Decorative Polymer Bails
May 30, 2013 Technique tutorials, Tips and Tricks
If there is any pre-made finding that polymer versions replace as well as, if not better, I think it would be the bail. Of course, many of us integrate polymer bails into our pendants and focal beads almost without thinking. But you can also create a stock of decorative polymer bails that can be used in combination with jump rings, or embedded in the clay as needed.
My most basic polymer bail stock had always been extruded hollow tubes in scrap clay. I would make them fairly thin-walled and bake them so I had sturdy base tubes to cover in my choice of raw clay, which I could then press onto newly created pendant pieces. Easy, quick, and made to match the pieces.
However, I have to say I was very intrigued when I found these polymer and wire combination bails created by Марина Горячих (translates as Marina Hot which may or may not be the best English translation).
Of course, I have a thing for the filigree work, but most any kind of decorative clay work would make for some interesting bails. She goes through the steps for making these bails on her LiveJournal page here – just replace or adjust the decorative filigree with your type of work. Definitely worth trying out!
Front Side Connections
May 28, 2013 Inspirational Art
Since I brought up polymer clasps yesterday, I thought I’d talk about a variation on that type of connection: the front side toggle, and derivations of it. The connection for a necklace does not have to be at the back. If you are making a piece with a central focal bead, why not make the bead a connectors as well?
One of my favorite versions of this is the almost bolo-like polymer and filigree pieces Janet Pitcher creates for her Petal Pushers line of polymer jewelry. The focal bead is like the entry point half of a toggle; but instead of an insertion piece that will back up against the opening of the entry point, Janet creates weighted lengths of ribbons with beads created from the same petal canes as the center piece. The bead-weighted ribbons are threaded through the focal bead, and hang there as part of the design.
This is not, by far, the only option for front side connections. A really showy or beautifully done toggle type clasp can operate as a focal bead, or a large bead sliced in half with magnets in either half can be the central focus of a necklace or bead design. Just don’t relegate your beautiful connectors to the back of the necklace or bracelet if showing them off out front will make for a gorgeous piece of jewelry.
Polymer Connections in Toggle Clasps
May 27, 2013 Inspirational Art, Technique tutorials
This week I thought we’d do look at polymer fasteners – the connections and findings made from or dependent on polymer for their construction. One of the reasons I want to look into this is because of a new section in The Polymer Arts magazine called “Polymer Jeweler’s Workbench”. In this regular section we’ll be exploring techniques, ideas, and designs specific to jewelry created in polymer.
In the recently released Summer issue of The Polymer Arts, we feature combining wire findings with polymer; but one can easily create findings from polymer itself. Here is a straightforward example of polymer toggle clasp findings by Tina Holden.
The great thing about making polymer clasps is, of course, that you can make them to match the design of the piece using the same colors, textures, and motifs so the clasp becomes a integral part of the necklace or bracelet design, not just an add-on.
Tina is a very inventive and creative polymer artist. She shares many of her wonderful techniques through her tutorials which you can find on her Etsy and Artfire shops including one for the clasps you see here.
Outside Inspiration: Nifty Magnetics
November 23, 2012 Inspirational Art, Supplies & other fun stuff
Ever wish there was a way you could turn a single sale into a sale of two pieces? Wish you had a few pieces that were versatile and clever enough to draw the attention of the more skeptical buyers as they look over your booth? Well, when I saw these two beaded magnetic bracelets below, so easily turned into an interesting neck piece I couldn’t help but imagine all the configurations (and extra sales) a polymer jewelry artist could come up with.
These beaded beauties were created by Hildegund llkerl of Austria. I did wonder at what looks to be plastic ends on these very expensive pieces ($440). But they sold. On the other hand, just think of what beautiful covered connections a clayer could come up with?
The magnetic clasps are a pretty familiar finding now a days but I do wonder that more people haven’t considered how to use them to expand a piece. You could make beaded bracelets that fit together as a necklace, necklaces that can be adjusted to be different lengths by removing a magnetically attached section or make a short necklace with matching earrings that are magnetically attached to earring wires or post but could be pulled to grow the length of the necklace. Or make interchangeable sections of different colors or patterns for a necklace or bracelet. My mind is just whirling. Isn’t yours?
Integrating Function
October 29, 2012 Inspirational Art
Etched metal bails, thoughtfully crafted ear wires, and spiraling wire rivets are just a few ways we add the necessary findings and connectors to our art jewelry to make theme functional. But what if you used the items that you need to make your art jewelry functional as an integral and primary part of the design instead of just having it as an accent or as a way to disguise the connection to the art?
