The Glotzer Have Landed!
July 9, 2018
Inspirational Art
Guest Blog post by Christi Friesen
Have you noticed what Georg Dinkel has been up to lately? He’s been creating an array of surreal pieces that are some of the most interesting little characters I’ve ever seen.
But wait there’s more! Georg is a master photographer, so he has observed these Glotzer creatures in the wild, preserving their spirit of adventure and exploration through his captivating images.
When you hear someone talk about an artist having a “voice” it means that their work is distinctly their own. You know who the artist is without having to search for the credit because it’s instantly recognizable. Georg has a voice and it’s been loud and clear lately!
Oh! And he’s just launched his new website, including the store where you can get one of his amazing creations before they are all gobbled up. Of course, you won’t be able to get Glotzer #10, because it’s already on the way to me!
I think that one of the most wonderful things about following the work of an artist who has a distinct style is watching it evolve, grow and become more “itself”… something for us all to think about as we explore our own creative paths.
In the meantime, the Glotzer have landed. Brace yourselves.
Don’t forget to check out Christi’s new book coming out soon. It’s going to be a great summer for reading! And creating! Link to new book site:
https://www.christifriesen-workshops.com/ebooks
Shifting Styles
January 1, 2015
Inspirational Art
This suggestion is not going to be for everyone but for those of you who haven’t found a personal style or feel the one they have been working with has become stale. This might be the year to try to define or change up your style. Understanding what your style is and what about it is recognizable to others can be a bit tricky, but you can help yourself to see your voice (its essence, at least) by taking a class, following a tutorial or trying something you’ve never done before and seeing if there aren’t certain elements you just can’t help working with or find yourself constantly drawn to. If you can define those elements, try working with them in various ways, and then follow what you find most interesting. If you feel the need to change up your style, don’t just try and do something completely different, but use what you find most essential in your present style, and use it with new techniques, color palettes, forms or other mediums.
Here is a polymer artist whose work I find wholly recognizable, even though much what she posts online is very different. There is a sweetness and a calm, simplistic approach to her sculptural forms and imagery that is combined in such a way as to be very unique to her. I am partial to Afsaneh Tajvidi‘s snails. I don’t have any particular affinity to snails myself, but the perky stance and cute little faces make these little guys rather irresistible. Take a look through her Flickr albums and see if you can identify what makes her work so cohesive in its style.
These cute pieces may not be in themselves inspirational if you work in edgy or organic shapes, for instance, but trying to define Tajvidi’s style can help you find yours. You can do this with your favorite artist’s work as well, whether they work in polymer or other materials. It’s discovering what is uniquely individual in a body of work that will make it easier to see it in your own.
On that note, a very, very happy New Year and all the best to you and yours as you embark on another wonderful year of creativity and discovery.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Stepping Outside the Box
October 21, 2014
Inspirational Art
A major theme of the weekend in Racine was the idea of stepping out of pre-set boxes. There were a whole range of ‘boxes’ being discussed including our own personal boxes we put ourselves in as artists. Because of those conversations, I wanted to bring up the piece by Jeffery Lloyd Dever that was exhibited in the Racine Museum of Art’s (in)Organic exhibition running through February 1st, 2015. This was already shown on Polymer Clay Daily last Friday, but since I had the luck to be part of a conversation with Jeff about this piece, I thought it was worth showing again and sharing some of his thoughts.
This piece really pushes beyond Jeff’s usual presentation in that it is all black. Completely absent are the glowing gradations of color, the fine lines and the back filled spots that he is so well known for. While standing around after a full day of discussion already, the conversation turned to flaws, and Jeff stated that no one seemed to see the flaws in his work because of all the varied detail. He felt that distracted viewers from the imperfect line or the errant fingerprint. This naturally brought up this all black piece of his since those elements were there to distract. Was it harder to create and finish this new work because there were no visual distractions? He said no, that the limitation of the palette was really quite freeing.
What he wanted to know in turn was whether the work was still recognizably his. We gave him a resounding “Yes.” He seemed surprised. He had worked outside his own still fairly roomy box by abandoning his colors and his details and even working with new forms, and yet, we still could see him in it. Why is that?
My thought on that question is simply this: When an artist is working with their own authentic voice, when they’ve gone through long periods of exploration and discovery, the knowledge and experience they’ve gained over time flows out into their work. I see Jeff’s signature in the cleanness of the shapes, the fluidity of their connection, the sparseness of elements so that they each have space enough to be seen individually and, of course, the organic source he constantly returns to in the forms and compositions he chooses. It may have felt quite different for him, but for us, it is still uniquely Dever.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Guest Blog post by Christi Friesen
Have you noticed what Georg Dinkel has been up to lately? He’s been creating an array of surreal pieces that are some of the most interesting little characters I’ve ever seen.
