The Paper and Polymer Advantage
March 11, 2016
Inspirational Art, The Polymer Arts magazine news
My little contribution to the Spring issue of The Polymer Arts is an article on ways to combine paper with polymer. I did a lot of research to see if there was anything else I could share with readers beyond what I had done in the past with paper casting and collage style techniques and … wow! There are tons of ways paper can be used to kick up your work. It offers ways to make production less expensive and pieces lighter for castings and as cores for large beads, it can add interesting textures both tactile and visual, and, because it can go in the oven at polymer clay curing temperatures, it can be used over, under, inside of, and just about any way you want it with your raw clay and it all can go into the oven together.
My foray into paper and polymer came initially from looking for less expensive and less noxious ways to cast sculpted pieces I had created in polymer and wanted to duplicate. I went on to use the material as a substrate, to make light sculptural and bead cores and to make hollow beads. But the things they are doing with paper in the craft world is amazing, and looks a lot like polymer sometimes. From mokume-like carved stacks of paper to rolled beads to textured, stamped, and molded paper–the work is beautiful and a very direct source of inspiration for polymer artists. If you haven’t seen what I am talking about just google something like “paper jewelry” or “paper craft” on Google, Pinterest, Etsy or Flickr. It’s fascinating.
The other super cool thing about paper craft is that much of it is being made from recycled and upcycled paper sources. I do all my paper casting using junk mail and old newspapers and my collage work is from magazines I would otherwise just throw away. But those are not the only sources of paper we can recycle and combine with polymer pieces. This necklace by Izabela Nowak is a beautiful example of where using a paper source rather than polymer has a distinct advantage.
All those discs are cut from milk and juice cartons. Creating something like that with polymer would be intensely time-consuming and curing extremely thin polymer and keeping it flat takes a few tricks. I am not saying its impossible–I’ve done it myself–but why do that if you can get a similar effect while keeping more trash out of a landfill? And … it’s cheap or free! You gotta love that.
Izabela actually does a ton of work in paper and upcycled materials. She doesn’t often combine her polymer and paper but I find the pieces in which she doe, more interesting than the paper alone. The polymer adds solidity and texture the paper can’t and the paper offers crisp edges and smooth surfaces that are more difficult to do in polymer. So together, they make quite the pair!
Get your copy of the Spring 2016 issue of The Polymer Arts for this and other great article sure to get your creative juice flowing!
Inspirational Challenge of the Day: Search for paper craft, paper jewelry, or recycled art and find a piece you are drawn to. Don’t spend a lot of time looking. Then figure out what that one thing is that is really drawing you to that piece. Use that element … whether it’s the way the work was created (rolled, folded, molded), the form of the piece, or even the combination of colors, and use it to design or create your next piece.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
___________________________________________
The Convergence of Like Materials
March 7, 2016
Inspirational Art
As I mentioned last week, I was very excited to have a metal clay article for this issue. I have been wanting to do one for a while, especially since Metal Clay Artist magazine was forced to close their doors. I spent a lot of time conversing with the editor of MCAM, Jeannette Froese LeBlanc, trying to find a way to integrate our periodicals so they could continue to provide articles to metal clayers, but this market is a big challenge. Jeanette eventually went onto create Creative Fire, an online periodical, presented blog style, with in-depth and magazine-quality posts. If you are interested in metal clay, you need to subscribe to the free posts there.
It was through those conversations that I was steered to Dawn Stubitsch who so kindly agreed to write The Polymer Arts magazine’s first metal clay article. Dawn has been working in polymer for quite a while and only found metal clay as a way to create more durable bails for her pendants. The combination resulted in some truly unique pendants, like the one you see here. The bail is not just something added as a functional necessity, but it is the real focal point of the pendant. You don’t even think about it being a bail; it’s that strong center that holds all the riotous colors and patterns together.
