Out of the Fire
November 16, 2018
Inspirational Art
Following this week’s fire theme, we’re sharing this post from the January 2015 Polymer Arts blog archives.
We’re going to head to the orange and yellow side of the warm spectrum today, with a beautiful sculpture by Canadian artist Ellen Jewett. The warmth in this piece feels more like the warmth of sunlight with the white and yellows and coppery oranges. We see that sense of glow here as well, from the gradation of the colors, although most of the color change seems to be between the laid out elements and not in the clay. Mica clays also help to radiate a sense of bright light. This is to show that the visual illusion doesn’t come just from the soft change in color, as in a Skinner blend, but in the way we visualize the play of light. Light changes quality as it hits different surfaces, which, in this case, are the feathers of this dragon-like phoenix. The variety of the surface gives it a liveliness not unlike a dancing fire.
Ellen creates all kinds of very fantastical creatures with very dynamic forms and proportions. I suspect either her educational pursuits in biological anthropology and anthrozoology contribute to these amazing pieces or the same artistic drive to create pushed her to pursue her unusual combination of studies. It is quite worth taking a break to spend some time in her Etsy shop.
Fiery Ripples
November 14, 2018
Inspirational Art
Following this week’s fire theme, we’re sharing this post from the September 2014 Polymer Arts blog archives.
A piece with shibori style ripples, fire, and crackling? How could I resist? The creator of this richly textured bracelet seems to go by nothing more than morskiekamni over on LiveJournal. This particular clayer dabbles in a little of this and a bit of that with a fair amount of miniatures and a lot of floral in there.
So, this bracelet comes as a bit of a surprise in the line-up of work. But, a lovely surprise. The cracks ripple across the base layer of orange, as well as along the edges of the flames. The whole surface looks to be in flux, and I find it hard not to get lost in intricacies; it’s an awful lot like staring into and losing yourself in those campfire flames or the fiery embers of a fireplace.
Yes, I usually give you a little something to work on come Saturday, but I couldn’t help but share this lovely piece first. If you are looking to try something new, how about creating using a ripple blade? The ripple blade looks to have fallen out of fashion in polymer within recent years, but I seem to be seeing it in use a little more just recently. Here is an older page full of still fantastic ideas for rippling up some really beautiful polymer! Enjoy!
Artist on Fire (September 2012 Archive)
November 12, 2018
Inspirational Art
Tenth Muse Central (AKA my house) is under mandatory evacuation orders so we are quite out of sorts and have been since the wee hours of Friday morning because of the Woolsey fire in California. I am staying with family an hour north and all people and furries are safe and sound but needless to say, it has been hard getting work done both because I am very distracted, hoping my home will be spared, and because my setup that allows me to dictate much of my work while my arms are still healing doesn’t work so well in a crowded house. So, this week, I am resurrecting a few older blog posts to lighten the workload and, with fire on my mind, we will make that the theme. Fire is frightening but also awesome and beautiful. I like the idea of celebrating its beauty while we wait to see if Mother Nature will be kind to us. So enjoy these fire-themed posts from past years. Our first is from September 2012.
Impact. It’s pieces like this, not overly complicated but with an intensity of color and dynamic patterning that add definite and strong movement to the work, that really define the word eye-catching. But that isn’t even the most impactful thing about this piece.
The artist Adriana Allen has suffered from debilitating arthritis since childhood. But it has never stopped her. “Every item I create is a victory over an unforgiving disease … when it hit, it hit hard. I never gave into it. Every piece I create reminds me of this fact … the disease cannot stop me from doing what I love.”
Such courage and from it, such beauty.
Let There Be Fire
January 5, 2015
Inspirational Art
It is cold here in Colorado. I’m having a hard time keeping warm in my basement rooms where I spend so much of my time. So this week, I just want to talk fire. The amazing colors and gradients we can make with polymer makes an illusion of fire and heat fairly easy to create, but there are a number of ways to do this. So while many of us deal with cold and snowy weather, let’s think heat.
Here we have Elsie Smith showing us a bit of fire and shimmer with foil, alcohol ink and liquid clay. The foil and inks are one of my personal favorite go-to combinations because the foil reflects light and makes reds and oranges appear to glow like firelight or burning embers. Elsie’s addition of liquid clay as a sealant works to magnify the effect by bouncing light around beneath its surface. The wave of lines, of course, doesn’t hurt to bring the idea of fire to the forefront. Elsie writes that the top of this is more pink than red, so in person this probably does seem more like a Fiery Sunset, for which it is named, but I’m happy just enjoying the warmth of the colors.
Elsie has many more fiery, graduated and interestingly textured pieces in her more recent work as you can see on her Flickr pages. Be sure to take a look at her curiously painted cabochons with their lava-like texture for more warming inspiration.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Started with Snails
August 20, 2014
Inspirational Art
Kristie Foss is definitely an explorer type of artist. Her blog is full of her exploits in polymer and the many different variations she gets from playing with a technique, surface treatment or form.
