Outside Inspiration: Alcohol Ink Paintings
November 22, 2013
Inspirational Art
This is a crazy concept, I know, but have you every thought of using alcohol inks to paint imagery with? Historically, ink has had two primary uses: the production of written or printed communications and, yes, imagery in the form of drawings or paintings. In polymer, we primarily use it as a colorant; but alcohol inks, even though they are dyes (you can even make your own with rubbing alcohol and fabric dye), can be used in ways similar to watercolors. So why not paint with them?
Let me back up a bit and mention the difference between alcohol inks and watercolors. Watercolors are pigment that is suspended in water in order to apply it to a porous surface, most commonly paper. Alcohol inks were developed to work on non-porous surfaces, so although they can be and often are applied to paper, they cannot be manipulated on paper the way watercolors are. The alcohol ink will stain the paper immediately so the pick-up, washes, and translucent layering of color that is common in watercolor won’t work well or at all with alcohol inks on paper. In order to have a full array of possible applications and techniques, alcohol ink painting takes a sealed surface such a gloss paper, melamine, clay board, ceramic, glass, metal, or … polymer clay.
There is a whole community of alcohol ink painters out there doing gorgeous work. Some of it is realistic imagery, but I find the abstract or impressionistic paintings the most interesting as well as the most likely to inspire work on polymer clay. Trying to choose a piece to share with you today was difficult. So I’m going to share a few and then your assignment is to go look at more!
This piece is by Wendy Videlock, who sells DVDs on alcohol ink painting techniques.
And here is one by self-described dreamscape artist June Rollins, who also has a book out on the subject of alcohol ink painting.
Can you imagine doing this kind of thing on polymer? Sure! Why not? Raw or cured, it’s a perfect substrate for the ink; and with clay, you have options for manipulating the clay surface before or after applying the ink, giving you many more possibilities than working with the less malleable surfaces mentioned above. Does this have you thinking?
If you want to research alcohol ink painting more, I would first suggest going to Google images and typing in “alcohol ink painting” to get a better idea of just what can be done with the ink as far as painting. Then you might hop over to Monica Moody’s very helpful and rather humorous posts on the subject including posts on materials you might want to gather if you plan on a thorough investigation. I did, and now I have a little shopping to do!
What the Ink Reveals
November 19, 2013
Inspirational Art
Alcohol inks are a fantastic surface treatment, as their transparency can work with the clay rather than just covering it. Use on darker clays to get deep, rich ink colors, or try it on marbled or otherwise mixed clay colors for more variation in the ink applied. Or simply go white so light reflecting off the clay surface can illuminate the ink.
Veronika Sturdy’s textured bangle shows off that translucent color on white clay effect, really making the blues and greens quite juicy.
I really like the way the clay is revealed from beneath the ink colors. The white is not only a great base for the ink but revealing it brings in just the right amount of contrast of no color against bright color.
See more of Veronika’s “colorful, quirky and playful full of fun” pieces (her words) on her website or Flickr pages.
Brilliant Color
July 25, 2013
Inspirational Art
We usually think of adding color to polymer in terms of pigment that can be mixed in or applied to the surface. But color can be added in a number of forms, including light itself.
Crystals, because of the colors they come in along with the way they refract light, can accent and splash color across a polymer surface in ways that can change as the piece or viewer moves. The grouping of crystals across Elvira Krick’s simple drop polymer earrings work off the color of the polymer (colored with inks, incidentally) by reflecting the color behind them as well as lighting the polymer up with their own refracted brilliance.
Using crystals in a tasteful, not overly garish way can be a little tricky, especially if you want them to be the primary colorant and focus of the work. I think Elvira has gotten that balance down here, keeping the polymer base simple so the crystals can shine, abandoning an evenly placed and orderly arrangement for an organic sprinkling which also speaks to a simplicity of application that helps keeps the dense grouping from being overwhelming.
