Emotive Expressions
June 13, 2013
Inspirational Art
There is one element particular to sculpture that isn’t directly translatable to other work, unless you are going to add some form of sculpture to your jewelry or decor: the creation of emotion through facial expressions.
With non-representational art (which constitutes the majority of wearable and functional art) we can use colors, forms, patterns, textures, and motifs to help us express emotion, but a viewer’s life experiences and associations will determine if they draw that same emotion from the work. However, joy, pain, confusion, sadness, apathy, and other human reactions can be rendered in sculpture through faces. Human facial expressions are, more or less, universally understood, giving the sculptural artist who recreates the human form or brings to life personified creatures or objects quite the advantage in terms of relaying emotion–which in turn can relay atmosphere or may even help tell an entire story.
Joyce Cloutman has some of the most wonderful expressions on her polymer dolls and figures. Mirth and contentment seem to be dominant on her whimsical people and creatures, consistent with the fun sense of humor she obviously has. I mean, these little guys are call Snail Males. They’re just adorable.
.
If you have never tried sculpting faces, oh what fun awaits you–because of course, you have to try it! I’ve found it’s usually best to just play around and try not to aim for realism when you start out. Exaggerated lips, cheeks, head shape, eyes, and noses can really help you loosen up preconceptions about the shape, size, and orientation of features on a face.
To start your face play, you can work off someone else’s work that is already exaggerated like Joyce’s sculptures (you can see more on her Flickr page). You can also look through some of the many online tutorials, such as this one by Sarajane Helm, or this one on Amanda Day’s doll making site. This kind of play can also hone your skills at sculpting in general as you learn to push and manipulate the clay in ways you might not do when building functional or wearable art. And yes, I will be glad to be the blamable source if you fall in love with sculpting faces.
Thanks to Tommie Montgomery for suggesting we check out Joyce’s fun work today!
Decorative Figurative
June 11, 2013
Inspirational Art
Figurative sculpture, of course, doesn’t need to be literal. In fact, with polymer, you have this wide open invitation to play with shape, color, texture, etc., and just go wild because… why not?
Gera Scott Chandler has become one of my favorite artists in recent years because of her very unique style, sense of playfulness, and rather emotive work. These muses below appear so optimistic and benevolent due to the facial expression and stance, with a joy and liveliness radiating from the mix of color and texture. It’s quite the metaphor for moments of great inspiration.
This kind of work is a brilliant (pun intended!) example of how techniques and approaches in polymer can cross over from jewelry or decor to sculpture. There is a freedom in this kind of sculpture that, if you haven’t already, you should try. You can even use your favorite jewelry or decor techniques. You don’t have the engineering of how a piece of jewelry will hang or the restrictions of the functionality or form of a piece of home decor. And if you usually do more realistic sculpture, taking a stab at this looser approach will allow you to let go of the reality of forms so you can just play. Its just pure art and pure expression, which you may find to be a wonderful way to get your creativity to get up and stretch a bit.
In Awe of New Hope
March 30, 2013
Inspirational Art
Easter, whether one partakes of its religious or more secular traditions, is really about hope. Between the observance of the rising of the Christian savior and the association with ancient agricultural societies’ Spring celebrations, its traditions focus on the promises and optimism of the coming year. The colors are light and bright and the symbolism is, well, young. Baby bunnies, little chicks, and of course, all the sweet young children we tend to focus on … especially us doting aunts, uncles and grandparents.
I am so in awe of sculptors that can capture that very unique look and expression of innocence and hope in children. Cynthia Malbon is one such artist. She can imbue her art dolls with a visage that nearly breaks your heart. Here is one of a child slightly older than the majority of her body of work shows on her sites, but this child’s open expression is just so precious, not to mention amazingly realistic.
If you can handle a serious overload of adorableness, take a look at Cynthia’s SmugMug page. You might also want to check out her blog with process photos on some of her posts show her amazing talent in more detail.
Finding Our Authentic Voice
March 23, 2013
Inspirational Art, Tips and Tricks
One of the big discussions at Synergy (Are you tired of hearing about that show yet!? Sorry … it was just such a treasure box full of ideas and I want you all to benefit from it too) was about finding our voice as artists. I was not the only one that came away with this concept eating away at me. Linda Garbe jumped right on it with a new video discussing texture and materials in the context of finding personal creative expression. Her Box of Color, as seen below, showed up in the video and I just had to get a closer view. Linda kindly sent photos so we could all get a good look at the details. Talk about an authentic voice!
Linda Garbe’s Box of Color, top view
… and a view of the bamboo and fungi sides.
Linda says she created the box as a result of doing the exercises in Lindly Haunani and Maggie Maggio’s book Polymer Clay Color Inspirations.
“While it took great discipline to do each and every exercise in order, it was well worth it. I learned a lot about color. The last exercise is to cover a box using what you have learned about color. I visited the Chicago Botanical Gardens during the time I was doing the color exercises. They have a Heritage Garden which show how early gardens featured one type of plant in each area. They did not mix plants together in the same flower bed as we do today. This garden became the inspiration for design of the box. Each side features one type of plant: bamboo, fungi, Queen Ann’s Lace, and ferns. The top is a fantasy garden created in my mind.”
This box and more of Linda’s explanation about its creation come in at about 3:10 on Linda’s video. The video starts out with thoughts on cultivating our own unique approach to creativity but the majority of it actually focuses on texturing and using everyday objects as tools. A lot of good ideas here so if you have a few minutes, sit back and soak up a little inspiration this weekend.
