Never Boxed In

September 23, 2016

Here is another artist that is pushing the boundaries of his usual forms. Not that Jon Stuart Anderson has ever keep strictly within a certain form although he is widely known for his intricately patterned animals. He has also put his cane work to guitars, shoes, vessels and sculptures but all have had some reflection of his flowing forms and repeated patterns.

jsanderson-lamps

These box lamps seems like a huge departure for Jon but one that definitely suits his love of pattern. They are copper boxes just shy of 7″ (18cm) square, with translucent patterned ‘lenses’ as he call them. One would assume the lenses are canes but I suspect there is a bit more going on. It’s just really hard to tell. Maybe a layering of canes or something related to some transferring techniques he had been working on. Not that it matters too much. They are just lovely.

But back to the main point … they are some rather simplified patterns for Jon–a matter of relativity being that they aren’t simple in and of themselves. The difference is that these forms have no lines of repeated canes working their way expertly around the form to create another pattern from their arrangement. Instead, one beautifully patterned convex circle shows off Jon’s sense of balance in both symmetry and color. Some have different patterns on the lenses of a box while other’s are the same on every side. You can sense the exploration as you examine one box after the other. See what I mean by looking through his first images of this series on his July 8th postings on Facebook.

Jon has never stopped exploring and pushing what he does, making exploration the one strong thread of consistency in his work. If you enjoy his creative meanderings, the best place to keep up with his adventures is on his Facebook page although his website is always worth a visit. He also has a great little video of his cane making which is pretty entrancing.

Inspirational Challenge of the Day: Break out of your usual form. But instead of just trying a form you don’t usually work with, try to expand on forms you already work with. So if you create primarily flat jewelry elements, go more dimensional with half lentil forms or free form the shapes in waves. If you create round beads much of the time, try squares or twisted oblong shapes. If you like making round bowls, what about boat shapes or  cones? Where can you push your forms?

_________________________________________

Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

businesscard-3.5inx2in-h-front  Shades of Clay Sept 15 Blog  2Wards Blog Sept 2016

never knead -july-2015c-125  The Great Create Sept 15 blog  businesscard-3.5inx2in-h-front

_________________________________________

A Little Fairy Magic for Friday

May 22, 2015

fairy mirrorI’m going to need a little fairy magic for this one actually. I love this mirror, but I ate up all my time tonight trying to find out who made it, and it must truly be from some magical forest because for all the dozens of links that I followed through the vastness of the Internet, there is no attribution for this. But I had to share. And maybe, just maybe, someone here will know something of its origins.

I just love how this whole piece was considered when decorating it. The magic is not just on the frame but blooms above and beyond it and also into the space of the mirrored glass itself. This is the kind of thing that I just love to see in polymer decor pieces–not just covered or decorated, limited by the form and space of the object, but moving beyond that, letting the object be a starting point that does not define the end creation.

I found this fantastical mirror on a blog full of mosaic art, but there are no names for any of the work. So, if you want to try a search and see if you can find the fairy that dreamt this up, please do and let me know what you have found. In the meantime, enjoy the beautiful art of mosaics.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.

     TPA_McGuire_blog ad    sfxpaad-diffuse

On Being Brave

May 13, 2015

ayelet beads fall necklaceSomeone told me the other day that they thought I was brave. The reference had to do with running a business in this crazy economy and in an industry (magazines, not polymer) that is in such flux, and all I could think was, “I don’t feel brave.” There are many things I do not say, or things I do not do because I’m afraid of the consequences. The thing is, entrepreneurial ventures are tenuous, and so, when one is in this position, you find yourself being so very careful not to ruffle feathers because you fear it might lose you a reader or two. But, you know what? I really dislike that self-censorship, and I have never be very good with “I should …” rules either.

