendant.
Nevena only started working with polymer clay in 2011, but like many of us, once she found it, it became the focus of her creative work. For her it is “an instrument of communicating my inner-self.” You can see more of her interesting forms on her website.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
EuroSynergy: Beauty at the Reception
April 30, 2014
Inspirational Art
The reception at EuroSynergy is the time when many of the attendees run into each other for the first time or at least not in a rushed situation. So it is natural that we also put on our best pieces or our newest acquisitions from fellow artists. It is rather dazzling to see the variety of pieces and so truly thrilling to see pieces in person that one has only seen in photos at this point. I don’t think I made it a quarter way around the room stopping to look at some much wonderful art. It was like a live, moving gallery of the best and most innovative and skilled work.
I did manage to stop my gawking long enough to take a few pictures. I do have to apologize–my camera seems to be having some issues with some modes I am used to working in so I will need to work that out and adjust it so we can have better images through the week. Here are a couple pieces I got photos of that I thought would be particularly fun to share.
This piece by Katrina Marsh Sarlin is an obvious Maggie Maggio project. She worked on and completed this necklace and earring set during her Monday workshop with Maggie. She said she had decided that she needed to get these pieces done just for the reception as her efforts early on in the workshop revealed she was on her way to making the perfect set to go with her Wednesday evening outfit. That kept her focused! You can’t quite see the wonderful variations in color in the links but you can certainly see all the work that went into this very newly finished piece. I just love that we can do that–decide we need something to pair with an outfit and just sit down and make it! That is another huge advantage of our primary medium–the speed of creating.
This piece just took me by surprise. As you probably know if you’ve followed this blog for long, I look to a lot of other art forms as inspiration for polymer work. One I had never considered was graffiti art. But when I asked Anke Humpert how she came up with the idea for this bracelet below, she shrugged and put up her hands like it seemed so obvious that graffiti would inspire polymer. And I have to agree. With the range of colors and the expressive forms in the lettering, it is suddenly obvious to me too.
Well, after a day of exploring Valletta and seeing the kick-off of EuroSynergy, I need to get a little sustenance and get ready for the rest of the week. I will post photos from our little tour around Malta’s capital and will try to fit in some quick stories on both The Polymer Arts and Sage Bray Facebook pages so come join me over there a little later on to see what our polymer people are up to.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Workshops in Malta
April 29, 2014
Inspirational Art, Polymer community news
Stopping to write a blog in the midst of all the fantastic conversations I’ve been having this first day in Malta has been a challenge so this will be a little short–we’ll let the photos speak for the most part.
I was lucky enough to have time to drop in on workshops being given by Kathleen Dustin and Melanie West. The energy in the rooms was amazing and the dazed look as the students left the day long workshops attested to some exhausting but exciting creativity going on. Melanie West’s class was “Make It Big And Organic!” and focused on the idea of process more than on the creation of any one thing. Kathleen was divulging her signature “Translucent Layering Techniques” in her packed classroom. Here are some shots of these masters at work demonstrating and sharing their pearls of wisdom. Then you get a close up view of Melanie’s ingenious necklace–a reversible pendant that is engineered with a magnet and a removable center piece.
Kathleen Dustin explaining technique during her workshop.
Cara Jane Hayman’s project in the middle of the process in Kathleen’s class.
Melanie West talking color choices with her workshop attendees.
Melanie West’s fabulous reversible necklace.
The other side of Melanie’s necklace showing the magnet design (isn’t that wonderful!?)
I am going to leave you to enjoy these images for now. I’ll be touring Malta in the morning and posting those images on Facebook so if you don’t already follow The Polymer Arts on Facebook, you can get more EuroSynergy peeks there as well!
Wow … day one and I’m already filled to the brim with ideas to ponder and write about and create from! What will I be like come Sunday?
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Dialing in From Frankfurt with French Polymer
April 28, 2014
Polymer community news
I have been traveling for 16 hours as I sit down to write this and I have another 7 hours to go before I reach the hotel in Malta. Every change of scenery, the many different people, the variation in languages is enervating–I’ve been trying to guess people’s country of origin based on jewelry and clothing but you know what … people are more or less the same everywhere. It’s still been a fun game. I just wish I was more awake to really take it all in here. Many polymer people are already in Malta. See if you can sneak a peek on Donna Greenberg’s Facebook page–she’s taken some amazing pictures of the places in Malta she and other polymer peeps got out early to see. I just can’t wait to get there.