There is one element particular to sculpture that isn’t directly translatable to other work, unless you are going to add some form of sculpture to your jewelry or decor: the creation of emotion through facial expressions.
With non-representational art (which constitutes the majority of wearable and functional art) we can use colors, forms, patterns, textures, and motifs to help us express emotion, but a viewer’s life experiences and associations will determine if they draw that same emotion from the work. However, joy, pain, confusion, sadness, apathy, and other human reactions can be rendered in sculpture through faces. Human facial expressions are, more or less, universally understood, giving the sculptural artist who recreates the human form or brings to life personified creatures or objects quite the advantage in terms of relaying emotion–which in turn can relay atmosphere or may even help tell an entire story.
Joyce Cloutman has some of the most wonderful expressions on her polymer dolls and figures. Mirth and contentment seem to be dominant on her whimsical people and creatures, consistent with the fun sense of humor she obviously has. I mean, these little guys are call Snail Males. They’re just adorable.
.
If you have never tried sculpting faces, oh what fun awaits you–because of course, you have to try it! I’ve found it’s usually best to just play around and try not to aim for realism when you start out. Exaggerated lips, cheeks, head shape, eyes, and noses can really help you loosen up preconceptions about the shape, size, and orientation of features on a face.
To start your face play, you can work off someone else’s work that is already exaggerated like Joyce’s sculptures (you can see more on her Flickr page). You can also look through some of the many online tutorials, such as this one by Sarajane Helm, or this one on Amanda Day’s doll making site. This kind of play can also hone your skills at sculpting in general as you learn to push and manipulate the clay in ways you might not do when building functional or wearable art. And yes, I will be glad to be the blamable source if you fall in love with sculpting faces.
Thanks to Tommie Montgomery for suggesting we check out Joyce’s fun work today!
Read MoreFigurative sculpture, of course, doesn’t need to be literal. In fact, with polymer, you have this wide open invitation to play with shape, color, texture, etc., and just go wild because… why not?
Gera Scott Chandler has become one of my favorite artists in recent years because of her very unique style, sense of playfulness, and rather emotive work. These muses below appear so optimistic and benevolent due to the facial expression and stance, with a joy and liveliness radiating from the mix of color and texture. It’s quite the metaphor for moments of great inspiration.
This kind of work is a brilliant (pun intended!) example of how techniques and approaches in polymer can cross over from jewelry or decor to sculpture. There is a freedom in this kind of sculpture that, if you haven’t already, you should try. You can even use your favorite jewelry or decor techniques. You don’t have the engineering of how a piece of jewelry will hang or the restrictions of the functionality or form of a piece of home decor. And if you usually do more realistic sculpture, taking a stab at this looser approach will allow you to let go of the reality of forms so you can just play. Its just pure art and pure expression, which you may find to be a wonderful way to get your creativity to get up and stretch a bit.
Read More
Easter, whether one partakes of its religious or more secular traditions, is really about hope. Between the observance of the rising of the Christian savior and the association with ancient agricultural societies’ Spring celebrations, its traditions focus on the promises and optimism of the coming year. The colors are light and bright and the symbolism is, well, young. Baby bunnies, little chicks, and of course, all the sweet young children we tend to focus on … especially us doting aunts, uncles and grandparents.
I am so in awe of sculptors that can capture that very unique look and expression of innocence and hope in children. Cynthia Malbon is one such artist. She can imbue her art dolls with a visage that nearly breaks your heart. Here is one of a child slightly older than the majority of her body of work shows on her sites, but this child’s open expression is just so precious, not to mention amazingly realistic.
If you can handle a serious overload of adorableness, take a look at Cynthia’s SmugMug page. You might also want to check out her blog with process photos on some of her posts show her amazing talent in more detail.
Read MoreOne of the big discussions at Synergy (Are you tired of hearing about that show yet!? Sorry … it was just such a treasure box full of ideas and I want you all to benefit from it too) was about finding our voice as artists. I was not the only one that came away with this concept eating away at me. Linda Garbe jumped right on it with a new video discussing texture and materials in the context of finding personal creative expression. Her Box of Color, as seen below, showed up in the video and I just had to get a closer view. Linda kindly sent photos so we could all get a good look at the details. Talk about an authentic voice!
Linda Garbe’s Box of Color, top view
… and a view of the bamboo and fungi sides.
Linda says she created the box as a result of doing the exercises in Lindly Haunani and Maggie Maggio’s book Polymer Clay Color Inspirations.
“While it took great discipline to do each and every exercise in order, it was well worth it. I learned a lot about color. The last exercise is to cover a box using what you have learned about color. I visited the Chicago Botanical Gardens during the time I was doing the color exercises. They have a Heritage Garden which show how early gardens featured one type of plant in each area. They did not mix plants together in the same flower bed as we do today. This garden became the inspiration for design of the box. Each side features one type of plant: bamboo, fungi, Queen Ann’s Lace, and ferns. The top is a fantasy garden created in my mind.”
This box and more of Linda’s explanation about its creation come in at about 3:10 on Linda’s video. The video starts out with thoughts on cultivating our own unique approach to creativity but the majority of it actually focuses on texturing and using everyday objects as tools. A lot of good ideas here so if you have a few minutes, sit back and soak up a little inspiration this weekend.
Read More