Today, I want to say something about someone’s art because I think what they are doing is so exciting, but I also want to let them know that I think they should keep running with it; that they aren’t there yet. To say that may imply that it’s not good and could be taken as criticism – which some people frown upon – but, that’s not it. The promise here is exciting, but it feels like there is so much more to explore. I think a general reticence to say things like “That’s great! Now push that idea,” is doing a disservice to crafters in our community. Yes, kind and complimentary is much needed, but the occasional encouragement to keep exploring and challenging oneself is much needed as well.

So today, I’d like to say “Bravo!” to New Zealand’s Ayelet of Ayelet beads and then ask for more. We started on polymer around the same time and due to online groups we both frequented I’ve been watching her progress since the beginning of her polymer career. She has turned into an excellent and prolific caner. The majority of her work has been in flower canes and items covered in these canes, which she does beautifully, although it’s not an uncommon type of polymer product. A piece like this here makes you stop, though.

It was sometime last year that I ran into this piece of Ayelet’s on Flickr and was happily surprised at the direction her work was taking. I thought we’d suddenly see tons more of this from her, and there is more, but not a ton, if her Flickr pages are a good representation of the production level she has in this vein of work. All I know is that she is still persisting with this contemporary exploration between bunches and bunches of lovely flowers.

However, if we are not seeing more of this kind of work because maybe she’s still uncertain about pushing this direction, I wanted the opportunity to say, yes, keep it up!, and if she has done a lot more of this but is not showing it, I, for one, would be thrilled to see what else has come of this kind of exploration. Not only that, I hope this is a bit of needed encouragement for others in a similar boat to push work that is taking them far afield of their usual pieces. If they are intrigued by it, of course. I know of at least a couple other clayers who have this branching off, and they are exploring, but aren’t sharing it publicly. It’s hard to put work out that we aren’t certain about yet, but you won’t be able to get that invaluable feedback if you don’t put it out there–if not online, then at least among others who can give you good feedback.

So, maybe I wrote this today to put a little something more behind that person’s comment that I’m brave. Because I want to be brave, but some days I just don’t have it in me. Some days I feel I might. But mostly I wrote this, and gained some bravery from, hoping that we will all strive to be brave. Just making art is brave. Every step you take with it after creating it is like hero-level brave, and that no matter how good you are now, you can always push yourself, not to do better, but to explore bravely.

If Ayelet’s piece here has you intrigued, you can see more of this among a riot of colorful flower covered adornment and other items on her Flickr pages and in her Etsy shop.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.

     TPA_McGuire_blog ad    sfxpaad-diffuse

The Winter 2014 Cover–Boundaries

Finally, we’ve got it done! Here it is to tease you until it comes out at the end of November–the cover for the Winter 2014–Boundaries issue. We are honored to have this classic mixed-media piece by Tory Hughes grace the cover. It celebrates both the season and the theme so well.

The articles in this issue are truly amazing. I don’t know how we lucked out getting so much talent in one issue. There’s the insightful interview with Tory, a definitive technique tutorial on silkscreening by Tonja Lenderman, Joseph Barbaccia shares his process for his stunning polymer strand illustrations, Anke Humpert reveals her new global project titled 1700 Pieces and many, many more artists share their art and thoughts as co-contributors throughout this issue.

14-P4 Winter 2014 Cover borderedHere are some of the article titles for the Winter 2014 issue:

–Design: Working the Visual Edge

–Painting in Bounds: The Essentials of Silkscreening

–Frame It! Jewelry Frames & Bezels

1700 Pieces: A Project in Limitations

–Working Boundaries: Creating at Home

–Tory Hughes: Artist Without Borders

–Starting at the Edge:  Joseph Barbaccia’s Polymer Strand Illustrations

–The  Oozeq Primer

–The Best in New Hand Tools

–A Journey to the Perfect Finish

–Good Impressions: Creating a Portfolio

… and much more

Subscribe or Renew today to be sure you are in the first mailing that goes out.

www.thepolymerarts.com/Subscribe.html

 

 

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

14-P3 Fall-Play cover Full sm   polymer clay butterfly ornament sm   TPA Blog Newsletter Ad  ShadesofClay 1014 v2  

The Long Exploration

October 22, 2014

Maggie maggio at RAM 101714 smUnlike Dever’s work as we saw yesterday, Maggie Maggio exhibited work that is a continuation of her exploration of structure in polymer. Her wrap bangles and neck pieces are growing ever more bold, as well as bigger.

