Outside Inspiration: Drawing from Your Environment
January 10, 2014
Inspirational Art
Mariana Bankova is a jewelry designers from Weliko Tarnowo whose inspiration comes from some of the most basic forms and sources, including the natural world just outside her door. She lists the material used in the pendant here as a “synthetic ceramic” but it could just as well be stone and certainly could be emulated in polymer. I was drawn to this piece by it’s simplicity and strong centered composition as well as the primitiveness of it. Even with the refined look of the bugle beads, it retains a definite tribal feel, with its rough surface and uneven shape.
Mariana partners with another young jewelry artist, Ilza Hristova. Thier stated commonality in design is in the use of basic, universal symbols like a circle representing perfection, a triangle standing for mystic inspiration, a helix which speaks to the past and the present, or a square form used to reflect the balance of forces as it does in Mariana’s pendant. These mystical, mythical and mathematical symbols have a primitive connection to us because they are so basic and have been a part of most, if not all, cultures since humans started using symbols to communicate.
Mariana and Ilza share both a Flickr photostream and a website to show and sell their work and would be fine places to browse while enjoying a hot beverage on this cold winter day.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Influencing a Master
January 8, 2014
Inspirational Art
This tribal neck piece is made from textured colored polymer, oxidized sterling silver, horse hair, and antique coral. This collection of tribal work is based on Kathleen Dustin’s familiarity with ethnic jewelry from her nine years of living overseas and her extensive travels around the world. Hand-worked texture is the overriding technique in this piece. Take a look at Kathleen’s Pinterest board to see her abstract series that uses translucent layering techniques that resemble enamel on metal. She is creating pieces that reflect how all the fragments of our lives – prosperity, pain, crises, good times – come together to make something beautiful as a whole. Her work is influenced by the work of many abstract artists as well.
Again “there’s nothing new under the sun;” this style of jewelry dates back thousands of years. The commonality in motifs of primitive indigenous cultures is apparent. Compare Vicki Grant’s work on this Pinterest board with the African Protective Amulet Man’s Necklace made with leather, silk, and pigments. If you are in need of some serious style inspiration, take a look at these tribal designs for a fresh new look at graphic influences that have stood the test of time.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Shimmer From a Past Culture
December 10, 2013
Inspirational Art
Turkey’s Nihal Erpeden brings us some seasonal shine with her Ottoman series of necklaces. Although when Ottoman is mentioned, I usually think of something to put my feet up on, there is a whole rich history and culture that came out of the Ottoman Empire that we see the influence of but may not commonly associate with the Turkish conquerors or their long standing rule–from 1299-1923, well into the 20th century. That’s not so very long ago!
The interesting thing for art that comes out of the expanded rule of a single culture is the integration of other cultures into the aesthetics of the conquering society and vice versa, of course. Decorative arts from the Ottoman Empire bear the flourish and filigree common in the Turkish culture’s history but also integrated motifs from Persian, Greek, and Byzantine art over the years they ruled in those areas. That makes for a very rich and diverse source of imagery, color and design to draw inspiration from as Nihal has done here.
Both past and present cultures, espeically those we aren’t very familiar with can be a tremendous source of ideas and imagery to integrate into your own artwork. Dayle Doroshow wrote a wonderful article in the present Winter 2013 issue of The Polymer Arts on the influences of past culture with ideas on how to draw from them to give new direction and complexity to your work.
As you know, if you’ve been following my blog for any length of time, I strongly encourage all artists to look outside their discipline for inspiration as it will keep your work and the community’s work fresh and ever expanding. The same goes for looking outside your own culture. When you’re feeling uninspired or think our work is getting stagnant, look outside of what you know, of what you are familiar with. Find something new that gets you excited. Our brains crave novel experiences and information. Feed your brain and you’ll feed your creativity.
For more of Nihal’s lovely work, take a look at her Etsy shop and blog site.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Mariana Bankova is a jewelry designers from Weliko Tarnowo whose inspiration comes from some of the most basic forms and sources, including the natural world just outside her door. She lists the material used in the pendant here as a “synthetic ceramic” but it could just as well be stone and certainly could be emulated in polymer. I was drawn to this piece by it’s simplicity and strong centered composition as well as the primitiveness of it. Even with the refined look of the bugle beads, it retains a definite tribal feel, with its rough surface and uneven shape.
Mariana partners with another young jewelry artist, Ilza Hristova. Thier stated commonality in design is in the use of basic, universal symbols like a circle representing perfection, a triangle standing for mystic inspiration, a helix which speaks to the past and the present, or a square form used to reflect the balance of forces as it does in Mariana’s pendant. These mystical, mythical and mathematical symbols have a primitive connection to us because they are so basic and have been a part of most, if not all, cultures since humans started using symbols to communicate.
Mariana and Ilza share both a Flickr photostream and a website to show and sell their work and would be fine places to browse while enjoying a hot beverage on this cold winter day.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
This tribal neck piece is made from textured colored polymer, oxidized sterling silver, horse hair, and antique coral. This collection of tribal work is based on Kathleen Dustin’s familiarity with ethnic jewelry from her nine years of living overseas and her extensive travels around the world. Hand-worked texture is the overriding technique in this piece. Take a look at Kathleen’s Pinterest board to see her abstract series that uses translucent layering techniques that resemble enamel on metal. She is creating pieces that reflect how all the fragments of our lives – prosperity, pain, crises, good times – come together to make something beautiful as a whole. Her work is influenced by the work of many abstract artists as well.
Again “there’s nothing new under the sun;” this style of jewelry dates back thousands of years. The commonality in motifs of primitive indigenous cultures is apparent. Compare Vicki Grant’s work on this Pinterest board with the African Protective Amulet Man’s Necklace made with leather, silk, and pigments. If you are in need of some serious style inspiration, take a look at these tribal designs for a fresh new look at graphic influences that have stood the test of time.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Turkey’s Nihal Erpeden brings us some seasonal shine with her Ottoman series of necklaces. Although when Ottoman is mentioned, I usually think of something to put my feet up on, there is a whole rich history and culture that came out of the Ottoman Empire that we see the influence of but may not commonly associate with the Turkish conquerors or their long standing rule–from 1299-1923, well into the 20th century. That’s not so very long ago!
The interesting thing for art that comes out of the expanded rule of a single culture is the integration of other cultures into the aesthetics of the conquering society and vice versa, of course. Decorative arts from the Ottoman Empire bear the flourish and filigree common in the Turkish culture’s history but also integrated motifs from Persian, Greek, and Byzantine art over the years they ruled in those areas. That makes for a very rich and diverse source of imagery, color and design to draw inspiration from as Nihal has done here.
Both past and present cultures, espeically those we aren’t very familiar with can be a tremendous source of ideas and imagery to integrate into your own artwork. Dayle Doroshow wrote a wonderful article in the present Winter 2013 issue of The Polymer Arts on the influences of past culture with ideas on how to draw from them to give new direction and complexity to your work.
As you know, if you’ve been following my blog for any length of time, I strongly encourage all artists to look outside their discipline for inspiration as it will keep your work and the community’s work fresh and ever expanding. The same goes for looking outside your own culture. When you’re feeling uninspired or think our work is getting stagnant, look outside of what you know, of what you are familiar with. Find something new that gets you excited. Our brains crave novel experiences and information. Feed your brain and you’ll feed your creativity.
For more of Nihal’s lovely work, take a look at her Etsy shop and blog site.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