Elvira seems to be quite a bit of experimenting and playing with both color and form. You can explore more of her exploration on her Flickr pages and in her Etsy shop
This is a crazy concept, I know, but have you every thought of using alcohol inks to paint imagery with? Historically, ink has had two primary uses: the production of written or printed communications and, yes, imagery in the form of drawings or paintings. In polymer, we primarily use it as a colorant; but alcohol inks, even though they are dyes (you can even make your own with rubbing alcohol and fabric dye), can be used in ways similar to watercolors. So why not paint with them?
Let me back up a bit and mention the difference between alcohol inks and watercolors. Watercolors are pigment that is suspended in water in order to apply it to a porous surface, most commonly paper. Alcohol inks were developed to work on non-porous surfaces, so although they can be and often are applied to paper, they cannot be manipulated on paper the way watercolors are. The alcohol ink will stain the paper immediately so the pick-up, washes, and translucent layering of color that is common in watercolor won’t work well or at all with alcohol inks on paper. In order to have a full array of possible applications and techniques, alcohol ink painting takes a sealed surface such a gloss paper, melamine, clay board, ceramic, glass, metal, or … polymer clay.
There is a whole community of alcohol ink painters out there doing gorgeous work. Some of it is realistic imagery, but I find the abstract or impressionistic paintings the most interesting as well as the most likely to inspire work on polymer clay. Trying to choose a piece to share with you today was difficult. So I’m going to share a few and then your assignment is to go look at more!
This piece is by Wendy Videlock, who sells DVDs on alcohol ink painting techniques.
And here is one by self-described dreamscape artist June Rollins, who also has a book out on the subject of alcohol ink painting.
Can you imagine doing this kind of thing on polymer? Sure! Why not? Raw or cured, it’s a perfect substrate for the ink; and with clay, you have options for manipulating the clay surface before or after applying the ink, giving you many more possibilities than working with the less malleable surfaces mentioned above. Does this have you thinking?
If you want to research alcohol ink painting more, I would first suggest going to Google images and typing in “alcohol ink painting” to get a better idea of just what can be done with the ink as far as painting. Then you might hop over to Monica Moody’s very helpful and rather humorous posts on the subject including posts on materials you might want to gather if you plan on a thorough investigation. I did, and now I have a little shopping to do!
Read MoreAlcohol inks are a fantastic surface treatment, as their transparency can work with the clay rather than just covering it. Use on darker clays to get deep, rich ink colors, or try it on marbled or otherwise mixed clay colors for more variation in the ink applied. Or simply go white so light reflecting off the clay surface can illuminate the ink.
Veronika Sturdy’s textured bangle shows off that translucent color on white clay effect, really making the blues and greens quite juicy.
I really like the way the clay is revealed from beneath the ink colors. The white is not only a great base for the ink but revealing it brings in just the right amount of contrast of no color against bright color.
See more of Veronika’s “colorful, quirky and playful full of fun” pieces (her words) on her website or Flickr pages.
Read MoreWe usually think of adding color to polymer in terms of pigment that can be mixed in or applied to the surface. But color can be added in a number of forms, including light itself.
Crystals, because of the colors they come in along with the way they refract light, can accent and splash color across a polymer surface in ways that can change as the piece or viewer moves. The grouping of crystals across Elvira Krick’s simple drop polymer earrings work off the color of the polymer (colored with inks, incidentally) by reflecting the color behind them as well as lighting the polymer up with their own refracted brilliance.
Using crystals in a tasteful, not overly garish way can be a little tricky, especially if you want them to be the primary colorant and focus of the work. I think Elvira has gotten that balance down here, keeping the polymer base simple so the crystals can shine, abandoning an evenly placed and orderly arrangement for an organic sprinkling which also speaks to a simplicity of application that helps keeps the dense grouping from being overwhelming.
Elvira seems to be quite a bit of experimenting and playing with both color and form. You can explore more of her exploration on her Flickr pages and in her Etsy shop
Read More