Missing Grant
July 23, 2018 Inspirational Art
In going back through my polymer picks I saved over the years to consider for the blog, I came across some older work from people who no longer create in polymer. It might seem sad but it is simply that some artists move on from a material to find other materials that express the type of work they want to do in that time period. Although I am obviously a big promoter of polymer as an art material, there should be an adage that goes, “Just because you can do it with polymer doesn’t mean you should do it with polymer.” Sometimes another material is just a better choice.
The one polymer artist I personally miss the most is Grant Diffendaffer, whose gorgeous vessel you see here. His mica shift and the visual texture he created with it are still, today, some of the most amazing examples of the technique. Well done mica shift will always have a bit of an internal glow, but the colors Grant chose and the way his patterns shift and flow make the work come alive.
There is more than just an internal glow in Grant’s work. The mica reflects so brightly that it appears that there is a light behind that surface. And although I voraciously took in every page of his book back when I started, I was not able to figure out how he created the variation in visual texture. Not back then at least. I am thinking I need to give it another shot now that I know so much more than I did a decade ago.
His book, Polymer Clay Beads, is still a treasure of information, however, he no longer works in polymer. He did work with it for a while after his jewelry and decor era, creating props of sorts. He is back working in jewelry now but in 3-D printing resin. His portfolio on his website shows all of his work from polymer to 3-D printing. If you’re interested in the progression of his artwork or just want to see what is up to, take a look at his website and his Facebook page, Steadcraft.
A Journey in Organic Domes
March 19, 2015 Inspirational Art
Picking items to feature this week was quite diverting. There is so much out there in this form but no easy way to search for it, so I just meandered the polymer highway; very grateful to find such cool things as this highly-organic ring by Tanja of Flickr’s Fantastisch-Plastisch. I actually found it after spotting the domed beads you see below it. They were created six years apart. If you meander through Tanja’s Flickr photostream you can see the journey and exploration she goes through as she returns to variations of this form over and over.
The interesting thing here is, she created these based on the teachings of other artists. The influence is pretty obvious in the ring–she shares that this and the other recent rings in this series were inspired by projects in Ronna Sarvas Weltman‘s book Ancient Modern: Polymer Clay and Wire Jewelry. The beads below were inspired by Grant Diffendaffer. She has other work in domed disks that are wholly her own, as well, but they all look quite different. The one thing that most all of them encompass is an organic quality. Even the Diffendaffer inspired beads with their high shine have distinctly organic textures. Because of the easy way we can form domes and disks on lightbulbs with cookie cutters, it is nice to see them rough and freeform, as well.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Fire and Passion from the Past
July 20, 2013 Inspirational Art
I started this week with a vessel and now end with another one, an older piece of work that is one of my all time favorite polymer vessels. Grant Diffendaffer created the most amazing mica shift textures, textures which such depth and original patterning that they still seem cutting edge many years later.
I love not only the unusual representation of fire in what appears to be similar to rock in a molten state, but also the way the black carbon with its cold pitted texture really sets the reds and oranges off. Grant has steered largely away from polymer these days but his influence and obvious burning artistic passion are unforgettable.
Grant’s Curiosity
June 20, 2012 Inspirational Art, Supplies & other fun stuff
A heavily influential artist in my studio, Grant Diffendaffer’s book Polymer Clay Beads: Techniques, Projects Inspiration is full of beautiful visual texture and large bold pieces. He approaches the creations of his pieces from a curiosity about the effects of mica shift and the possibilities that different forms offer to show it off.
On his Flickr page Grant says this necklace is one of his favorite pieces featuring his early work with his ghost image technique. The colors are just delicious (how else can this be described?) It’s also a great example of imagery repetition (the bubbles) without symmetry or consistency. The visual design is held together by the color and texture alone.
His book was re-released last year so you can find more of Grant’s work not only on his Flickr page and in his book but in Lark’s 400 Polymer Clay Designs, where his beautiful containers and more jewelry are featured.
In going back through my polymer picks I saved over the years to consider for the blog, I came across some older work from people who no longer create in polymer. It might seem sad but it is simply that some artists move on from a material to find other materials that express the type of work they want to do in that time period. Although I am obviously a big promoter of polymer as an art material, there should be an adage that goes, “Just because you can do it with polymer doesn’t mean you should do it with polymer.” Sometimes another material is just a better choice.
The one polymer artist I personally miss the most is Grant Diffendaffer, whose gorgeous vessel you see here. His mica shift and the visual texture he created with it are still, today, some of the most amazing examples of the technique. Well done mica shift will always have a bit of an internal glow, but the colors Grant chose and the way his patterns shift and flow make the work come alive.
There is more than just an internal glow in Grant’s work. The mica reflects so brightly that it appears that there is a light behind that surface. And although I voraciously took in every page of his book back when I started, I was not able to figure out how he created the variation in visual texture. Not back then at least. I am thinking I need to give it another shot now that I know so much more than I did a decade ago.
His book, Polymer Clay Beads, is still a treasure of information, however, he no longer works in polymer. He did work with it for a while after his jewelry and decor era, creating props of sorts. He is back working in jewelry now but in 3-D printing resin. His portfolio on his website shows all of his work from polymer to 3-D printing. If you’re interested in the progression of his artwork or just want to see what is up to, take a look at his website and his Facebook page, Steadcraft.
Read MorePicking items to feature this week was quite diverting. There is so much out there in this form but no easy way to search for it, so I just meandered the polymer highway; very grateful to find such cool things as this highly-organic ring by Tanja of Flickr’s Fantastisch-Plastisch. I actually found it after spotting the domed beads you see below it. They were created six years apart. If you meander through Tanja’s Flickr photostream you can see the journey and exploration she goes through as she returns to variations of this form over and over.
The interesting thing here is, she created these based on the teachings of other artists. The influence is pretty obvious in the ring–she shares that this and the other recent rings in this series were inspired by projects in Ronna Sarvas Weltman‘s book Ancient Modern: Polymer Clay and Wire Jewelry. The beads below were inspired by Grant Diffendaffer. She has other work in domed disks that are wholly her own, as well, but they all look quite different. The one thing that most all of them encompass is an organic quality. Even the Diffendaffer inspired beads with their high shine have distinctly organic textures. Because of the easy way we can form domes and disks on lightbulbs with cookie cutters, it is nice to see them rough and freeform, as well.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Read MoreI started this week with a vessel and now end with another one, an older piece of work that is one of my all time favorite polymer vessels. Grant Diffendaffer created the most amazing mica shift textures, textures which such depth and original patterning that they still seem cutting edge many years later.
I love not only the unusual representation of fire in what appears to be similar to rock in a molten state, but also the way the black carbon with its cold pitted texture really sets the reds and oranges off. Grant has steered largely away from polymer these days but his influence and obvious burning artistic passion are unforgettable.
Read More
A heavily influential artist in my studio, Grant Diffendaffer’s book Polymer Clay Beads: Techniques, Projects Inspiration is full of beautiful visual texture and large bold pieces. He approaches the creations of his pieces from a curiosity about the effects of mica shift and the possibilities that different forms offer to show it off.
On his Flickr page Grant says this necklace is one of his favorite pieces featuring his early work with his ghost image technique. The colors are just delicious (how else can this be described?) It’s also a great example of imagery repetition (the bubbles) without symmetry or consistency. The visual design is held together by the color and texture alone.
His book was re-released last year so you can find more of Grant’s work not only on his Flickr page and in his book but in Lark’s 400 Polymer Clay Designs, where his beautiful containers and more jewelry are featured.
Read More