Polymer Covered Clasps
June 1, 2013
Inspirational Art
A very easy way to make your findings fit into the design of your jewelry is to cover the findings with polymer. Magnetic, barrel screw, or even box clasps can be covered using the same design or colors in clay. But not only that, you can create a clasp that blends into the design by hiding the clasps in two halves of a bead or component that matches others in the piece.
A nice big round bead makes a great concealer of clasps, especially the magnetic and barrel screw types. You create two half round base beads, burying the clasps in the clay (or, since there is evidence that baking magnets can reduce their strength, bury a spacer in the clay same size as the clasp ends and glue them in after baking), then treat the half rounds with the same surface design as other round beads on your piece. Ford and Forlano have been integrating their clasps into their necklace designs for years. Here is one of their timeless big bead necklaces from 1997, with a clasp hidden in a back bead.
I do like that they didn’t even make the two halves the same, but simply versions of the same texture. It isn’t written anywhere that the halves have to match, is it? If you take some time to look through their body of work, you’ll see other finding integration solutions that might spark some ideas for you as well.
Keep in mind the beads don’t have to be round or even bead-like, as long as the clasps can be buried in the clay. For example, Cynthia Tinapple did this with faux river rock, as she demonstrates in this video tutorial. Her approach and tips can be expanded to include any kind of necklace component you would like to hide two-sided clasps in.
Building Uniquely on a Form
April 18, 2013
Inspirational Art
I considered moving on to rings today but since we covered that subject so thoroughly in The Polymer Arts Winter 2012 issue (and so many of you are subscribers), I thought we ought to move on to another kind of construction consideration … home decor! This most commonly involves covering objects–vases, bottles, boxes, switchplates, clock faces, etc. Our inclination is to cover the object, keeping within the boundaries and following the shape of the form we’re covering. But why? We work with a material that can create a myriad of visual effects and be built into almost any form we can imagine. Why would we let a pre-formed object dictate so much of what we do with it?
Ariane Freisleben doesn’t actually say she covered an object in the piece below but it certainly looks like it and it beautifully demonstrates the idea of moving beyond a standard shape.
This was created using techniques Ariane learned in a Jeffery Lloyd Dever workshop (but no pods here!) which could have been executed by layering the clay flat on a standard bottle shape. Instead she plays with the edges building them outwards and twisting them away and beyond from the expectation of straight vertical lines that would have stopped before the neck of the vase. The result is a much more dynamic object with curves in the form that reflect the playful lines decorating the surface of the clay.
If you missed the switchplate we showcased a week ago, that is also another example of breaking out of the boundaries of an object. If you cover objects, have you ever pushed beyond the boundaries of the form and shape?
If you haven’t played with covering objects or would like to learn more including some suggestions for some more unusual objects to cover, don’t miss the covered objects article in the upcoming Summer issue of The Polymer Arts due out second half of May.
A very easy way to make your findings fit into the design of your jewelry is to cover the findings with polymer. Magnetic, barrel screw, or even box clasps can be covered using the same design or colors in clay. But not only that, you can create a clasp that blends into the design by hiding the clasps in two halves of a bead or component that matches others in the piece.
A nice big round bead makes a great concealer of clasps, especially the magnetic and barrel screw types. You create two half round base beads, burying the clasps in the clay (or, since there is evidence that baking magnets can reduce their strength, bury a spacer in the clay same size as the clasp ends and glue them in after baking), then treat the half rounds with the same surface design as other round beads on your piece. Ford and Forlano have been integrating their clasps into their necklace designs for years. Here is one of their timeless big bead necklaces from 1997, with a clasp hidden in a back bead.
I do like that they didn’t even make the two halves the same, but simply versions of the same texture. It isn’t written anywhere that the halves have to match, is it? If you take some time to look through their body of work, you’ll see other finding integration solutions that might spark some ideas for you as well.
Keep in mind the beads don’t have to be round or even bead-like, as long as the clasps can be buried in the clay. For example, Cynthia Tinapple did this with faux river rock, as she demonstrates in this video tutorial. Her approach and tips can be expanded to include any kind of necklace component you would like to hide two-sided clasps in.
Read More
I considered moving on to rings today but since we covered that subject so thoroughly in The Polymer Arts Winter 2012 issue (and so many of you are subscribers), I thought we ought to move on to another kind of construction consideration … home decor! This most commonly involves covering objects–vases, bottles, boxes, switchplates, clock faces, etc. Our inclination is to cover the object, keeping within the boundaries and following the shape of the form we’re covering. But why? We work with a material that can create a myriad of visual effects and be built into almost any form we can imagine. Why would we let a pre-formed object dictate so much of what we do with it?
Ariane Freisleben doesn’t actually say she covered an object in the piece below but it certainly looks like it and it beautifully demonstrates the idea of moving beyond a standard shape.
This was created using techniques Ariane learned in a Jeffery Lloyd Dever workshop (but no pods here!) which could have been executed by layering the clay flat on a standard bottle shape. Instead she plays with the edges building them outwards and twisting them away and beyond from the expectation of straight vertical lines that would have stopped before the neck of the vase. The result is a much more dynamic object with curves in the form that reflect the playful lines decorating the surface of the clay.
If you missed the switchplate we showcased a week ago, that is also another example of breaking out of the boundaries of an object. If you cover objects, have you ever pushed beyond the boundaries of the form and shape?
If you haven’t played with covering objects or would like to learn more including some suggestions for some more unusual objects to cover, don’t miss the covered objects article in the upcoming Summer issue of The Polymer Arts due out second half of May.
Read More