Outside Inspiration: Challenged by Simplicity

December 5, 2014

3343252940_2108b7476e_oIt would seem that successful, simple compositions would be fairly easy to achieve, but I have found that in order to be successful with simple creations is many times more difficult than with complex ones. When the elements are few and spare, every single choice made counts in a big way. This is how I see the challenge in the work of Jon Ryan. His work is gorgeous, but rarely even approaches complexity.

This carved scale aluminum brooch of his epitomizes this. There is really only one color, and that is slightly graduated. There is one texture in the scales, and the form is balanced. That is all that is here, and yet, you can recognize the genius of the design and the bold beauty of it, even if you don’t have any idea why that is so apparent. The genius is in being reserved while choosing elements that make the brooch feel alive. Scales are, of course, an element of reptiles, so there is a hint of a living creature. The slight change in the tint of the color makes the blue glow, so it gives off a sense of soft light and energy. Also, the form curves just enough on either end to introduce  movement. These choices along with an impeccable finish is what makes this feel so masterly. I have a hard time imagining how I would go about creating something anywhere near as elegant with such minimalism. I find it quite amazing.

Jon’s body of work is all about simplicity. And, lucky for us, there is an easily recognized correlation to be seen between his metal work and working in polymer. Take even just  a few seconds to look at his Flickr portfolio album to see what I mean. If you are intrigued by his work, you can read more about his process on his blog.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Outside Inspiration: Challenged by Simplicity

December 5, 2014
Posted in

3343252940_2108b7476e_oIt would seem that successful, simple compositions would be fairly easy to achieve, but I have found that in order to be successful with simple creations is many times more difficult than with complex ones. When the elements are few and spare, every single choice made counts in a big way. This is how I see the challenge in the work of Jon Ryan. His work is gorgeous, but rarely even approaches complexity.

This carved scale aluminum brooch of his epitomizes this. There is really only one color, and that is slightly graduated. There is one texture in the scales, and the form is balanced. That is all that is here, and yet, you can recognize the genius of the design and the bold beauty of it, even if you don’t have any idea why that is so apparent. The genius is in being reserved while choosing elements that make the brooch feel alive. Scales are, of course, an element of reptiles, so there is a hint of a living creature. The slight change in the tint of the color makes the blue glow, so it gives off a sense of soft light and energy. Also, the form curves just enough on either end to introduce  movement. These choices along with an impeccable finish is what makes this feel so masterly. I have a hard time imagining how I would go about creating something anywhere near as elegant with such minimalism. I find it quite amazing.

Jon’s body of work is all about simplicity. And, lucky for us, there is an easily recognized correlation to be seen between his metal work and working in polymer. Take even just  a few seconds to look at his Flickr portfolio album to see what I mean. If you are intrigued by his work, you can read more about his process on his blog.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

businesscard-3.5inx2in-h-front      TPA Blog Newsletter Ad  ShadesofClay 1014 v2  lpedit  

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