Here is the piece that just mesmerized me. As Maggie explains it, “Grow III represents the interweaving of the animal and plant world by blurring the lines between snake and vine.” She adds, “I will need a larger oven as the pieces grow and grow!” This is a bit of reflection on the success of her exploration as well as the size of her pieces. To understand just how big this issue is, take a close look at the necklace modeled on the exhibition card you see on the far right of this photo. (You can click on the photo for a larger version.)

Maggie had several pieces in the Racine Museum of Art’s (in)Organic exhibition, (there until February 1st, 2015. Get out to see it if you can. It is amazing.) including a piece that evolved into something quite different as she created it. Read her post about her process of exploration and one of those welcome accidents that led to a satisfying, but unexpected piece on Maggie’s website.

 

 If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

14-P3 Fall-Play cover Full sm  Blog2 -2014-02Feb-3   polymer clay butterfly ornament sm   TPA Blog Newsletter Ad  ShadesofClay 1014 v2  tpabl-10-9072014

Extruding Beyond the Expected

September 4, 2014

12997373894_7a334e5ea0_oAnother multi-artist article in the new Fall 2014 issue tracks the growth and experience of six artists that went through the Voila! creativity classes. We were given the opportunity to see what six emerging or accomplished artists developed as they went through an intensive, nearly year-long course that focused solely on developing creativity and personal voice rather than learning techniques and particular skills. The outcomes were quite remarkable. The growth those artists have continued to have is just as, or maybe even more so, remarkable.

Angela Garrod has been making leaps and bounds in her work the last couple years, but until the article came to me, I had not realized where much of this inspiration and push came from. Many of her designs have explored what can be done with extruding, but I have to say some of the pieces she experimented with earlier this year is pushing extruding far beyond what we’ve seen from the rest of the community. I would not have thought the patterning on this neck piece had anything to do with extruding, but now my mind is working furiously to try to surmise how it might have been accomplished. Angela’s creative exploration of technique, as well as design, seems to have been buoyed by her natural instinct to experiment. All with wonderful results.

Take a look at the other recent pieces Angela has been working on her Flickr page where you can see the chronological journey of her work. Be sure to read the article as well and follow the links to each of the artists to see what else they have been up to since their classes. It’s a fascinating story told through the artwork itself.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

14-P3 Fall-Play cover Full sm   Blog2 -2014-02Feb-2   3d star ad  Polymania Advert 125  tpa-125x125-blog

Outside Inspiration: Composition of Old

July 25, 2014

Okay, this isn’t terribly old, but let this illustrate that pushing the construction of a necklace isn’t a contemporary idea. This piece below was created 60 years ago. Note the openness of the construction and the careful balance of the compositions – things we’ve talked about already this week. They aren’t that new, but they aren’t that common either.

 

"Patina" neckpiece 1955
“Patina” neckpiece 1955

This intriguing piece was created by Art Smith, a Cuban born American. It is all silver with some surface texturing and some careful planning in order to get the balance right. I can easily see something like this in polymer. Who is willing to push a piece to this level of engineering?  It is something to consider if you are playing in the studio this weekend. I’ll try to dig up one more idea or challenge for pushing your idea of necklace construction for tomorrow. It will be quite warm in much of the US as well as other places around the world, so why don’t we all just stay in and push ourselves a bit?

