The Look of Burning Embers
January 8, 2015
Inspirational Art
Don’t you love embers? Those lively, sparking, crawling fires inside a burning log that move in a seemingly choreographed dance? They are mesmerizing and calming and one of the neatest things about sitting in front of a fire and relaxing. I have tried emulating them in polymer. You can even see one of my modest attempts in an article on faux organics in the Fall 2013 issue of The Polymer Arts. But this particular photo of a copper inlaid bracelet created by Adriana Allen really seems to capture the light and liveliness of them.
It doesn’t seem that Adriana intended to create an ember-like appearance with the rubbed-in foil, but it sure gives one an idea about how to go about creating something like this. The way the copper is more rubbed off in the more open indentations and denser in the thinner lines does emulate that variation in the ember of a burning coal. It is lovely, as is the blue clay contrasting the orange of the copper.
Adriana creates beautiful cuff bracelets with a lot of texture, leaning heavily on faux antiquing and patina to get her signature look. Take a look through her Etsy shop for more beauties and ideas, while I go give my lively 8 month old German Shepard some much needed attention. Her name, by the way, is Ember.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Giving Way to Intricate Lines
February 20, 2014
Inspirational Art
With just black and silver and a subdued navy blue, these lentil beads would not easily be carried by the palette alone. However, the textured lines and floral transfers along with the break in the larger lentils create an intricate serenity. The positive and negative space of the large beads and the oval links in the oversized chain add a feeling of Art Deco style, while the size and design elements bring it back into modern art imagery.
This is the work of French artist, Olga Nicolas, who enjoys creating in limited color palettes, embellishing with intricate textures using transfers and foils. There is a richness in the colors chosen and the baroque textural designs on some of the beads give this modern piece some old world charm.
You can see more of Olga’s designs using limited palettes on her Flickr pages. Olga teaches workshops in France and has some online tutorials on YouTube.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Don’t you love embers? Those lively, sparking, crawling fires inside a burning log that move in a seemingly choreographed dance? They are mesmerizing and calming and one of the neatest things about sitting in front of a fire and relaxing. I have tried emulating them in polymer. You can even see one of my modest attempts in an article on faux organics in the Fall 2013 issue of The Polymer Arts. But this particular photo of a copper inlaid bracelet created by Adriana Allen really seems to capture the light and liveliness of them.
It doesn’t seem that Adriana intended to create an ember-like appearance with the rubbed-in foil, but it sure gives one an idea about how to go about creating something like this. The way the copper is more rubbed off in the more open indentations and denser in the thinner lines does emulate that variation in the ember of a burning coal. It is lovely, as is the blue clay contrasting the orange of the copper.
Adriana creates beautiful cuff bracelets with a lot of texture, leaning heavily on faux antiquing and patina to get her signature look. Take a look through her Etsy shop for more beauties and ideas, while I go give my lively 8 month old German Shepard some much needed attention. Her name, by the way, is Ember.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
With just black and silver and a subdued navy blue, these lentil beads would not easily be carried by the palette alone. However, the textured lines and floral transfers along with the break in the larger lentils create an intricate serenity. The positive and negative space of the large beads and the oval links in the oversized chain add a feeling of Art Deco style, while the size and design elements bring it back into modern art imagery.
This is the work of French artist, Olga Nicolas, who enjoys creating in limited color palettes, embellishing with intricate textures using transfers and foils. There is a richness in the colors chosen and the baroque textural designs on some of the beads give this modern piece some old world charm.
You can see more of Olga’s designs using limited palettes on her Flickr pages. Olga teaches workshops in France and has some online tutorials on YouTube.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