My opportunities for photos as well as a decent Internet connection while traveling have been slim so instead of sending the overcast images of Reykjavik and Frankfurt this will be simple and brief and get in some info I couldn’t squeeze in last week about polymer in print.
If you don’t know about Polymere & Co., it’s the newest magazine on the scene and the first one of its kind not in English. The French language magazine focuses on project tutorials and jewelry and is available in both print and digital editions. Even if French isn’t your language, don’t let that stop you from getting a copy. Get the digital and plug the articles into an online translator. In this day and age there is not any reason to stay away from publications simply because they aren’t in your language. What a wonderful time we live in!
Editor Beatrice PICQ will be joining us at EuroSynergy to talk about why she started this magazine. I’m so excited to talk to her and hear about her vision. Because at this point, there is definitely still room for more quality polymer instruction and inspiration.
Okay … I’m off to get myself set for my final leg to Malta!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Influencing Polymer in Print
March 30, 2014
Polymer community news, Ponderings, The Polymer Arts magazine news
For those of you who may not have heard through our newsletter and postings on Facebook by others involved, next month in Malta, myself, Marjon Donker and Saskia Veltenaar (From Polymer To Art) and Béa Picq (Polymère & Co) will be conducting a presentation and discussion on polymer art in print–what is available right now and what we as a community might want to see in the future. We would like to make this a chance for you to have your say about what you like, don’t like and want to see more of in books and magazines so we created a survey for that purpose. Not only is it short and fun and will get your voice heard, you can also win one of three magazine packages that will include a $10 gift certificate to anything from The Polymer Arts and a digital magazine issue of your choice from both From Polymer to Art and Polymère & Co.
And yes, if you took the survey through the newsletter, before I heard from the other ladies about wanting to add their magazines to the prize offerings, you will get the whole package if picked.
To help us with this presentation, get yourself heard, and to enter for a chance to win one of 3 magazine packages, click on this link!
If you are unfamiliar with either of the other magazines, they are both complimentary to what we do in The Polymer Arts, focusing more on project tutorials and some basic techniques and information, great for beginning to intermediate artists. From Polymer to Art is in English and Polymere & Co. is in French, but is available in a digital format so you can copy text from it into Google translate to read it.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Chance Lines, Chance Texture
February 5, 2014
Inspirational Art
Randomness can be used, not just in the composition of a piece but in the way you work with your clay. Applying or sculpting clay with a random approach can add wonderful, organic and quite expressive elements and textures to a piece.
Klavdija Kurent has allowed threads of clay, wound up without asserting stringent control, and ended up with these intriguing beads and the resulting necklace.
Letting go of your strict control over the clay and allowing the material to create the visual result can be so appealing both in creating this way and in the loose, natural result. Here, the end pattern is random but its the same type of pattern–loose flowing lines and loops–complimented by organic, rock like central beads and a large looping bead as the focal point. I love how the braided strings of clay start out orderly on the left of the focal bead but then break down, giving way suddenly to the chaos. I don’t know if Klavdija intended it, but that bead is a great metaphor for life in general!
Klavdija will be teaching her twisted techniques in April at EuroSynergy in Malta. Are you going to EuroSynergy? There are so many amazing artists and creatives that will be there with workshops, presentations and discussions panels. I’ll be there conducting two workshop style seminars to help attendees develop their personal voice and online presences as well as leading what promises to be a lively discussion with the ladies of From Polymer to Art on what we have and what we want to see more of in print. You can find a list of all our presentations on the Eurosynergy website.
And take a look at more of Klavdija’s work on her Flickr pages and her blog.
Thank you for supporting The Polymer Arts projects and our advertising partners you see below! Your purchases support the magazine, this blog and our upcoming “Best of” and “Workshop” books. To get even more out of our projects, subscribe, get our newsletter (see form on the left side of our home page), and follow us on Facebook.
Polymer lends itself particularly well to decorative arts, since it is so versatile in form and color and has the ability to be combined with so many other materials. But it can also be a very expressive medium. An artist can use a variety of sculptural techniques, colors and textures to recreate all kinds of imagery, which makes polymer particularly wonderful for conceptual work. I thought we’d take a week to see just what wonderful and new work is being produced in that area of polymer.
EvaMarie Törnström’s Malta Horse is what got me really thinking about this area of polymer art. For those of you who have been to Malta, the iconic crosses, the aged limestone walls and the intense blue of the surrounding ocean are instantly recognizable, collectively, as representative of that beautiful country. There is a lot more to this particular piece, but I’ll let you puzzle out its other less obviously related characteristics. I’m still puzzling them out myself. But even if you haven’t been to Malta, you know there is a connection between the chosen elements, and it will make you stop and think. As all good art really does.
