Outside Inspiration: Glass Reveals
November 29, 2013 Inspirational Art
I know very little about making glass beads, so I can’t even begin to guess how Harold Williams Cooney made this amazing piece.
So … do you cut into glass to get this? Grind it down? Carve it out while hot some how? Yep, I’m clueless on the technique. The only thing I do know is that this kind of thing could be done beautifully with polymer clay by cutting, carving, or grinding. It reminds me somewhat of Jana Roberts Benzon’s lazer cut technique, just with more form and less cut away. Also, consider Vera’s beads from yesterday’s post. If they were covered by a solid sheet of clay and the cuts were farther apart to allow more surface, the cut-out areas would look something like what we see in these glass beads. But it’s definitely something to think about–especially for all you extrusion-mad clayers.
Harold is a particularly prolific artist with a lofty goal. It’s hard to explain his single-source American Trade Bead collection, but basically he is collecting his own work in order to create the largest collection made by a single bead artist. If you’re interested in his concept, you can read more about it on his blog. But if you are more interested in wonderful glass beauties, go look at his Etsy shop. There are more than just this bead to inspire a polymer artist there!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Lessons in Back-filling
February 27, 2013 Technique tutorials
Even if you are not into making rings, you will want to take a look through this series of tutorials by Bobrotermit (on Livejournal). His planning, carving, and especially his back-fill methods could lead you to do some experimenting with other forms if not with rings.
This ring was formed, carved and back-filled. All the designs are back-fill color, no painting or caning.
He also treats us to tutorials for two other rings, one primaily carved, the other primarily back-filled. Take a moment to look through his tutorials. They are full of great ideas that can be applied to your favorite form.
Micro beads and Pods
December 1, 2012 Inspirational Art
Shiny things … that’s the focus of the latest issue of The Polymer Arts magazine. Having that theme on my mind, I kept my eye out for all kinds of things we might add to or use to treat polymer clay. Due to having seen Claire Maunsell’s pods, shown below, I actually sought out the micro beads that I talk about in the Winter issue.
The judicious use of just a small gathering of the micro beads looks like strangely developed seeds and draws our eye as the focus of the beads (see the article on Focal Points in the latest issue as well). The carved and colored surface is so involved that one could spend long minutes taking it all in as well as return to them again and again to look and touch the delightful little pod, seeing something new or from a new angle each time.
By the way … if you don’t have the latest issue or don’t have a subscription to The Polymer Arts yet, suggesting it as a gift to your significant other, the kids, or your friends this holiday season would be a very good way to acquire your copy and an easy shopping ‘trip’ for the gift giver ;). We have back issue specials, including all of 2012’s issues or all back issues plus a 1 year subscription, for a significant discount. Just forward this blog link and … hint, hint, hint … you might find lots o’ polymer inspiration under the tree this year!
I know very little about making glass beads, so I can’t even begin to guess how Harold Williams Cooney made this amazing piece.
So … do you cut into glass to get this? Grind it down? Carve it out while hot some how? Yep, I’m clueless on the technique. The only thing I do know is that this kind of thing could be done beautifully with polymer clay by cutting, carving, or grinding. It reminds me somewhat of Jana Roberts Benzon’s lazer cut technique, just with more form and less cut away. Also, consider Vera’s beads from yesterday’s post. If they were covered by a solid sheet of clay and the cuts were farther apart to allow more surface, the cut-out areas would look something like what we see in these glass beads. But it’s definitely something to think about–especially for all you extrusion-mad clayers.
Harold is a particularly prolific artist with a lofty goal. It’s hard to explain his single-source American Trade Bead collection, but basically he is collecting his own work in order to create the largest collection made by a single bead artist. If you’re interested in his concept, you can read more about it on his blog. But if you are more interested in wonderful glass beauties, go look at his Etsy shop. There are more than just this bead to inspire a polymer artist there!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Read More
Even if you are not into making rings, you will want to take a look through this series of tutorials by Bobrotermit (on Livejournal). His planning, carving, and especially his back-fill methods could lead you to do some experimenting with other forms if not with rings.
This ring was formed, carved and back-filled. All the designs are back-fill color, no painting or caning.
He also treats us to tutorials for two other rings, one primaily carved, the other primarily back-filled. Take a moment to look through his tutorials. They are full of great ideas that can be applied to your favorite form.
Read More
Shiny things … that’s the focus of the latest issue of The Polymer Arts magazine. Having that theme on my mind, I kept my eye out for all kinds of things we might add to or use to treat polymer clay. Due to having seen Claire Maunsell’s pods, shown below, I actually sought out the micro beads that I talk about in the Winter issue.
The judicious use of just a small gathering of the micro beads looks like strangely developed seeds and draws our eye as the focus of the beads (see the article on Focal Points in the latest issue as well). The carved and colored surface is so involved that one could spend long minutes taking it all in as well as return to them again and again to look and touch the delightful little pod, seeing something new or from a new angle each time.
By the way … if you don’t have the latest issue or don’t have a subscription to The Polymer Arts yet, suggesting it as a gift to your significant other, the kids, or your friends this holiday season would be a very good way to acquire your copy and an easy shopping ‘trip’ for the gift giver ;). We have back issue specials, including all of 2012’s issues or all back issues plus a 1 year subscription, for a significant discount. Just forward this blog link and … hint, hint, hint … you might find lots o’ polymer inspiration under the tree this year!
Read More