Doing Cute Well
August 13, 2012
Inspirational Art
One of the things I was truly delighted by with the Racine Museum exhibition last year was that the pieces chosen were not all just contemporary and serious pieces. They were, however, all well crafted as well as being historically relevant in the development of our art form. There were a number of ‘cute’ pieces such as Dan Cormier’s rocket vessels (love the one with the chimpanzee face in the rocket window!) or Cynthia Toops cartoon like mosaic pins. (Get your copy of the Terra Nova book to see these great pieces.) Art does not have to be serious. For goodness sakes, life is not!
Doing cute and doing it for a standard consumer audience with skill and good design is doubly difficult since you have to work within a certain pricing/cost structure and yet still spend the time and give the piece the consideration you would creating any true piece of art. That is why I find images like this one catching my eye ..
This adorable and beautifully wrought pin is by Pilar from Las Palmas, Spain. I ran into this on the Spanish European version of Etsy called Artesanum.
Pilar has obviously well-refined caning skills as well as being adept at modeling with polymer. She uses repetition of color (blues) placed at fairly regular intervals and repetition of motif (flowers repeated in different versions and even materials) to bring a cohesiveness to what might otherwise be an overwhelming array of texture and variety of items.
Repetition and rhythm are design elements not often discussed outside formal art courses but are hugely important in craft design. You can get great information on these concepts plus tons of polymer examples and even exercises to work on this in our upcoming Fall 2012 issue of The Polymer Arts. The issue rolls out this coming weekend so be sure you have renewed your subscription or have your order in so you can get in on the conversations you see online and can start applying this simple but powerful concepts to your own work!
Hats Off to Polymer
August 9, 2012
Inspirational Art
Adornment is a favored form for polymer but how often do you see it in hats? And we’re not talking hat pins or buttons but where polymer is what the hat is about.
Cynthia Toops and Dan Adams’ Anenome Hat is the kind of thing I’m thinking about. This piece was made from polymer clay with brass, velvet, and aluminum screen. It had quite a life apparently. Cynthia said in regards to the hat showing at the MIPCES Exhibition, “My fondest memories of the hat were all the people at the conference taking pictures of each other wearing the hat. It reminds me that art is best when shared.”
Trying something unusual like a hat can also push you in your other forms. Cynthia Toops wrote: “Dan and I create beads for elaborate jewelry pieces. For this project I wanted to make a full-size hat and imposed one restriction- no beads. We partially encased wire elements in polymer clay in a different way and by forcing myself out of the jewelry mode, it automatically gave me freedom to experiment. What began with the hat will become a starting point for new jewelry ideas.”
This visit to the past was courtesy of the Polymer Art Archive.
Artistic Collaborations
June 12, 2012
Inspirational Art, Polymer issues
This year I’ve been doing a lot of chatting with other polymer artists, collaborating–or hoping to–on a variety of projects primarily related to promoting polymer and the image of polymer art. What I would really like to do is artistic collaborations. It is amazing what the creativity and input from another artist can do to push your work and get you think in different directions. You often end up with something that you would have never imagined. That synergistic effect of two or more minds trying to resolve individual visions into one can be so exciting and energizing.
You may have seen the beautiful work of J.M. Syron and Bonnie Bischoff combining woodworking and polymer. Their large piece of furniture are well-known but I adore their lamps.
Cynithia Toops regularly collaborates with jewelry smith Chuck Domitrovich. Chuck set up a wonderful Flickr page with their in-progress and finished work.
One of favorite collaborations is this very interesting wood and polymer piece by Porro Sahlberg and Peter Sahlberg Leppikallio. The “Trilobite Cabin” was included in “500 Cabinets” by Lark Books. Click on the photo to go to the page with the detail of the side which is just wonderful.
So … have you considered collaborating?
One of the things I was truly delighted by with the Racine Museum exhibition last year was that the pieces chosen were not all just contemporary and serious pieces. They were, however, all well crafted as well as being historically relevant in the development of our art form. There were a number of ‘cute’ pieces such as Dan Cormier’s rocket vessels (love the one with the chimpanzee face in the rocket window!) or Cynthia Toops cartoon like mosaic pins. (Get your copy of the Terra Nova book to see these great pieces.) Art does not have to be serious. For goodness sakes, life is not!
Doing cute and doing it for a standard consumer audience with skill and good design is doubly difficult since you have to work within a certain pricing/cost structure and yet still spend the time and give the piece the consideration you would creating any true piece of art. That is why I find images like this one catching my eye ..
This adorable and beautifully wrought pin is by Pilar from Las Palmas, Spain. I ran into this on the Spanish European version of Etsy called Artesanum.
Pilar has obviously well-refined caning skills as well as being adept at modeling with polymer. She uses repetition of color (blues) placed at fairly regular intervals and repetition of motif (flowers repeated in different versions and even materials) to bring a cohesiveness to what might otherwise be an overwhelming array of texture and variety of items.
Repetition and rhythm are design elements not often discussed outside formal art courses but are hugely important in craft design. You can get great information on these concepts plus tons of polymer examples and even exercises to work on this in our upcoming Fall 2012 issue of The Polymer Arts. The issue rolls out this coming weekend so be sure you have renewed your subscription or have your order in so you can get in on the conversations you see online and can start applying this simple but powerful concepts to your own work!
Read MoreAdornment is a favored form for polymer but how often do you see it in hats? And we’re not talking hat pins or buttons but where polymer is what the hat is about.
Cynthia Toops and Dan Adams’ Anenome Hat is the kind of thing I’m thinking about. This piece was made from polymer clay with brass, velvet, and aluminum screen. It had quite a life apparently. Cynthia said in regards to the hat showing at the MIPCES Exhibition, “My fondest memories of the hat were all the people at the conference taking pictures of each other wearing the hat. It reminds me that art is best when shared.”
Trying something unusual like a hat can also push you in your other forms. Cynthia Toops wrote: “Dan and I create beads for elaborate jewelry pieces. For this project I wanted to make a full-size hat and imposed one restriction- no beads. We partially encased wire elements in polymer clay in a different way and by forcing myself out of the jewelry mode, it automatically gave me freedom to experiment. What began with the hat will become a starting point for new jewelry ideas.”
This visit to the past was courtesy of the Polymer Art Archive.
Read More
This year I’ve been doing a lot of chatting with other polymer artists, collaborating–or hoping to–on a variety of projects primarily related to promoting polymer and the image of polymer art. What I would really like to do is artistic collaborations. It is amazing what the creativity and input from another artist can do to push your work and get you think in different directions. You often end up with something that you would have never imagined. That synergistic effect of two or more minds trying to resolve individual visions into one can be so exciting and energizing.
You may have seen the beautiful work of J.M. Syron and Bonnie Bischoff combining woodworking and polymer. Their large piece of furniture are well-known but I adore their lamps.
Cynithia Toops regularly collaborates with jewelry smith Chuck Domitrovich. Chuck set up a wonderful Flickr page with their in-progress and finished work.
One of favorite collaborations is this very interesting wood and polymer piece by Porro Sahlberg and Peter Sahlberg Leppikallio. The “Trilobite Cabin” was included in “500 Cabinets” by Lark Books. Click on the photo to go to the page with the detail of the side which is just wonderful.
So … have you considered collaborating?
Read More