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

14-P2 CoverFnl-blog   Blog2 -2014-02Feb-5   Damask Ad

Never Boxed In

September 23, 2016
Posted in

Here is another artist that is pushing the boundaries of his usual forms. Not that Jon Stuart Anderson has ever keep strictly within a certain form although he is widely known for his intricately patterned animals. He has also put his cane work to guitars, shoes, vessels and sculptures but all have had some reflection of his flowing forms and repeated patterns.

jsanderson-lamps

These box lamps seems like a huge departure for Jon but one that definitely suits his love of pattern. They are copper boxes just shy of 7″ (18cm) square, with translucent patterned ‘lenses’ as he call them. One would assume the lenses are canes but I suspect there is a bit more going on. It’s just really hard to tell. Maybe a layering of canes or something related to some transferring techniques he had been working on. Not that it matters too much. They are just lovely.

But back to the main point … they are some rather simplified patterns for Jon–a matter of relativity being that they aren’t simple in and of themselves. The difference is that these forms have no lines of repeated canes working their way expertly around the form to create another pattern from their arrangement. Instead, one beautifully patterned convex circle shows off Jon’s sense of balance in both symmetry and color. Some have different patterns on the lenses of a box while other’s are the same on every side. You can sense the exploration as you examine one box after the other. See what I mean by looking through his first images of this series on his July 8th postings on Facebook.

Jon has never stopped exploring and pushing what he does, making exploration the one strong thread of consistency in his work. If you enjoy his creative meanderings, the best place to keep up with his adventures is on his Facebook page although his website is always worth a visit. He also has a great little video of his cane making which is pretty entrancing.

Inspirational Challenge of the Day: Break out of your usual form. But instead of just trying a form you don’t usually work with, try to expand on forms you already work with. So if you create primarily flat jewelry elements, go more dimensional with half lentil forms or free form the shapes in waves. If you create round beads much of the time, try squares or twisted oblong shapes. If you like making round bowls, what about boat shapes or  cones? Where can you push your forms?

_________________________________________

Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

businesscard-3.5inx2in-h-front  Shades of Clay Sept 15 Blog  2Wards Blog Sept 2016

never knead -july-2015c-125  The Great Create Sept 15 blog  businesscard-3.5inx2in-h-front

_________________________________________

Read More

A Little Fairy Magic for Friday

May 22, 2015
Posted in

fairy mirrorI’m going to need a little fairy magic for this one actually. I love this mirror, but I ate up all my time tonight trying to find out who made it, and it must truly be from some magical forest because for all the dozens of links that I followed through the vastness of the Internet, there is no attribution for this. But I had to share. And maybe, just maybe, someone here will know something of its origins.

I just love how this whole piece was considered when decorating it. The magic is not just on the frame but blooms above and beyond it and also into the space of the mirrored glass itself. This is the kind of thing that I just love to see in polymer decor pieces–not just covered or decorated, limited by the form and space of the object, but moving beyond that, letting the object be a starting point that does not define the end creation.

I found this fantastical mirror on a blog full of mosaic art, but there are no names for any of the work. So, if you want to try a search and see if you can find the fairy that dreamt this up, please do and let me know what you have found. In the meantime, enjoy the beautiful art of mosaics.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.

     TPA_McGuire_blog ad    sfxpaad-diffuse

Read More

On Being Brave

May 13, 2015
Posted in

ayelet beads fall necklaceSomeone told me the other day that they thought I was brave. The reference had to do with running a business in this crazy economy and in an industry (magazines, not polymer) that is in such flux, and all I could think was, “I don’t feel brave.” There are many things I do not say, or things I do not do because I’m afraid of the consequences. The thing is, entrepreneurial ventures are tenuous, and so, when one is in this position, you find yourself being so very careful not to ruffle feathers because you fear it might lose you a reader or two. But, you know what? I really dislike that self-censorship, and I have never be very good with “I should …” rules either.

