Layers of Interest
November 2, 2015
Inspirational Art
This past week, during my usual hunting excursions for fabulously interesting pieces to bring to you, I noticed I was seeing a lot of beautiful applications created in clean, simple pendant and earring forms, primarily in the area of layering.
This pendant popped up on my Facebook timeline just last night. It’s by Eriko Page who has been toiling away trying to perfect her crackle technique with, what I believe is, Kroma crackle. She mentions Jeanette Kandray’s Kroma Crackle tutorial on the Polyform website in a comment attached to another similar piece on her Facebook page and it does look just like it. I like how she uses the gradient colors and texture as a background for a simple caned tableau for this pendant. There is actually a lot going on that would catch and hold the eye on this simple, organically formed rectangular pendant.
Eriko hails from California and, according to her Facebook page, from Tehachapi of all places. Tehachapi is also home to Christi Friesen and Karen Lewis (Klew). That’s a lot of polymer talent in a town that is all of ten square miles and sits out there on the edge of the vast Mojave desert. What about that breeds such immense talent, I’m starting to wonder?
Well, while I am pondering that mystery, you can search out more of about Eriko and her work scattered throughout the web but most notably on Fire Mountain Gem’s website, Sonoran Beads where you can find her beads for sale and on her Facebook page.
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Just Beneath the Surface
November 3, 2014
Inspirational Art
The real or illusionary depiction of depth is something that draws the eye. We want to see what is down there, what is in the shadows or just beyond, what we can make out by looking deeper. Depth in polymer can be achieved through a myriad of techniques and approaches.
Let’s start this week of looking at creating a look of depth with this amazing necklace by Victoria James. The depth is subtle, but like shimmering pebbles just under the trickle of a clear creek, you want to reach in and touch the texture here. It is so hard to tell from the photo how this was achieved, but here is what Victoria says:
“These beads were created with the shingle cracked growth ring texture sheet. They are made from polymer clay, alcohol inks and metal leaf. The look of depth is an illusion, they are perfectly smooth.”
So, we are thinking this is a really great buffing job here. If it was flat, I might say resin with that shine and layered translucent appearance. But, I don’t think so. Mica shift may have played a role, but then again, it’s hard to say from here. What we can all say, I believe, is simply … wow. Beautifully done.
More illusion, texture and faux can be found on Victoria’s Flickr page and on her website where you will find her work in basketry, as well as her collection of ‘real’ world texture sheets.
f you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
This past week, during my usual hunting excursions for fabulously interesting pieces to bring to you, I noticed I was seeing a lot of beautiful applications created in clean, simple pendant and earring forms, primarily in the area of layering.
This pendant popped up on my Facebook timeline just last night. It’s by Eriko Page who has been toiling away trying to perfect her crackle technique with, what I believe is, Kroma crackle. She mentions Jeanette Kandray’s Kroma Crackle tutorial on the Polyform website in a comment attached to another similar piece on her Facebook page and it does look just like it. I like how she uses the gradient colors and texture as a background for a simple caned tableau for this pendant. There is actually a lot going on that would catch and hold the eye on this simple, organically formed rectangular pendant.
Eriko hails from California and, according to her Facebook page, from Tehachapi of all places. Tehachapi is also home to Christi Friesen and Karen Lewis (Klew). That’s a lot of polymer talent in a town that is all of ten square miles and sits out there on the edge of the vast Mojave desert. What about that breeds such immense talent, I’m starting to wonder?
Well, while I am pondering that mystery, you can search out more of about Eriko and her work scattered throughout the web but most notably on Fire Mountain Gem’s website, Sonoran Beads where you can find her beads for sale and on her Facebook page.
___________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
___________________________________________
The real or illusionary depiction of depth is something that draws the eye. We want to see what is down there, what is in the shadows or just beyond, what we can make out by looking deeper. Depth in polymer can be achieved through a myriad of techniques and approaches.
Let’s start this week of looking at creating a look of depth with this amazing necklace by Victoria James. The depth is subtle, but like shimmering pebbles just under the trickle of a clear creek, you want to reach in and touch the texture here. It is so hard to tell from the photo how this was achieved, but here is what Victoria says:
“These beads were created with the shingle cracked growth ring texture sheet. They are made from polymer clay, alcohol inks and metal leaf. The look of depth is an illusion, they are perfectly smooth.”
So, we are thinking this is a really great buffing job here. If it was flat, I might say resin with that shine and layered translucent appearance. But, I don’t think so. Mica shift may have played a role, but then again, it’s hard to say from here. What we can all say, I believe, is simply … wow. Beautifully done.
More illusion, texture and faux can be found on Victoria’s Flickr page and on her website where you will find her work in basketry, as well as her collection of ‘real’ world texture sheets.
f you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
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