In this one post, you can see the progression of playing with shapes starting with the same clay treatment. She began with nautilus snail shapes then worked it into a leaf type of pendant and then finally into these intriguing horn shapes. Its rather neat to be able to see the progression of ideas. Makes me want to jump into the studio and see what comes of the scraps on my table!
But alas, that is not for me today. And tomorrow I am in LA for a week just checking in on family and having some time away from it all with a favorite person of mine. I’m going to get started finding items for next week’s blog as of today and my tired brain could so use some help. If any of you have any favorite pieces–of yours or of others–you think we need to share with everyone, send me a link to this fabulous work at sbray@thepolymerarts.com or message us on Facebook at The Polymer Arts. You’ll get a warm thank you mention in the post and a link to your site as well as a lot of gratitude from little ol’ me!
In the meantime, treat yourself to some downtime of your own with a cup of coffee or glass of wine and join Kristie on her blog for a bit of polymer adventuring.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
What’s in a Name?
June 30, 2014
Inspirational Art
As I mentioned briefly last Friday, the name of a piece of art can really add or change the viewer’s perception of the work. It is a peek into the artist’s mind and gives a hint of (or knocks you over the head with) what the artist was aiming to convey. Some titles make obvious sense while others are surprising and make you look more closely at the work in order to try to figure out what the artist was seeing when they named it. This piece here is of the latter types. Desiree McCrorey named this intriguing little piece Diablo’s Cell Phone. Now where did that come from?
I definitely associated this piece with fire and so can see the devil association but I would not have thought cell phone if it weren’t for her naming of it. Now I see it in the elongated form and the ‘antenna’ coming up on the one side. And Diablo now makes me thing of the wire work as horns and the target cane slices down in the fiery lower portion as maybe lost souls in some eternal fire. The name just takes the necklaces from being a great visual piece to having all this depth and possible metaphor. And it’s rather humorous. Who would the devil be calling on his cell phone? His demon minions? I don’t know but it makes me like the piece even more.
If for some reason you aren’t familiar with Desiree’s work and her very generous sharing of techniques and ideas, go on over to her website and take a look around. Besides her wonderful pieces to drool over, there are tons of tutorials, tips and tricks on this website. Desiree’s tutorials and her website were instrumental to me as I advanced in my polymer work back in my early days with this medium. We are very lucky to have someone like her in our community!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Burning for Your Art
July 21, 2013
Ponderings
I like this quote but I do have a caveat to it …
I agree that what makes a piece true art is its way of appearing so different and so new that we feel compelled to stop and ponder. That does take destroying what already is understood and expected, for yourself and for your viewer. But, I would not want others to think that concepts considered ordinary do not have their value. We need the ordinary, we need to the simple and comforting things that meet our expectations. If it weren’t for these, the extraordinary would not be, well, extraordinary. Everything has its place. Even the ordinary. However, to be an artist, you have to reach beyond, be a unique voice that makes others stop and listen.
Quote by Charles Bukowski and graphic by Chris Piascik
Fire and Passion from the Past
July 20, 2013
Inspirational Art
I started this week with a vessel and now end with another one, an older piece of work that is one of my all time favorite polymer vessels. Grant Diffendaffer created the most amazing mica shift textures, textures which such depth and original patterning that they still seem cutting edge many years later.
I love not only the unusual representation of fire in what appears to be similar to rock in a molten state, but also the way the black carbon with its cold pitted texture really sets the reds and oranges off. Grant has steered largely away from polymer these days but his influence and obvious burning artistic passion are unforgettable.
Ye Old Fire Dragon
July 18, 2013
Inspirational Art
I decided a week about fire as inspiration would be incomplete without at least one dragon. I have been ever fascinated with the idea of dragons ever since reading the book The Flight of Dragons by Peter Dickinson when I was maybe 12. He actually supports the possibility of dragons existing through scientific theory (not all that realistically supported, but good enough for my young mind!) and some really ornate illustrations (by the sometimes dark but always fascinating Wayne Anderson). Dragons still pop up in my work on occasion because they are creatures that have a vast range of possible manifestations, details, colors, lines, and textures that you can use to represent them, not to mention the lore and fascination with them that spans every continent.
And how can one resist visually exploring the stylings of Ryan MacLeod’s whimsical and intricately detailed dragons, like the Fire Dragon he did this year?
Ryan’s dragons and their surroundings are so very detailed. Do you see all the little mice hanging around the lounging dragon? Or the jeweled details on the books, the nails in the floor and even the grain of the floor planks? Take a close up look by clicking on the picture here to get to the original page. Then peruse the rest of his gallery, especially pieces like “Magical Mischief in the Absence of Merlin” with a skeleton table stand, dozen of little labeled bottles and every bit of trim on the furniture accented with magical motifs. Such fun!