Today, I want to say something about someone’s art because I think what they are doing is so exciting, but I also want to let them know that I think they should keep running with it; that they aren’t there yet. To say that may imply that it’s not good and could be taken as criticism – which some people frown upon – but, that’s not it. The promise here is exciting, but it feels like there is so much more to explore. I think a general reticence to say things like “That’s great! Now push that idea,” is doing a disservice to crafters in our community. Yes, kind and complimentary is much needed, but the occasional encouragement to keep exploring and challenging oneself is much needed as well.

So today, I’d like to say “Bravo!” to New Zealand’s Ayelet of Ayelet beads and then ask for more. We started on polymer around the same time and due to online groups we both frequented I’ve been watching her progress since the beginning of her polymer career. She has turned into an excellent and prolific caner. The majority of her work has been in flower canes and items covered in these canes, which she does beautifully, although it’s not an uncommon type of polymer product. A piece like this here makes you stop, though.

It was sometime last year that I ran into this piece of Ayelet’s on Flickr and was happily surprised at the direction her work was taking. I thought we’d suddenly see tons more of this from her, and there is more, but not a ton, if her Flickr pages are a good representation of the production level she has in this vein of work. All I know is that she is still persisting with this contemporary exploration between bunches and bunches of lovely flowers.

However, if we are not seeing more of this kind of work because maybe she’s still uncertain about pushing this direction, I wanted the opportunity to say, yes, keep it up!, and if she has done a lot more of this but is not showing it, I, for one, would be thrilled to see what else has come of this kind of exploration. Not only that, I hope this is a bit of needed encouragement for others in a similar boat to push work that is taking them far afield of their usual pieces. If they are intrigued by it, of course. I know of at least a couple other clayers who have this branching off, and they are exploring, but aren’t sharing it publicly. It’s hard to put work out that we aren’t certain about yet, but you won’t be able to get that invaluable feedback if you don’t put it out there–if not online, then at least among others who can give you good feedback.

So, maybe I wrote this today to put a little something more behind that person’s comment that I’m brave. Because I want to be brave, but some days I just don’t have it in me. Some days I feel I might. But mostly I wrote this, and gained some bravery from, hoping that we will all strive to be brave. Just making art is brave. Every step you take with it after creating it is like hero-level brave, and that no matter how good you are now, you can always push yourself, not to do better, but to explore bravely.

If Ayelet’s piece here has you intrigued, you can see more of this among a riot of colorful flower covered adornment and other items on her Flickr pages and in her Etsy shop.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.

     TPA_McGuire_blog ad    sfxpaad-diffuse

Read More

The Winter 2014 Cover–Boundaries

November 1, 2014
Posted in ,

Finally, we’ve got it done! Here it is to tease you until it comes out at the end of November–the cover for the Winter 2014–Boundaries issue. We are honored to have this classic mixed-media piece by Tory Hughes grace the cover. It celebrates both the season and the theme so well.

The articles in this issue are truly amazing. I don’t know how we lucked out getting so much talent in one issue. There’s the insightful interview with Tory, a definitive technique tutorial on silkscreening by Tonja Lenderman, Joseph Barbaccia shares his process for his stunning polymer strand illustrations, Anke Humpert reveals her new global project titled 1700 Pieces and many, many more artists share their art and thoughts as co-contributors throughout this issue.

14-P4 Winter 2014 Cover borderedHere are some of the article titles for the Winter 2014 issue:

–Design: Working the Visual Edge

–Painting in Bounds: The Essentials of Silkscreening

–Frame It! Jewelry Frames & Bezels

1700 Pieces: A Project in Limitations

–Working Boundaries: Creating at Home

–Tory Hughes: Artist Without Borders

–Starting at the Edge:  Joseph Barbaccia’s Polymer Strand Illustrations

–The  Oozeq Primer

–The Best in New Hand Tools

–A Journey to the Perfect Finish

–Good Impressions: Creating a Portfolio

… and much more

Subscribe or Renew today to be sure you are in the first mailing that goes out.

www.thepolymerarts.com/Subscribe.html

 

 

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

14-P3 Fall-Play cover Full sm   polymer clay butterfly ornament sm   TPA Blog Newsletter Ad  ShadesofClay 1014 v2  

Read More

The Long Exploration

October 22, 2014
Posted in

Maggie maggio at RAM 101714 smUnlike Dever’s work as we saw yesterday, Maggie Maggio exhibited work that is a continuation of her exploration of structure in polymer. Her wrap bangles and neck pieces are growing ever more bold, as well as bigger.