Sweden’s EvaMarie is partial to creating horse sculptures but does very large wall pieces as well, also usually equine-related. Do take a moment to look at some of her unusual and visually intriguing pieces on her website.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
I am in the slow process of extricating myself from Europe. I spent the last 4 days with the very creative and enthusiastic Anke Humpert. We played as well as worked on several upcoming articles and came up with way too many exciting ideas that, we hope, might become a reality someday. But for now, as I leave the European continent on my way to Iceland where I will stopover for a day, I am taking one last glance back at Malta.
We had one in our group at EuroSyngery that was from the beautiful island, Nevena Ilic from Swiegi on Malta. She creates lovely polymer jewelry in many of the colors and textures I now associate with the small but vibrant country. The red that so often colored the Malta cross and the dark aging of limestone that many of the buildings there are constructed of can both be found in this pendant.
Nevena only started working with polymer clay in 2011, but like many of us, once she found it, it became the focus of her creative work. For her it is “an instrument of communicating my inner-self.” You can see more of her interesting forms on her website.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
The reception at EuroSynergy is the time when many of the attendees run into each other for the first time or at least not in a rushed situation. So it is natural that we also put on our best pieces or our newest acquisitions from fellow artists. It is rather dazzling to see the variety of pieces and so truly thrilling to see pieces in person that one has only seen in photos at this point. I don’t think I made it a quarter way around the room stopping to look at some much wonderful art. It was like a live, moving gallery of the best and most innovative and skilled work.
I did manage to stop my gawking long enough to take a few pictures. I do have to apologize–my camera seems to be having some issues with some modes I am used to working in so I will need to work that out and adjust it so we can have better images through the week. Here are a couple pieces I got photos of that I thought would be particularly fun to share.
This piece by Katrina Marsh Sarlin is an obvious Maggie Maggio project. She worked on and completed this necklace and earring set during her Monday workshop with Maggie. She said she had decided that she needed to get these pieces done just for the reception as her efforts early on in the workshop revealed she was on her way to making the perfect set to go with her Wednesday evening outfit. That kept her focused! You can’t quite see the wonderful variations in color in the links but you can certainly see all the work that went into this very newly finished piece. I just love that we can do that–decide we need something to pair with an outfit and just sit down and make it! That is another huge advantage of our primary medium–the speed of creating.
This piece just took me by surprise. As you probably know if you’ve followed this blog for long, I look to a lot of other art forms as inspiration for polymer work. One I had never considered was graffiti art. But when I asked Anke Humpert how she came up with the idea for this bracelet below, she shrugged and put up her hands like it seemed so obvious that graffiti would inspire polymer. And I have to agree. With the range of colors and the expressive forms in the lettering, it is suddenly obvious to me too.
Well, after a day of exploring Valletta and seeing the kick-off of EuroSynergy, I need to get a little sustenance and get ready for the rest of the week. I will post photos from our little tour around Malta’s capital and will try to fit in some quick stories on both The Polymer Arts and Sage Bray Facebook pages so come join me over there a little later on to see what our polymer people are up to.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Stopping to write a blog in the midst of all the fantastic conversations I’ve been having this first day in Malta has been a challenge so this will be a little short–we’ll let the photos speak for the most part.
I was lucky enough to have time to drop in on workshops being given by Kathleen Dustin and Melanie West. The energy in the rooms was amazing and the dazed look as the students left the day long workshops attested to some exhausting but exciting creativity going on. Melanie West’s class was “Make It Big And Organic!” and focused on the idea of process more than on the creation of any one thing. Kathleen was divulging her signature “Translucent Layering Techniques” in her packed classroom. Here are some shots of these masters at work demonstrating and sharing their pearls of wisdom. Then you get a close up view of Melanie’s ingenious necklace–a reversible pendant that is engineered with a magnet and a removable center piece.
Kathleen Dustin explaining technique during her workshop.
Cara Jane Hayman’s project in the middle of the process in Kathleen’s class.
Melanie West talking color choices with her workshop attendees.
Melanie West’s fabulous reversible necklace.
The other side of Melanie’s necklace showing the magnet design (isn’t that wonderful!?)