But wait there’s more! Georg is a master photographer, so he has observed these Glotzer creatures in the wild, preserving their spirit of adventure and exploration through his captivating images.
When you hear someone talk about an artist having a “voice” it means that their work is distinctly their own. You know who the artist is without having to search for the credit because it’s instantly recognizable. Georg has a voice and it’s been loud and clear lately!
Oh! And he’s just launched his new website, including the store where you can get one of his amazing creations before they are all gobbled up. Of course, you won’t be able to get Glotzer #10, because it’s already on the way to me!
I think that one of the most wonderful things about following the work of an artist who has a distinct style is watching it evolve, grow and become more “itself”… something for us all to think about as we explore our own creative paths.
In the meantime, the Glotzer have landed. Brace yourselves.
Don’t forget to check out Christi’s new book coming out soon. It’s going to be a great summer for reading! And creating! Link to new book site:
https://www.christifriesen-workshops.com/ebooks
This suggestion is not going to be for everyone but for those of you who haven’t found a personal style or feel the one they have been working with has become stale. This might be the year to try to define or change up your style. Understanding what your style is and what about it is recognizable to others can be a bit tricky, but you can help yourself to see your voice (its essence, at least) by taking a class, following a tutorial or trying something you’ve never done before and seeing if there aren’t certain elements you just can’t help working with or find yourself constantly drawn to. If you can define those elements, try working with them in various ways, and then follow what you find most interesting. If you feel the need to change up your style, don’t just try and do something completely different, but use what you find most essential in your present style, and use it with new techniques, color palettes, forms or other mediums.
Here is a polymer artist whose work I find wholly recognizable, even though much what she posts online is very different. There is a sweetness and a calm, simplistic approach to her sculptural forms and imagery that is combined in such a way as to be very unique to her. I am partial to Afsaneh Tajvidi‘s snails. I don’t have any particular affinity to snails myself, but the perky stance and cute little faces make these little guys rather irresistible. Take a look through her Flickr albums and see if you can identify what makes her work so cohesive in its style.
These cute pieces may not be in themselves inspirational if you work in edgy or organic shapes, for instance, but trying to define Tajvidi’s style can help you find yours. You can do this with your favorite artist’s work as well, whether they work in polymer or other materials. It’s discovering what is uniquely individual in a body of work that will make it easier to see it in your own.
On that note, a very, very happy New Year and all the best to you and yours as you embark on another wonderful year of creativity and discovery.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
A major theme of the weekend in Racine was the idea of stepping out of pre-set boxes. There were a whole range of ‘boxes’ being discussed including our own personal boxes we put ourselves in as artists. Because of those conversations, I wanted to bring up the piece by Jeffery Lloyd Dever that was exhibited in the Racine Museum of Art’s (in)Organic exhibition running through February 1st, 2015. This was already shown on Polymer Clay Daily last Friday, but since I had the luck to be part of a conversation with Jeff about this piece, I thought it was worth showing again and sharing some of his thoughts.
This piece really pushes beyond Jeff’s usual presentation in that it is all black. Completely absent are the glowing gradations of color, the fine lines and the back filled spots that he is so well known for. While standing around after a full day of discussion already, the conversation turned to flaws, and Jeff stated that no one seemed to see the flaws in his work because of all the varied detail. He felt that distracted viewers from the imperfect line or the errant fingerprint. This naturally brought up this all black piece of his since those elements were there to distract. Was it harder to create and finish this new work because there were no visual distractions? He said no, that the limitation of the palette was really quite freeing.
What he wanted to know in turn was whether the work was still recognizably his. We gave him a resounding “Yes.” He seemed surprised. He had worked outside his own still fairly roomy box by abandoning his colors and his details and even working with new forms, and yet, we still could see him in it. Why is that?
My thought on that question is simply this: When an artist is working with their own authentic voice, when they’ve gone through long periods of exploration and discovery, the knowledge and experience they’ve gained over time flows out into their work. I see Jeff’s signature in the cleanness of the shapes, the fluidity of their connection, the sparseness of elements so that they each have space enough to be seen individually and, of course, the organic source he constantly returns to in the forms and compositions he chooses. It may have felt quite different for him, but for us, it is still uniquely Dever.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
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