Here is the piece that just mesmerized me. As Maggie explains it, “Grow III represents the interweaving of the animal and plant world by blurring the lines between snake and vine.” She adds, “I will need a larger oven as the pieces grow and grow!” This is a bit of reflection on the success of her exploration as well as the size of her pieces. To understand just how big this issue is, take a close look at the necklace modeled on the exhibition card you see on the far right of this photo. (You can click on the photo for a larger version.)

Maggie had several pieces in the Racine Museum of Art’s (in)Organic exhibition, (there until February 1st, 2015. Get out to see it if you can. It is amazing.) including a piece that evolved into something quite different as she created it. Read her post about her process of exploration and one of those welcome accidents that led to a satisfying, but unexpected piece on Maggie’s website.

 

 If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

14-P3 Fall-Play cover Full sm  Blog2 -2014-02Feb-3   polymer clay butterfly ornament sm   TPA Blog Newsletter Ad  ShadesofClay 1014 v2  tpabl-10-9072014

Read More

Extruding Beyond the Expected

September 4, 2014
Posted in

12997373894_7a334e5ea0_oAnother multi-artist article in the new Fall 2014 issue tracks the growth and experience of six artists that went through the Voila! creativity classes. We were given the opportunity to see what six emerging or accomplished artists developed as they went through an intensive, nearly year-long course that focused solely on developing creativity and personal voice rather than learning techniques and particular skills. The outcomes were quite remarkable. The growth those artists have continued to have is just as, or maybe even more so, remarkable.

Angela Garrod has been making leaps and bounds in her work the last couple years, but until the article came to me, I had not realized where much of this inspiration and push came from. Many of her designs have explored what can be done with extruding, but I have to say some of the pieces she experimented with earlier this year is pushing extruding far beyond what we’ve seen from the rest of the community. I would not have thought the patterning on this neck piece had anything to do with extruding, but now my mind is working furiously to try to surmise how it might have been accomplished. Angela’s creative exploration of technique, as well as design, seems to have been buoyed by her natural instinct to experiment. All with wonderful results.

Take a look at the other recent pieces Angela has been working on her Flickr page where you can see the chronological journey of her work. Be sure to read the article as well and follow the links to each of the artists to see what else they have been up to since their classes. It’s a fascinating story told through the artwork itself.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

14-P3 Fall-Play cover Full sm   Blog2 -2014-02Feb-2   3d star ad  Polymania Advert 125  tpa-125x125-blog

Read More

Outside Inspiration: Composition of Old

July 25, 2014
Posted in

Okay, this isn’t terribly old, but let this illustrate that pushing the construction of a necklace isn’t a contemporary idea. This piece below was created 60 years ago. Note the openness of the construction and the careful balance of the compositions – things we’ve talked about already this week. They aren’t that new, but they aren’t that common either.

 

"Patina" neckpiece 1955
“Patina” neckpiece 1955

This intriguing piece was created by Art Smith, a Cuban born American. It is all silver with some surface texturing and some careful planning in order to get the balance right. I can easily see something like this in polymer. Who is willing to push a piece to this level of engineering?  It is something to consider if you are playing in the studio this weekend. I’ll try to dig up one more idea or challenge for pushing your idea of necklace construction for tomorrow. It will be quite warm in much of the US as well as other places around the world, so why don’t we all just stay in and push ourselves a bit?

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

14-P2 CoverFnl-blog   Blog2 -2014-02Feb-5   Damask Ad

Read More
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