Carve and Reveal

November 26, 2013

As I mentioned yesterday, we’ll look at ways to cut and carve polymer both in a raw and cured state this week. Today we’ll actually look at both from a single artist.

Rebecca Geoffery works in metal, enamel, and semi-precious stones as well polymer, usually mixing them. The possibility of  carved polymer has a lot to do with what it will reveal beneath the surface. I thought that was the case with these pendants, until I read that the contrast is not revealed clay but paint. The paint makes it look like the carved portions were just scooped out, but it seems that they were actually solid black clay that was carved to provide a space for the paint.

RGeoffery Cut Pendants

But what of cutting away clay to reveal a layer below? Rebecca does this as well. With these pieces, shapes are cut out of raw clay and then laid over another layer so the contrasting color peeks out from beneath it. I love that she adds additional hand-tooled accents in the layer below as well as on the top layer.

3833066603_c902a1e744_o

 

What I think we can really take away from these examples is the variety of shapes the carved and cut clay can take on. The spaces revealed can also be just patterned or can be stylized or graphic or rough. Cutting and carving can help fulfill any mood, message or aesthetic, and adds instant complexity even when it’s not so complex.

Although this kind of work is not a major part of Rebecca’s posted collections, these pieces are making the rounds. Soon after I found and decided to write on these pieces, I found the same two photos in Cynthia Tinapple’s book Polymer Clay Global Perspectives. They are eye-catching. Most of her work is. You can see more of her polymer as well as her other work on her Flickr photostream and on her website.

Beyond the Mokume Gane Reveal

June 25, 2013

When I think about how polymer revealing works, the mokume gane approach is what first comes to mind. I remember layering clay and metal leaf for the first time, punching and squishing and hoping whatever was going on in the middle of my beat up block of clay would result in something useful. Then there was that first slice. That disappointing one when you realize it might take a few slice to see what is really going on. Then I hit it … that first really gorgeous slice with rings and waves of translucent clay revealing the dull shine of buried silver foil. It was like finding a hidden treasure. Oh, who are we kidding … it was a hidden treasure! It was like doing magic or mining or gold panning. It was so cool to see those patterns emerge out of this ugly mushed-up block of clay. I was hooked.

Since then I’ve experimented with the layer and slice approach to working with polymer in dozen of ways. It never gets old. The reveal is always so very exciting because the process is partly done blind, so you can’t be certain just what will pop up when you start slicing–which is why this piece on the right here was so eye-catching. The organically occurring composition of a mokume gane slice is layered over a very controlled stripe pattern in such a way as to suggest the mokume layer is revealing the striped layer … chaos giving way to order, chance revealing the control beneath. What a great metaphoric composition.

3432693647_d91f33b973

If you didn’t immediately recognize the artist, these pendants are the work of Julie Picarello, who is rather a master of mokume and other ‘revealing’ polymer techniques. Her book, Patterns in Polymerincludes quite a few of her approaches to revealing the depth that polymer clay can go. She also has a very rich gallery of work on Flickr you may want to meander through for further revelations.
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Carve and Reveal

November 26, 2013
Posted in

As I mentioned yesterday, we’ll look at ways to cut and carve polymer both in a raw and cured state this week. Today we’ll actually look at both from a single artist.

Rebecca Geoffery works in metal, enamel, and semi-precious stones as well polymer, usually mixing them. The possibility of  carved polymer has a lot to do with what it will reveal beneath the surface. I thought that was the case with these pendants, until I read that the contrast is not revealed clay but paint. The paint makes it look like the carved portions were just scooped out, but it seems that they were actually solid black clay that was carved to provide a space for the paint.

RGeoffery Cut Pendants

But what of cutting away clay to reveal a layer below? Rebecca does this as well. With these pieces, shapes are cut out of raw clay and then laid over another layer so the contrasting color peeks out from beneath it. I love that she adds additional hand-tooled accents in the layer below as well as on the top layer.

3833066603_c902a1e744_o

 

What I think we can really take away from these examples is the variety of shapes the carved and cut clay can take on. The spaces revealed can also be just patterned or can be stylized or graphic or rough. Cutting and carving can help fulfill any mood, message or aesthetic, and adds instant complexity even when it’s not so complex.

Although this kind of work is not a major part of Rebecca’s posted collections, these pieces are making the rounds. Soon after I found and decided to write on these pieces, I found the same two photos in Cynthia Tinapple’s book Polymer Clay Global Perspectives. They are eye-catching. Most of her work is. You can see more of her polymer as well as her other work on her Flickr photostream and on her website.

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Beyond the Mokume Gane Reveal

June 25, 2013
Posted in

When I think about how polymer revealing works, the mokume gane approach is what first comes to mind. I remember layering clay and metal leaf for the first time, punching and squishing and hoping whatever was going on in the middle of my beat up block of clay would result in something useful. Then there was that first slice. That disappointing one when you realize it might take a few slice to see what is really going on. Then I hit it … that first really gorgeous slice with rings and waves of translucent clay revealing the dull shine of buried silver foil. It was like finding a hidden treasure. Oh, who are we kidding … it was a hidden treasure! It was like doing magic or mining or gold panning. It was so cool to see those patterns emerge out of this ugly mushed-up block of clay. I was hooked.

Since then I’ve experimented with the layer and slice approach to working with polymer in dozen of ways. It never gets old. The reveal is always so very exciting because the process is partly done blind, so you can’t be certain just what will pop up when you start slicing–which is why this piece on the right here was so eye-catching. The organically occurring composition of a mokume gane slice is layered over a very controlled stripe pattern in such a way as to suggest the mokume layer is revealing the striped layer … chaos giving way to order, chance revealing the control beneath. What a great metaphoric composition.

3432693647_d91f33b973

If you didn’t immediately recognize the artist, these pendants are the work of Julie Picarello, who is rather a master of mokume and other ‘revealing’ polymer techniques. Her book, Patterns in Polymerincludes quite a few of her approaches to revealing the depth that polymer clay can go. She also has a very rich gallery of work on Flickr you may want to meander through for further revelations.
blog Banner Ad 230x125  PA Blog2d--2013-03Mar

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