I’m hoping Dawn’s article, with its clear direction and many tips, will get polymer clayers to consider giving metal clay a try. We use a lot of the same tools and many polymer skills translate quite directly to metal clay. As with many of the articles in the Spring issue, which focuses on the convergence of polymer and similar or complementary materials, we hope you see how expanding materials to use with polymer so greatly expands your creative potential with clay.
For more pieces from Dawn, go to her Flickr page, or check out her Facebook artist’s page where you can find shots from her work table that will complement what you see in the article, as well as more of her work.
Inspirational Challenge of the Day: Create or design a functional part of a piece as the focal point. It could be bail, an ear wire, or a necklace or bracelet clasp. If you are creating decor, it could be the handle, knob, latch, feet, or lid of the piece. Or if you’re creating a sculpture, make the base or wall hanging a well considered and important piece of the composition. Make it so the part in your craft art that is necessary for function comes across just as, or more than, necessary for the design.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
___________________________________________
Spring is Almost Here …
February 1, 2016
Inspirational Art
… not that you can tell by the weather! But we are doing our best to get you a bit of Spring by the end of February. Here is your first peek at the next issue of The Polymer Arts, Spring 2016 – Convergence. The issue is set to come out around March 1st.
Gracing our cover is the fabulous Fabiola Periz Ajates, otherwise known as Fabi. And what a fitting name. These brooches give you an idea of some of the articles and eye candy you’ll see in this mixed media, yet polymer-centric, issue. We’ve been trying for a while to do mixed media again, but we had to wait until we had the best ideas and great artists to share them and we really think we do.
Articles you can look forward to include:
- Focal Convergence: Composing with Focal Points
- Converging Clays: Create Metal Clay & Polymer
- Found Fusion: Working with Found Objects
- Fold, Cut, Shred, and Clay: Exploring Paper & Polymer
- All Knotted Up: Polymer & Micro Macrame Designs
- When is a Technique Ready to Share?
- The Best Camera for You and Your Art
- The Perfect Cure: The Final Word on Time & Temperature
- Training Your Artistic Eye
- Convergence at Ravensdale, 20 Years Later
- … and so much more!
I am off today for a family gathering so we are going to get a breather from the challenges today, but I will be back with one on Wed!
___________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
___________________________________________
My little contribution to the Spring issue of The Polymer Arts is an article on ways to combine paper with polymer. I did a lot of research to see if there was anything else I could share with readers beyond what I had done in the past with paper casting and collage style techniques and … wow! There are tons of ways paper can be used to kick up your work. It offers ways to make production less expensive and pieces lighter for castings and as cores for large beads, it can add interesting textures both tactile and visual, and, because it can go in the oven at polymer clay curing temperatures, it can be used over, under, inside of, and just about any way you want it with your raw clay and it all can go into the oven together.
My foray into paper and polymer came initially from looking for less expensive and less noxious ways to cast sculpted pieces I had created in polymer and wanted to duplicate. I went on to use the material as a substrate, to make light sculptural and bead cores and to make hollow beads. But the things they are doing with paper in the craft world is amazing, and looks a lot like polymer sometimes. From mokume-like carved stacks of paper to rolled beads to textured, stamped, and molded paper–the work is beautiful and a very direct source of inspiration for polymer artists. If you haven’t seen what I am talking about just google something like “paper jewelry” or “paper craft” on Google, Pinterest, Etsy or Flickr. It’s fascinating.
The other super cool thing about paper craft is that much of it is being made from recycled and upcycled paper sources. I do all my paper casting using junk mail and old newspapers and my collage work is from magazines I would otherwise just throw away. But those are not the only sources of paper we can recycle and combine with polymer pieces. This necklace by Izabela Nowak is a beautiful example of where using a paper source rather than polymer has a distinct advantage.
All those discs are cut from milk and juice cartons. Creating something like that with polymer would be intensely time-consuming and curing extremely thin polymer and keeping it flat takes a few tricks. I am not saying its impossible–I’ve done it myself–but why do that if you can get a similar effect while keeping more trash out of a landfill? And … it’s cheap or free! You gotta love that.
