Pantone Color Everywhere
August 31, 2013
Inspirational Art, Technique tutorials, Tips and Tricks
So apparently, this has been quite the week for Pantone in the craft blogs.
Besides the posts here, Art Bead Scene chatted about the new Fall colors, showing off some lovely bracelets in the palette colors and throwing in a nice little tutorial for a hidden clasp beaded bracelet.
Then over at the 2 Good Claymates’ blog, Carolyn and Dave spent the last week breaking down the Pantone colors and giving away polymer clay color recipes for the majority of the Fall 2013 palette. Here is a collection of their trademark flowers, using their recipe for the rich orange that Pantone calls “Koi“.
The Goods also have recipes for Samba, Mykonos Blue, Deep Lichen Green, Linden Green, Turbulence and Carafe as well. (click on the color name to get to their post on each of the colors.) If you like the Good’s recipes, you might want to get Carolyn’s Color System tutorial for some more color exploration.
Thank you to Francie Owens, who sent me the Art Bead Scene link, and to Jamie Hibbs, who clued me into what the Goods were up to this week. Thanks for keeping me in the loop, ladies!
Bold and Brilliant Floral
June 4, 2013
Inspirational Art
Working in floral is a license to go all out with color. Springtime flowers are bright, vivid things, competing against all the other bright and vivid colors of the season. You can take a lesson from their boldness: if you are going to get colorful, don’t hold back on just how bold or striking your color combinations are.
This necklace from 2 Good Claymates (Carolyn and Dave Good) has an fairly limited palette, but the saturation and contrast of the color are quite striking, don’t you think?
This is just one example of being bold without having to overdose the viewer with color. Being bright and bold is not about how many colors you use, but how they work together. Think contrast when you are after brilliant color–the darker blue against the bright of the turquoise and the lighter yellow is where this color combination in this piece gets its punch. If you have accents or backgrounds to go along with your bold components, consider toning down those colors so they don’t compete too much. You can see how that works in this necklace, with the leaves here created in more muted greens. They allow the bright flowers to really pop.
I can’t imagine a piece like this not grabbing some serious attention at the next garden party, even amidst nature’s own work!
The Sealant Debate
June 21, 2012
Supplies & other fun stuff, Tips and Tricks
To seal or not to seal? Isn’t that too often the question? We want our work to be durable and keep our surface treatment protected but the addition of a clear glaze or finish can alter the look.
Well, there is no easy answer to this but if you want to read up on what options you have, what works best for what kind of work and recommended techniques, take a look at this detailed post over at 2 Good Claymates’ blog.
Do you have any good tips regarding sealants and how and when to apply them?
So apparently, this has been quite the week for Pantone in the craft blogs.
Besides the posts here, Art Bead Scene chatted about the new Fall colors, showing off some lovely bracelets in the palette colors and throwing in a nice little tutorial for a hidden clasp beaded bracelet.
Then over at the 2 Good Claymates’ blog, Carolyn and Dave spent the last week breaking down the Pantone colors and giving away polymer clay color recipes for the majority of the Fall 2013 palette. Here is a collection of their trademark flowers, using their recipe for the rich orange that Pantone calls “Koi“.
The Goods also have recipes for Samba, Mykonos Blue, Deep Lichen Green, Linden Green, Turbulence and Carafe as well. (click on the color name to get to their post on each of the colors.) If you like the Good’s recipes, you might want to get Carolyn’s Color System tutorial for some more color exploration.
Thank you to Francie Owens, who sent me the Art Bead Scene link, and to Jamie Hibbs, who clued me into what the Goods were up to this week. Thanks for keeping me in the loop, ladies!
Working in floral is a license to go all out with color. Springtime flowers are bright, vivid things, competing against all the other bright and vivid colors of the season. You can take a lesson from their boldness: if you are going to get colorful, don’t hold back on just how bold or striking your color combinations are.
This necklace from 2 Good Claymates (Carolyn and Dave Good) has an fairly limited palette, but the saturation and contrast of the color are quite striking, don’t you think?
This is just one example of being bold without having to overdose the viewer with color. Being bright and bold is not about how many colors you use, but how they work together. Think contrast when you are after brilliant color–the darker blue against the bright of the turquoise and the lighter yellow is where this color combination in this piece gets its punch. If you have accents or backgrounds to go along with your bold components, consider toning down those colors so they don’t compete too much. You can see how that works in this necklace, with the leaves here created in more muted greens. They allow the bright flowers to really pop.
I can’t imagine a piece like this not grabbing some serious attention at the next garden party, even amidst nature’s own work!
Read MoreTo seal or not to seal? Isn’t that too often the question? We want our work to be durable and keep our surface treatment protected but the addition of a clear glaze or finish can alter the look.
Well, there is no easy answer to this but if you want to read up on what options you have, what works best for what kind of work and recommended techniques, take a look at this detailed post over at 2 Good Claymates’ blog.
Do you have any good tips regarding sealants and how and when to apply them?
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