Fond Goodbyes to Winter
January 7, 2019
Inspirational Art, Polymer community news
I was traveling this past week, otherwise I would have posted earlier about the passing of our iconic Elise Winters. I’m sure you have heard the news through other avenues that her battle with cancer ended on New Year’s day but I wanted to post a farewell here.
Although I did not know her well, we did talk and in our few conversations, I found we had some differing views but the details mattered little as we were on the same team, wanting to promote and raise the view of polymer to the level of a fine art wherever we could. My efforts have been tiny ripples to her tremendous waves, however. Elise is the reason we have polymer art in so many museums and, especially, holding its own at the esteemed Racine Art Museum in Wisconsin where polymer is one of the six categories of craft that the museum has placed its focus on. We have so much to thank her for.
Elise’s work is readily recognizable and has never been well replicated. Her combination of Skinner blends and crazed acrylic stripes were coaxed into some of the most unusual and unexpected shapes and forms. Although her ruffled and pillow forms were some of her most widely known pieces, I have always thought the piece you see here was one of her best. It’s a brooch from 2006 called Skinner Inner Brooch. This has a much more direct and grounded energy than her well-known ruffles and its inner reveal of a bull’s-eye cane gives it another dimension, bringing us to consider what is underneath, beyond the beautiful surface.
Movement and energy of this kind were paramount in her artwork and, as we have seen, also in her passion and drive to make polymer a recognized fine art material. I hope there are enough of us to amass a similarly zealous energy to continue the work for which she paved such an integral path for our craft. Thank you, Elise.
For a look back at this legendary artist, jewelry designer, and polymer art advocate you can visit her website here.
From Winter into Spring …
I would also like to put out a reminder that the first issue of The Polymer Studio is set to go to print at the end of this week. If you would like to get the first print copies straight from the printer, be sure to purchase your subscription or single issue pre-order by this Wednesday, January 9th, to get on the direct mail list we give to the printer. The issue will be released on January 19th in digital.
You can look forward to …
Tutorials
- Kitchen Sink Imprint Mokume by Julie Picarello
- Magical Phoenix Feather by Christi Friesen
- Martian Footprints Necklace by Anna Malnaya
- Swoop Pendant by Beatrice Picq
- More is More Fimo Bracelet by Jeannette Froese LeBlanc
- Mosaic Stained Glass Canes by Linda Leach
- Shimmering Scenery Pendant by Sage Bray
Tips
- Mix a Near and Far Color Palette with Tracy Holmes
- Mix it Up with Embossing Powders with Debbie Crothers
- Creative Studio Organization Ideas by our Staff
Inspiration
- Studio Tour: Small Spaces in Germany with Anke Humpert
- In-Depth Artist Profile: Julie Picarello
- Uncommon Clay Artist Profile: Travis Suda
… and much more!
Get your subscription here at www.ThePolymerStudio.com or www.TenthMuseArts.com.
Dialing in From Frankfurt with French Polymer
April 28, 2014
Polymer community news
I have been traveling for 16 hours as I sit down to write this and I have another 7 hours to go before I reach the hotel in Malta. Every change of scenery, the many different people, the variation in languages is enervating–I’ve been trying to guess people’s country of origin based on jewelry and clothing but you know what … people are more or less the same everywhere. It’s still been a fun game. I just wish I was more awake to really take it all in here. Many polymer people are already in Malta. See if you can sneak a peek on Donna Greenberg’s Facebook page–she’s taken some amazing pictures of the places in Malta she and other polymer peeps got out early to see. I just can’t wait to get there.
My opportunities for photos as well as a decent Internet connection while traveling have been slim so instead of sending the overcast images of Reykjavik and Frankfurt this will be simple and brief and get in some info I couldn’t squeeze in last week about polymer in print.
If you don’t know about Polymere & Co., it’s the newest magazine on the scene and the first one of its kind not in English. The French language magazine focuses on project tutorials and jewelry and is available in both print and digital editions. Even if French isn’t your language, don’t let that stop you from getting a copy. Get the digital and plug the articles into an online translator. In this day and age there is not any reason to stay away from publications simply because they aren’t in your language. What a wonderful time we live in!
Editor Beatrice PICQ will be joining us at EuroSynergy to talk about why she started this magazine. I’m so excited to talk to her and hear about her vision. Because at this point, there is definitely still room for more quality polymer instruction and inspiration.