Izabela actually does a ton of work in paper and upcycled materials. She doesn’t often combine her polymer and paper but I find the pieces in which she doe, more interesting than the paper alone. The polymer adds solidity and texture the paper can’t and the paper offers crisp edges and smooth surfaces that are more difficult to do in polymer. So together, they make quite the pair!
Get your copy of the Spring 2016 issue of The Polymer Arts for this and other great article sure to get your creative juice flowing!
Inspirational Challenge of the Day: Search for paper craft, paper jewelry, or recycled art and find a piece you are drawn to. Don’t spend a lot of time looking. Then figure out what that one thing is that is really drawing you to that piece. Use that element … whether it’s the way the work was created (rolled, folded, molded), the form of the piece, or even the combination of colors, and use it to design or create your next piece.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
___________________________________________
Read MoreAs I mentioned last week, I was very excited to have a metal clay article for this issue. I have been wanting to do one for a while, especially since Metal Clay Artist magazine was forced to close their doors. I spent a lot of time conversing with the editor of MCAM, Jeannette Froese LeBlanc, trying to find a way to integrate our periodicals so they could continue to provide articles to metal clayers, but this market is a big challenge. Jeanette eventually went onto create Creative Fire, an online periodical, presented blog style, with in-depth and magazine-quality posts. If you are interested in metal clay, you need to subscribe to the free posts there.
It was through those conversations that I was steered to Dawn Stubitsch who so kindly agreed to write The Polymer Arts magazine’s first metal clay article. Dawn has been working in polymer for quite a while and only found metal clay as a way to create more durable bails for her pendants. The combination resulted in some truly unique pendants, like the one you see here. The bail is not just something added as a functional necessity, but it is the real focal point of the pendant. You don’t even think about it being a bail; it’s that strong center that holds all the riotous colors and patterns together.
I’m hoping Dawn’s article, with its clear direction and many tips, will get polymer clayers to consider giving metal clay a try. We use a lot of the same tools and many polymer skills translate quite directly to metal clay. As with many of the articles in the Spring issue, which focuses on the convergence of polymer and similar or complementary materials, we hope you see how expanding materials to use with polymer so greatly expands your creative potential with clay.
For more pieces from Dawn, go to her Flickr page, or check out her Facebook artist’s page where you can find shots from her work table that will complement what you see in the article, as well as more of her work.
Inspirational Challenge of the Day: Create or design a functional part of a piece as the focal point. It could be bail, an ear wire, or a necklace or bracelet clasp. If you are creating decor, it could be the handle, knob, latch, feet, or lid of the piece. Or if you’re creating a sculpture, make the base or wall hanging a well considered and important piece of the composition. Make it so the part in your craft art that is necessary for function comes across just as, or more than, necessary for the design.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
___________________________________________
Read More… not that you can tell by the weather! But we are doing our best to get you a bit of Spring by the end of February. Here is your first peek at the next issue of The Polymer Arts, Spring 2016 – Convergence. The issue is set to come out around March 1st.
Gracing our cover is the fabulous Fabiola Periz Ajates, otherwise known as Fabi. And what a fitting name. These brooches give you an idea of some of the articles and eye candy you’ll see in this mixed media, yet polymer-centric, issue. We’ve been trying for a while to do mixed media again, but we had to wait until we had the best ideas and great artists to share them and we really think we do.
Articles you can look forward to include:
- Focal Convergence: Composing with Focal Points
- Converging Clays: Create Metal Clay & Polymer
- Found Fusion: Working with Found Objects
- Fold, Cut, Shred, and Clay: Exploring Paper & Polymer
- All Knotted Up: Polymer & Micro Macrame Designs
- When is a Technique Ready to Share?
- The Best Camera for You and Your Art
- The Perfect Cure: The Final Word on Time & Temperature
- Training Your Artistic Eye
- Convergence at Ravensdale, 20 Years Later
- … and so much more!
I am off today for a family gathering so we are going to get a breather from the challenges today, but I will be back with one on Wed!
___________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
___________________________________________
Read More