In Laura Bocchi’s “Lazy Cloud” necklace, ball chain, which is commonly used for more casual and even industrial designs, is wound through translucent polymer clay to help define and add movement to a simple cloud formation.
If there is any pre-made finding that polymer versions replace as well as, if not better, I think it would be the bail. Of course, many of us integrate polymer bails into our pendants and focal beads almost without thinking. But you can also create a stock of decorative polymer bails that can be used in combination with jump rings, or embedded in the clay as needed.
My most basic polymer bail stock had always been extruded hollow tubes in scrap clay. I would make them fairly thin-walled and bake them so I had sturdy base tubes to cover in my choice of raw clay, which I could then press onto newly created pendant pieces. Easy, quick, and made to match the pieces.
However, I have to say I was very intrigued when I found these polymer and wire combination bails created by Марина Горячих (translates as Marina Hot which may or may not be the best English translation).
Of course, I have a thing for the filigree work, but most any kind of decorative clay work would make for some interesting bails. She goes through the steps for making these bails on her LiveJournal page here – just replace or adjust the decorative filigree with your type of work. Definitely worth trying out!
Read MoreSince I brought up polymer clasps yesterday, I thought I’d talk about a variation on that type of connection: the front side toggle, and derivations of it. The connection for a necklace does not have to be at the back. If you are making a piece with a central focal bead, why not make the bead a connectors as well?
One of my favorite versions of this is the almost bolo-like polymer and filigree pieces Janet Pitcher creates for her Petal Pushers line of polymer jewelry. The focal bead is like the entry point half of a toggle; but instead of an insertion piece that will back up against the opening of the entry point, Janet creates weighted lengths of ribbons with beads created from the same petal canes as the center piece. The bead-weighted ribbons are threaded through the focal bead, and hang there as part of the design.
This is not, by far, the only option for front side connections. A really showy or beautifully done toggle type clasp can operate as a focal bead, or a large bead sliced in half with magnets in either half can be the central focus of a necklace or bead design. Just don’t relegate your beautiful connectors to the back of the necklace or bracelet if showing them off out front will make for a gorgeous piece of jewelry.
Read MoreThis week I thought we’d do look at polymer fasteners – the connections and findings made from or dependent on polymer for their construction. One of the reasons I want to look into this is because of a new section in The Polymer Arts magazine called “Polymer Jeweler’s Workbench”. In this regular section we’ll be exploring techniques, ideas, and designs specific to jewelry created in polymer.
In the recently released Summer issue of The Polymer Arts, we feature combining wire findings with polymer; but one can easily create findings from polymer itself. Here is a straightforward example of polymer toggle clasp findings by Tina Holden.
The great thing about making polymer clasps is, of course, that you can make them to match the design of the piece using the same colors, textures, and motifs so the clasp becomes a integral part of the necklace or bracelet design, not just an add-on.
Tina is a very inventive and creative polymer artist. She shares many of her wonderful techniques through her tutorials which you can find on her Etsy and Artfire shops including one for the clasps you see here.
Read MoreEver wish there was a way you could turn a single sale into a sale of two pieces? Wish you had a few pieces that were versatile and clever enough to draw the attention of the more skeptical buyers as they look over your booth? Well, when I saw these two beaded magnetic bracelets below, so easily turned into an interesting neck piece I couldn’t help but imagine all the configurations (and extra sales) a polymer jewelry artist could come up with.
These beaded beauties were created by Hildegund llkerl of Austria. I did wonder at what looks to be plastic ends on these very expensive pieces ($440). But they sold. On the other hand, just think of what beautiful covered connections a clayer could come up with?
The magnetic clasps are a pretty familiar finding now a days but I do wonder that more people haven’t considered how to use them to expand a piece. You could make beaded bracelets that fit together as a necklace, necklaces that can be adjusted to be different lengths by removing a magnetically attached section or make a short necklace with matching earrings that are magnetically attached to earring wires or post but could be pulled to grow the length of the necklace. Or make interchangeable sections of different colors or patterns for a necklace or bracelet. My mind is just whirling. Isn’t yours?
Read MoreEtched metal bails, thoughtfully crafted ear wires, and spiraling wire rivets are just a few ways we add the necessary findings and connectors to our art jewelry to make theme functional. But what if you used the items that you need to make your art jewelry functional as an integral and primary part of the design instead of just having it as an accent or as a way to disguise the connection to the art?
In Laura Bocchi’s “Lazy Cloud” necklace, ball chain, which is commonly used for more casual and even industrial designs, is wound through translucent polymer clay to help define and add movement to a simple cloud formation.