Okay … I’m off to get myself set for my final leg to Malta!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
I was traveling this past week, otherwise I would have posted earlier about the passing of our iconic Elise Winters. I’m sure you have heard the news through other avenues that her battle with cancer ended on New Year’s day but I wanted to post a farewell here.
Although I did not know her well, we did talk and in our few conversations, I found we had some differing views but the details mattered little as we were on the same team, wanting to promote and raise the view of polymer to the level of a fine art wherever we could. My efforts have been tiny ripples to her tremendous waves, however. Elise is the reason we have polymer art in so many museums and, especially, holding its own at the esteemed Racine Art Museum in Wisconsin where polymer is one of the six categories of craft that the museum has placed its focus on. We have so much to thank her for.
Elise’s work is readily recognizable and has never been well replicated. Her combination of Skinner blends and crazed acrylic stripes were coaxed into some of the most unusual and unexpected shapes and forms. Although her ruffled and pillow forms were some of her most widely known pieces, I have always thought the piece you see here was one of her best. It’s a brooch from 2006 called Skinner Inner Brooch. This has a much more direct and grounded energy than her well-known ruffles and its inner reveal of a bull’s-eye cane gives it another dimension, bringing us to consider what is underneath, beyond the beautiful surface.
Movement and energy of this kind were paramount in her artwork and, as we have seen, also in her passion and drive to make polymer a recognized fine art material. I hope there are enough of us to amass a similarly zealous energy to continue the work for which she paved such an integral path for our craft. Thank you, Elise.
For a look back at this legendary artist, jewelry designer, and polymer art advocate you can visit her website here.
From Winter into Spring …
I would also like to put out a reminder that the first issue of The Polymer Studio is set to go to print at the end of this week. If you would like to get the first print copies straight from the printer, be sure to purchase your subscription or single issue pre-order by this Wednesday, January 9th, to get on the direct mail list we give to the printer. The issue will be released on January 19th in digital.
You can look forward to …
Tutorials
- Kitchen Sink Imprint Mokume by Julie Picarello
- Magical Phoenix Feather by Christi Friesen
- Martian Footprints Necklace by Anna Malnaya
- Swoop Pendant by Beatrice Picq
- More is More Fimo Bracelet by Jeannette Froese LeBlanc
- Mosaic Stained Glass Canes by Linda Leach
- Shimmering Scenery Pendant by Sage Bray
Tips
- Mix a Near and Far Color Palette with Tracy Holmes
- Mix it Up with Embossing Powders with Debbie Crothers
- Creative Studio Organization Ideas by our Staff
Inspiration
- Studio Tour: Small Spaces in Germany with Anke Humpert
- In-Depth Artist Profile: Julie Picarello
- Uncommon Clay Artist Profile: Travis Suda
… and much more!
Get your subscription here at www.ThePolymerStudio.com or www.TenthMuseArts.com.
Read More
I have been traveling for 16 hours as I sit down to write this and I have another 7 hours to go before I reach the hotel in Malta. Every change of scenery, the many different people, the variation in languages is enervating–I’ve been trying to guess people’s country of origin based on jewelry and clothing but you know what … people are more or less the same everywhere. It’s still been a fun game. I just wish I was more awake to really take it all in here. Many polymer people are already in Malta. See if you can sneak a peek on Donna Greenberg’s Facebook page–she’s taken some amazing pictures of the places in Malta she and other polymer peeps got out early to see. I just can’t wait to get there.
My opportunities for photos as well as a decent Internet connection while traveling have been slim so instead of sending the overcast images of Reykjavik and Frankfurt this will be simple and brief and get in some info I couldn’t squeeze in last week about polymer in print.
If you don’t know about Polymere & Co., it’s the newest magazine on the scene and the first one of its kind not in English. The French language magazine focuses on project tutorials and jewelry and is available in both print and digital editions. Even if French isn’t your language, don’t let that stop you from getting a copy. Get the digital and plug the articles into an online translator. In this day and age there is not any reason to stay away from publications simply because they aren’t in your language. What a wonderful time we live in!
Editor Beatrice PICQ will be joining us at EuroSynergy to talk about why she started this magazine. I’m so excited to talk to her and hear about her vision. Because at this point, there is definitely still room for more quality polymer instruction and inspiration.
Okay … I’m off to get myself set for my final leg to Malta!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