I am going to leave you to enjoy these images for now. I’ll be touring Malta in the morning and posting those images on Facebook so if you don’t already follow The Polymer Arts on Facebook, you can get more EuroSynergy peeks there as well!
Wow … day one and I’m already filled to the brim with ideas to ponder and write about and create from! What will I be like come Sunday?
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
I have been traveling for 16 hours as I sit down to write this and I have another 7 hours to go before I reach the hotel in Malta. Every change of scenery, the many different people, the variation in languages is enervating–I’ve been trying to guess people’s country of origin based on jewelry and clothing but you know what … people are more or less the same everywhere. It’s still been a fun game. I just wish I was more awake to really take it all in here. Many polymer people are already in Malta. See if you can sneak a peek on Donna Greenberg’s Facebook page–she’s taken some amazing pictures of the places in Malta she and other polymer peeps got out early to see. I just can’t wait to get there.
My opportunities for photos as well as a decent Internet connection while traveling have been slim so instead of sending the overcast images of Reykjavik and Frankfurt this will be simple and brief and get in some info I couldn’t squeeze in last week about polymer in print.
If you don’t know about Polymere & Co., it’s the newest magazine on the scene and the first one of its kind not in English. The French language magazine focuses on project tutorials and jewelry and is available in both print and digital editions. Even if French isn’t your language, don’t let that stop you from getting a copy. Get the digital and plug the articles into an online translator. In this day and age there is not any reason to stay away from publications simply because they aren’t in your language. What a wonderful time we live in!
Editor Beatrice PICQ will be joining us at EuroSynergy to talk about why she started this magazine. I’m so excited to talk to her and hear about her vision. Because at this point, there is definitely still room for more quality polymer instruction and inspiration.
Okay … I’m off to get myself set for my final leg to Malta!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
For those of you who may not have heard through our newsletter and postings on Facebook by others involved, next month in Malta, myself, Marjon Donker and Saskia Veltenaar (From Polymer To Art) and Béa Picq (Polymère & Co) will be conducting a presentation and discussion on polymer art in print–what is available right now and what we as a community might want to see in the future. We would like to make this a chance for you to have your say about what you like, don’t like and want to see more of in books and magazines so we created a survey for that purpose. Not only is it short and fun and will get your voice heard, you can also win one of three magazine packages that will include a $10 gift certificate to anything from The Polymer Arts and a digital magazine issue of your choice from both From Polymer to Art and Polymère & Co.
And yes, if you took the survey through the newsletter, before I heard from the other ladies about wanting to add their magazines to the prize offerings, you will get the whole package if picked.
To help us with this presentation, get yourself heard, and to enter for a chance to win one of 3 magazine packages, click on this link!
If you are unfamiliar with either of the other magazines, they are both complimentary to what we do in The Polymer Arts, focusing more on project tutorials and some basic techniques and information, great for beginning to intermediate artists. From Polymer to Art is in English and Polymere & Co. is in French, but is available in a digital format so you can copy text from it into Google translate to read it.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Read More
Randomness can be used, not just in the composition of a piece but in the way you work with your clay. Applying or sculpting clay with a random approach can add wonderful, organic and quite expressive elements and textures to a piece.
Klavdija Kurent has allowed threads of clay, wound up without asserting stringent control, and ended up with these intriguing beads and the resulting necklace.
Letting go of your strict control over the clay and allowing the material to create the visual result can be so appealing both in creating this way and in the loose, natural result. Here, the end pattern is random but its the same type of pattern–loose flowing lines and loops–complimented by organic, rock like central beads and a large looping bead as the focal point. I love how the braided strings of clay start out orderly on the left of the focal bead but then break down, giving way suddenly to the chaos. I don’t know if Klavdija intended it, but that bead is a great metaphor for life in general!
Klavdija will be teaching her twisted techniques in April at EuroSynergy in Malta. Are you going to EuroSynergy? There are so many amazing artists and creatives that will be there with workshops, presentations and discussions panels. I’ll be there conducting two workshop style seminars to help attendees develop their personal voice and online presences as well as leading what promises to be a lively discussion with the ladies of From Polymer to Art on what we have and what we want to see more of in print. You can find a list of all our presentations on the Eurosynergy website.
And take a look at more of Klavdija’s work on her Flickr pages and her blog.
Thank you for supporting The Polymer Arts projects and our advertising partners you see below! Your purchases support the magazine, this blog and our upcoming “Best of” and “Workshop” books. To get even more out of our projects, subscribe, get our newsletter (see form on the left side of our home page), and follow us on Facebook.