Thanks to Christa McKibben for re-introducing me to Ryan’s work recently.
Following this week’s fire theme, we’re sharing this post from the January 2015 Polymer Arts blog archives.
We’re going to head to the orange and yellow side of the warm spectrum today, with a beautiful sculpture by Canadian artist Ellen Jewett. The warmth in this piece feels more like the warmth of sunlight with the white and yellows and coppery oranges. We see that sense of glow here as well, from the gradation of the colors, although most of the color change seems to be between the laid out elements and not in the clay. Mica clays also help to radiate a sense of bright light. This is to show that the visual illusion doesn’t come just from the soft change in color, as in a Skinner blend, but in the way we visualize the play of light. Light changes quality as it hits different surfaces, which, in this case, are the feathers of this dragon-like phoenix. The variety of the surface gives it a liveliness not unlike a dancing fire.
Ellen creates all kinds of very fantastical creatures with very dynamic forms and proportions. I suspect either her educational pursuits in biological anthropology and anthrozoology contribute to these amazing pieces or the same artistic drive to create pushed her to pursue her unusual combination of studies. It is quite worth taking a break to spend some time in her Etsy shop.
Read More
Following this week’s fire theme, we’re sharing this post from the September 2014 Polymer Arts blog archives.
A piece with shibori style ripples, fire, and crackling? How could I resist? The creator of this richly textured bracelet seems to go by nothing more than morskiekamni over on LiveJournal. This particular clayer dabbles in a little of this and a bit of that with a fair amount of miniatures and a lot of floral in there.
So, this bracelet comes as a bit of a surprise in the line-up of work. But, a lovely surprise. The cracks ripple across the base layer of orange, as well as along the edges of the flames. The whole surface looks to be in flux, and I find it hard not to get lost in intricacies; it’s an awful lot like staring into and losing yourself in those campfire flames or the fiery embers of a fireplace.
Yes, I usually give you a little something to work on come Saturday, but I couldn’t help but share this lovely piece first. If you are looking to try something new, how about creating using a ripple blade? The ripple blade looks to have fallen out of fashion in polymer within recent years, but I seem to be seeing it in use a little more just recently. Here is an older page full of still fantastic ideas for rippling up some really beautiful polymer! Enjoy!
Read More
Tenth Muse Central (AKA my house) is under mandatory evacuation orders so we are quite out of sorts and have been since the wee hours of Friday morning because of the Woolsey fire in California. I am staying with family an hour north and all people and furries are safe and sound but needless to say, it has been hard getting work done both because I am very distracted, hoping my home will be spared, and because my setup that allows me to dictate much of my work while my arms are still healing doesn’t work so well in a crowded house. So, this week, I am resurrecting a few older blog posts to lighten the workload and, with fire on my mind, we will make that the theme. Fire is frightening but also awesome and beautiful. I like the idea of celebrating its beauty while we wait to see if Mother Nature will be kind to us. So enjoy these fire-themed posts from past years. Our first is from September 2012.
Impact. It’s pieces like this, not overly complicated but with an intensity of color and dynamic patterning that add definite and strong movement to the work, that really define the word eye-catching. But that isn’t even the most impactful thing about this piece.
The artist Adriana Allen has suffered from debilitating arthritis since childhood. But it has never stopped her. “Every item I create is a victory over an unforgiving disease … when it hit, it hit hard. I never gave into it. Every piece I create reminds me of this fact … the disease cannot stop me from doing what I love.”
Such courage and from it, such beauty.
Read MoreIt is cold here in Colorado. I’m having a hard time keeping warm in my basement rooms where I spend so much of my time. So this week, I just want to talk fire. The amazing colors and gradients we can make with polymer makes an illusion of fire and heat fairly easy to create, but there are a number of ways to do this. So while many of us deal with cold and snowy weather, let’s think heat.
Here we have Elsie Smith showing us a bit of fire and shimmer with foil, alcohol ink and liquid clay. The foil and inks are one of my personal favorite go-to combinations because the foil reflects light and makes reds and oranges appear to glow like firelight or burning embers. Elsie’s addition of liquid clay as a sealant works to magnify the effect by bouncing light around beneath its surface. The wave of lines, of course, doesn’t hurt to bring the idea of fire to the forefront. Elsie writes that the top of this is more pink than red, so in person this probably does seem more like a Fiery Sunset, for which it is named, but I’m happy just enjoying the warmth of the colors.
Elsie has many more fiery, graduated and interestingly textured pieces in her more recent work as you can see on her Flickr pages. Be sure to take a look at her curiously painted cabochons with their lava-like texture for more warming inspiration.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Kristie Foss is definitely an explorer type of artist. Her blog is full of her exploits in polymer and the many different variations she gets from playing with a technique, surface treatment or form.
In this one post, you can see the progression of playing with shapes starting with the same clay treatment. She began with nautilus snail shapes then worked it into a leaf type of pendant and then finally into these intriguing horn shapes. Its rather neat to be able to see the progression of ideas. Makes me want to jump into the studio and see what comes of the scraps on my table!
But alas, that is not for me today. And tomorrow I am in LA for a week just checking in on family and having some time away from it all with a favorite person of mine. I’m going to get started finding items for next week’s blog as of today and my tired brain could so use some help. If any of you have any favorite pieces–of yours or of others–you think we need to share with everyone, send me a link to this fabulous work at sbray@thepolymerarts.com or message us on Facebook at The Polymer Arts. You’ll get a warm thank you mention in the post and a link to your site as well as a lot of gratitude from little ol’ me!
In the meantime, treat yourself to some downtime of your own with a cup of coffee or glass of wine and join Kristie on her blog for a bit of polymer adventuring.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
As I mentioned briefly last Friday, the name of a piece of art can really add or change the viewer’s perception of the work. It is a peek into the artist’s mind and gives a hint of (or knocks you over the head with) what the artist was aiming to convey. Some titles make obvious sense while others are surprising and make you look more closely at the work in order to try to figure out what the artist was seeing when they named it. This piece here is of the latter types. Desiree McCrorey named this intriguing little piece Diablo’s Cell Phone. Now where did that come from?
I definitely associated this piece with fire and so can see the devil association but I would not have thought cell phone if it weren’t for her naming of it. Now I see it in the elongated form and the ‘antenna’ coming up on the one side. And Diablo now makes me thing of the wire work as horns and the target cane slices down in the fiery lower portion as maybe lost souls in some eternal fire. The name just takes the necklaces from being a great visual piece to having all this depth and possible metaphor. And it’s rather humorous. Who would the devil be calling on his cell phone? His demon minions? I don’t know but it makes me like the piece even more.
If for some reason you aren’t familiar with Desiree’s work and her very generous sharing of techniques and ideas, go on over to her website and take a look around. Besides her wonderful pieces to drool over, there are tons of tutorials, tips and tricks on this website. Desiree’s tutorials and her website were instrumental to me as I advanced in my polymer work back in my early days with this medium. We are very lucky to have someone like her in our community!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
I like this quote but I do have a caveat to it …
I agree that what makes a piece true art is its way of appearing so different and so new that we feel compelled to stop and ponder. That does take destroying what already is understood and expected, for yourself and for your viewer. But, I would not want others to think that concepts considered ordinary do not have their value. We need the ordinary, we need to the simple and comforting things that meet our expectations. If it weren’t for these, the extraordinary would not be, well, extraordinary. Everything has its place. Even the ordinary. However, to be an artist, you have to reach beyond, be a unique voice that makes others stop and listen.
Quote by Charles Bukowski and graphic by Chris Piascik
Read MoreI started this week with a vessel and now end with another one, an older piece of work that is one of my all time favorite polymer vessels. Grant Diffendaffer created the most amazing mica shift textures, textures which such depth and original patterning that they still seem cutting edge many years later.
I love not only the unusual representation of fire in what appears to be similar to rock in a molten state, but also the way the black carbon with its cold pitted texture really sets the reds and oranges off. Grant has steered largely away from polymer these days but his influence and obvious burning artistic passion are unforgettable.
Read More
I decided a week about fire as inspiration would be incomplete without at least one dragon. I have been ever fascinated with the idea of dragons ever since reading the book The Flight of Dragons by Peter Dickinson when I was maybe 12. He actually supports the possibility of dragons existing through scientific theory (not all that realistically supported, but good enough for my young mind!) and some really ornate illustrations (by the sometimes dark but always fascinating Wayne Anderson). Dragons still pop up in my work on occasion because they are creatures that have a vast range of possible manifestations, details, colors, lines, and textures that you can use to represent them, not to mention the lore and fascination with them that spans every continent.
And how can one resist visually exploring the stylings of Ryan MacLeod’s whimsical and intricately detailed dragons, like the Fire Dragon he did this year?
Ryan’s dragons and their surroundings are so very detailed. Do you see all the little mice hanging around the lounging dragon? Or the jeweled details on the books, the nails in the floor and even the grain of the floor planks? Take a close up look by clicking on the picture here to get to the original page. Then peruse the rest of his gallery, especially pieces like “Magical Mischief in the Absence of Merlin” with a skeleton table stand, dozen of little labeled bottles and every bit of trim on the furniture accented with magical motifs. Such fun!
Thanks to Christa McKibben for re-introducing me to Ryan’s work recently.
